Bottoms Up

base and an acrylic tube with 1.5" thick walls. The tank lights up from the bottom through the acrylic

bottom up. It begins by sourcing the best quality cast iron bases. We focus on bases from Western Europe

This 1930s Art Deco side accent table or end table made of agate glass, the bottom of which lights

the bangle measures 6 1/2 inches. The bracelet opens up at the bottom and has a safety clasp. Overall

margins; some margin staining/toning/darkening; restored 4" vertical tear from the bottom edge up between

: 1918 Linen Backed There is a very well restored 7" vertical tear in the middle of the bottom edge

Custom designed all Bronze base to support the crystal has an ( LED ) light installed in the bottom in

Condition: New with tags, however there is a tiny bit of loose/broken stitching on one tie up of the bottom

made of glass The body is articulated and has movement The fish stands up on the bottom fins Great

bottom layers build up to the impasto top layer, where splotches of yellow and white are seen across the

gilt loss and touch up on the bottom edge. Back was replaced at some point. Mirror with a few spots

Mid-Century Modern decorative bamboo rattan umbrella stand with woven wicker bottom. Italy, 1960s

top and bottom rails, having up and under woven iron mesh to sides, top and bottom, with the whole

. Slide the top tray and position the bottom tray beside it. You’ve doubled the table top to 59 inches

Measurements: The pin measures 2 1/4 inches wide when the feathers are up and 2 3/4 inches from top to bottom

strength and an iconic beauty. There's a hanging cord, and the colors on the bottom side have deepened

including some areas of faint stains. The glass as some chips. One corner of the bottom panel is pushed up

creases on the leather. Scrapping to the leather and chain on the bottom. Color was professionally touched

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

bottom front but stable, wear to finish.

, ''Mucha” on all four lithographs, and a personal hand written dedication signed by Mucha on the bottom

experience for the purposes of art or arousal with a rigger (“top” or “dom”) tying up another person “bottom

experience for the purposes of art or arousal with a rigger (“top” or “dom”) tying up another person “bottom

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

for the purposes of art or arousal with a rigger (“top” or “dom”) tying up another person “bottom

“dom”) tying up another person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding

experience for the purposes of art or arousal with a rigger (“top” or “dom”) tying up another person “bottom

upper Full lace up Classic red bottoms Full strass laces with silver aglets Strass covered stiletto heel

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

“dom”) tying up another person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

under skirt with a wide polka dot flounce making up the bottom or 4th tier. The second element is a

wicker detail at the bottom part. It stands up on a rattan tripod base. This piece was entirely made by

upper Full lace up Classic red bottoms Full strass laces with silver aglets Strass covered stiletto heel

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

experience for the purposes of art or arousal with a rigger (“top” or “dom”) tying up another person “bottom

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

Fantastic Adirondack Twig Chandelier with 14 lights on 2 tiers. Eight on the bottom and six up top

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

joy to wear. The dress is unlined but has a long bottom hem of doubled-up fabric. The cool girl's go

experience for the purposes of art or arousal with a rigger (“top” or “dom”) tying up another person “bottom

experience for the purposes of art or arousal with a rigger (“top” or “dom”) tying up another person “bottom

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

Vitrine is made out of high quality walnut wood. It has 2 keyed drawers on the bottom. Sides are

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

elegant, wiring is sound. Picture with bottom, base lit up is not a true color when lit.

the hinged bottom and work up through each consecutive drawer to unlock the next. Perhaps a great way

MDF top and laminated particle board bottom. Black plastic glides. Rated up to 250 lbs. Model: Boost

) 59.5" Tall x 30" Diameter *Please note, there are legs at the bottom that have been bent up so they

deep blue at the bottom of the canvas up to lighter blue followed by a lavender violet and finally

front. The back…. And oh those sides! The left side is zipped up from the bottom hem in the middle of a

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

person “bottom,” “sub” or “bunny”). The Japanese art of kinbaku ‘tight binding’ is primarily aesthetic

arms. With 2 tops, up and bottom in black marble, Nero Marquina marble.