Botanical Plates

[Sitwell, Great Flower Books 1700-1900 page 121; British Library BLL01002555954] Initially published in 15 monthly parts, each with 4 plates, from July 1825 to September 1826, thi...

In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually became known as The Temple of Flora, comprised of 30 folio bota...

In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable i...

In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable i...

In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually became known as The Temple of Flora, comprised of 30 folio bota...

Odontoglossum Coronarium, native to the mountainous cloud forests of South America, is prized for both its vibrant coloration and floriferous habit. This botanical plate preserves it...

Botanical Engraved Ring – Lily of the Valley Motif, Silver, Gold. Nature inspired Flower Engagement Ring. Gold Lily Wedding Ring for Women. Birthday Flower Ring. Lily Whisper Ring. ...

His publications on ferns became particularly influential during the height of “Pteridomania,” the Victorian obsession with collecting and cultivating exotic fern species. Today, Low...

Details about the Maker, Publisher, and Publication: - Maker: The chromolithographs were likely produced by P. de Pannemaeker or Severeyns, renowned for their expertise in chromolith...

Plate XXVII is exceptional within the series because it illustrates not only cut cane segments but also the full standing plant with leaves, offering a more complete botanical profil...

Botanical Print. Plate-signed. Measures 22.50 x 16.375 in.

These two plants are cherished for their graceful appearance and versatility in gardens, beautifully captured in these Victorian-era botanical prints. The purple toadflax plate depi...

This attractive group presents a carefully selected range of alpine flora, rendered with exceptional clarity and naturalistic color, typical of late 19th-century scientific botanical...

Antique Sugarcane Botanical Print – Saccharum officinarum, Hayne Plate 100 Description: This finely executed botanical engraving depicts Saccharum officinarum, the sugarcane plant, ...

Issued as part of Zenker’s Merkantilische Waarenkunde, the plate documents the botanical origins of materials that would later drive industrial innovation.

Each illustration is highly detailed, showcasing the textures and patterns of the leaves, indicative of the expertise and care that went into creating these botanical illustrations. ...

From Curtis' Botanical Magazine. Fold-out plate with two horizontal folds as issued. 300mm by 240mm (sheet) Matilda Smith (1854–1926) was a botanical artist whose work appeared in...

From Curtis' Botanical Magazine. Fold-out plate with two vertical folds as issued. 240mm by 300mm (sheet) Matilda Smith (1854–1926) was a botanical artist whose work appeared in C...

From Curtis' Botanical Magazine. Fold-out plate with two vertical folds as issued. 240mm by 295mm (sheet) Matilda Smith (1854–1926) was a botanical artist whose work appeared in C...

From Curtis' Botanical Magazine. Fold-out plate with two vertical folds as issued. 240mm by 300mm (sheet) Matilda Smith (1854–1926) was a botanical artist whose work appeared in C...

Together, they capture the natural variation and elegance of this genus, known for its slender stems, elongated leaves, and bright magenta blossoms. The first plate depicts the Rose...

Published in London in 1828 as part of The Botanic Garden, these plates capture the diverse beauty of ornamental flowering plants cultivated in Great Britain.

Eyewood*), a richly colored variety shown in a cluster of five golden, speckled fruits hanging from leafy branches. This botanical print is Plate 63 from a celebrated 19th-century Du...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

He dedicated his work and subsequent publication "The Temple of Flora; or Garden of Nature Picturesque Botanical Plates of the New Illustration of the Sexual System of Linnaeus" to Q...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

The work is one of the earliest important illustrated studies of British insects and reflects the emerging scientific interest of the early Enlightenment in observing insects within ...

The plate focuses on botanical structure and fruit development, offering a slightly more analytical counterpart to other vanilla studies.

A red ladybird beetle (Coccinellidae) appears near the upper part of the composition, adding a vivid accent to the botanical scene. The third plate depicts a flowering plant accompa...

Published in London in 1828 as part of The Botanic Garden, these hand-colored plates showcase ornamental flowering plants prized in English gardens for their color, form, and delicacy.

Inspired by Oscar de la Renta's runway prints, this bold cocktail ring is molded into a gunmetal botanical scribble, plated in 22K yellow gold. • Motif 1.7 " x 1.7 ", ring size US 4...

Published in London in 1828 as part of The Botanic Garden, these plates capture the diverse beauty of ornamental flowering plants cultivated in Great Britain.

From Curtis' Botanical Magazine. Fold-out plate with two horizontal folds as issued. 300mm by 240mm (sheet) Matilda Smith (1854–1926) was a botanical artist whose work appeared in...

Unlike many purely scientific botanical illustrations, Volkamer’s plates combine precise natural observation with fantastical landscape compositions inspired by Italian vedute, garde...

The plate features four botanical illustrations: Fig. 1 shows a detailed depiction of Dyer's Alkanet (*Alkanna tinctoria*), Fig. 2 and Fig. 4 illustrate parts of the same plant, and ...

Part of the legendary Lubbock Family Service, each urn features a series of exquisite, hand-painted botanical specimens derived from the plates of William Curtis’s Botanical Magazine.

Warm white or ivory mats help balance the paper tone and highlight the fine botanical details. Double matting enhances depth and accentuates the plate marks.

Financial success was not found, but he went on the publish "The Botanical Magazine" in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and...

Originally created as botanical reference plates, these engravings now stand firmly as decorative artworks.

Maund, a Fellow of the Linnean Society, sought to make horticultural knowledge accessible through art, offering both accuracy and aesthetic pleasure. These plates represent a perfec...

Published in London in 1828 as part of The Botanic Garden, these plates depict ornamental flowering plants cultivated in Great Britain.

Wonderful set of 12 botanical prints. Hand coloured copper-plate engravings After drawings by J.Sowerby Published by W.Curtis 1793 Unframed.

These exquisite prints exemplify the harmony between scientific illustration and artistic beauty, hallmarks of early Victorian botanical art. Each plate features four different flowe...

These engravings beautifully express the balance of scientific detail and artistic sensitivity typical of Edwardian botanical illustration. Each plate includes magnified details of f...

Once common in salt marshes and damp meadows across Europe, wild celery’s natural elegance and culinary connection make it a particularly interesting subject in botanical art. The c...

The subtle greens, purples, and pinks are carefully balanced, reflecting the aesthetic harmony prized in Edwardian botanical illustration. Together, the three plates form a graceful ...

Stark’s unique perspective as an Edinburgh-based nurseryman and seedsman allowed him to capture the botanical essence of each specimen with remarkable fidelity, making these plates b...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

For a more traditional look, slim gilded frames suit the botanical style perfectly. Leave the plate impression visible for maximum authenticity.

Each composition unites scientific accuracy with artistic grace, making Maund’s plates as treasured for interior decoration as for botanical study.

The clean layout, fine lettering, and botanical accuracy of these plates make them exemplary of early Victorian taste and craftsmanship.

Slim gilt frames offer a more classical botanical presentation. Keeping the plate mark visible enhances authenticity.

Every plate combines accurate botanical structure with artistic charm.

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...