Cafe Society

From the 1930s through the 1950s, Thorpe’s designs won her many fans among the members of café society, including Princess Grace of Monaco and the Shah of Iran.

The elements of structure, stability and surprise he admired in this well-dressed dandy – a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick ...

In the Paris neighbourhood Montmartre, where he had his studio, he painted various scenes of Parisian life and cafe society. At the same time, he continued to paint Provence and too...

In the Paris neighbourhood Montmartre, where he had his studio, he painted various scenes of Parisian life and cafe society. At the same time, he continued to paint Provence and too...

The elements of structure, stability and surprise he admired in this well-dressed dandy, a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick, ...

The elements of structure, stability and surprise he admired in this well-dressed dandy, a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick, ...

The elements of structure, stability and surprise he admired in this well-dressed dandy, a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick, ...

The elements of structure, stability and surprise he admired in this well-dressed dandy, a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick, ...

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

After the war, Beckmann portrayed city life and cafe society with mordant grace. During the 1920s he began to develop his mature style.

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In additi...

In 1951, she traveled to North Africa with the painter Friedensreich Hundertwasser, and is the subject of three paintings titled "Rosyln 1, 2, 3" Amaranth describes life in 1950s Par...

In 1951, she traveled to North Africa with the painter Friedensreich Hundertwasser, and is the subject of three paintings titled "Rosyln 1, 2, 3" Amaranth describes life in 1950s Par...

Giacometti, Sonia Delaunay, who invited me to choose my paint supplies and put it on her tab, Hundertwasser, who painted 3 portraits of me, Yves Klein, Alberto Burri, who asked me to...

It was designed to be lightweight enough to be moved easily around a Viennese café or a high-society parlor. The visible hardware and the specific way the bentwood loops are screwed...

The Slim Aarons Prints Collection, The Slim Aarons Prints Collection, High Society, Cafes, Cocktails & Dining, Fine Dining & Cocktails

One of the popular aspects of his work centers on elegant ladies, the "femmes" of the Fin de Siècle—They are society women, performers, café habitues, "femmes fatales," shopkeepers.

One of the popular aspects of his work centers on elegant ladies, the "femmes" of the Fin de Siècle—They are society women, performers, café habitues, "femmes fatales," shopkeepers.

These over-scaled chairs were said to have been designed by Chicago architect Sam Marx, but they were probably made by William Quigley, whose workshop and showroom supplied him with ...