Bronze Figurative Prints

This layered artwork titled "Unit 02" is an original artwork by Alex Eckman-Lawn made of hand-cut paper and layered to create a dimensional illusion. This piece measures 8.75"h x 8.7...

Gary Hume Snowman 2006 18-karat white gold on 20-inch chain with artist’s display stand 16 x 12 x 12 inches; 41 x 30 x 30 cm Edition of 25 Stamped with artist's initials, hallmark, m...

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) c...

Original French vintage poster. le "Flip" Soap. This fun image shows the tube of 'Flip" pushing away the shaving bowl, towel, and shaving brush. I...

Joseph Mario Korbel (Czech/American, 1882-1954). Period fine example bronze, dark brown patina, modeled as a nude female kneeling and tying her sandal, raised on a stepped black marb...

This print is a series of 60, and it has a silver leaf on the moons. This edition is special in its color since the artist doesn't usually work with a green palette but this piece wa...

Pedro Friedeberg is a radial artist who throughout his career has always been at the forefront, as in the Renaissance and pre-Raphaelite art of the 19th century...

Jean Cocteau ( 1889 -1963 ) Vé : (& Astrology ) ( Blue variant ) . 1958 . 4éme variante : terre incrustée blanche et bleue Size : 7 cm . Signed underneath . Astrology : Pendentif ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes ...

Jean Cocteau ( 1889 - 1963 ) Vé and Astrology ceramic's pendant : Vé : signed underneath White 1ere variant ( Terre blanche en relief ). page 212 Size: 7 x5.5 cm catalogue rai...

Gaston Suisse (1896-1988) Panthère noire dans les bambous, 1927 Gravure sur bois, sur papier Velin de Van Gelder. Rehaussé aux lavis d’encre de Chine par l’artiste Signé en bas à gauche et daté 1927 en bas à droite Black panther in a forest of bamboos, 1927 A handcolored woodcut on Velin de Van Gelder paper Signed and dated 1927 Bibliographie /Literature Gaston Suisse, splendeur du laque art déco. Emmanuel Bréon. Somogy Éditions d'art, Paris 2013, reproduite page 105 (un autre exemplaire reproduit) The artist made a wood engraving of which he made about twenty prints himself. These proofs were not marketed as is, Gaston Suisse reworked each of the proofs using Indian ink washes in order to obtain different effects for each proof, which are thus unique original works. Born in 1896 in a family of artists, his father Georges was a close friend of Siegfried Bing and a great lover of Japanese art and a bibliophile. He passed his taste for art to his son whom he often took to draw at the Botanic Garden . Around 1910, Gaston Suisse, who hasn't entered yet the artistic school, met Paul Jouve, then 18 years his elder, who was already famous. In 1911, at the age of 17, he entered the National School of Decorative Art where he followed the teachings of Paul Renouard. Thanks to his knowledge and taste for the Japanese art, he chose lacquer painting as his specialty. His practice of this noble and demanding subject were so much appreciated that he was awarded with two gold medals in 1913 and 1914. Mobilized during the war , he joined the army and go in Salonika where he found his friend Jouve. In 1918, he finished his studies at the School of Applied Arts in order to perfect his training. He learned in particular the techniques of gilding and oxidation of metals. The first productions of Gaston Suisse, furniture and objects in lacquer with geometrical patterns, were an instant success and Suisse was appointed as member of Salon d'Automne in 1924, the very year of his first exhibition. Considered as an artist-decorator, his sincere and deep friendship with Jouve linked him in parallel with the groups of the animaliers of the Jardin des Plantes and became a close friend of Edouard-Marcel Sandoz. When travelling to Maghreb and Middle-East between 1923 and 1925, he produced numerous drawings representing antelopes, apes and fennec foxes...