Calligraphy Ink

"Women Love 2" (FRAMED) Calligraphy Painting 51" x 35" inch by Mohamed Hassan Mohamed Hassan is a traditional Arabic calligraphist, he obtained his official license to practice this...

"Women Love 1" (FRAMED) Calligraphy Painting 51" x 35" inch by Mohamed Hassan Mohamed Hassan is a traditional Arabic calligraphist, he obtained his official license to practice this...

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as Kakejiku or sometimes Moji mandala.

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as Kakejiku or sometimes Moji mandala.

Chinese School, 20th century; After Ren Renfa (Qinglongzhen, 1255-1328). Signed center right in Chinese with artist chop mark for 'Yueshan Daoren' 月山道人, brush name for Ren Renfa. (Q...

The brush is perfectly suited for painting and ink calligraphy, while also serving as a striking scholastic and organic design statement.

The brush is perfectly suited for painting and ink calligraphy, while also serving as a striking scholastic and organic design statement.

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as Kakejiku or sometimes Moji mandala.

A minimalist artwork, Pool employs a deftly controlled, almost calligraphic line. Ink on paper Signed by the artist Certificate of Authenticity Framed Size: 73 x 37 x 2 cm

A single two-sided Qur'an manuscript leaf with beautiful hand inked calligraphy with gilt borders and a gilt cartouche with calligraphic decoration.

At five years of age I became interested in calligraphy. Fascinated by sepia ink, I started my small collection.

The craftsmanship reflects traditional techniques, with the panels likely crafted from wood or veneer, sealed with a natural lacquer to preserve the inked calligraphy. The screen’s ...

Group of 6 colorful pages of a 19th century North African prayer book with expressive calligraphic script in black ink with red, green and yellow highlights.

Linda Stein, Profile Envelope 421.035 - Signed Feminist LGBTQ+ Ink on Paper, Calligraphic Drawing Profile Envelope 421.035 is from Linda Stein's Profile Envelope series--drawings...

At five years of age I became interested in calligraphy. Fascinated by sepia ink, I started my small collection.

A minimalist artwork, Pool employs a deftly controlled, almost calligraphic line. Ink on paper Signed by the artist Certificate of Authenticity Framed Size: 43 x 35 x 2 cm

With careful brushwork, this 19th-century painting honors the four treasures of the scholar's studio - paper, calligraphy brush, ink, and inkstone. Essential to his way of life, the ...

Perfectly readabe, although the nervous calligraphy. An original ink sketche representing four horses in different positions.

Calligraphic brushstrokes in black ink are used to render the nude figure of Aphroditus in contrapposto similar to ancient Greek and Roman representations of the male Aphrodite.

At five years of age I became interested in calligraphy. Fascinated by sepia ink, I started my small collection.

At five years of age I became interested in calligraphy. Fascinated by sepia ink, I started my small collection.

Large and elaborate calligraphy drawing featuring Diana, goddess of the hunt, riding a stag, signed and dated 1888: Late 19th century American pen and ink calligraphy, executed i...

A two-fold screen painted in ink with abstract calligraphy of the character ‘En’ (Garden) by Imaoka Norio (1929-1999).

The wood is then finished with many layers of calligraphy ink to create a glossy black surface, or left to expose the natural grain, and sealed with varnish.

The wood is then finished with many layers of calligraphy ink to create a glossy black surface, or left to expose the natural grain, and sealed with varnish.

In his early career-defining Digital series, which includes this piece on offer, he overlapped two layers of calligraphy, with a traditional ink stroke work under a layer with the ch...

A fantastically decorative pen and ink calligraphy composition celebrating the life of a Maria Arthur Manchip who dies 1899.

Antique Chinese late Qing dynasty early 20th century porcelain hat stand vase, reticulated with quatrefoils to the round cylindrical body, hand painted with a pair of large and small...

Moving away from her earlier figurative styles, she began utilizing dense, calligraphic ink marks that floated weightlessly across the composition.

That these plants could be rendered monochromatically with simple ink and a calligraphic brush made them especially favored subjects for literati artists, whose lives revolved around...

The wood is then finished with many layers of calligraphy ink to create a glossy black surface, or left to expose the natural grain, and sealed with varnish.

Vintage gilt decorated ink sticks for calligraphy - inscriptions to the back of each stick - China - mid 20th century.

Indulge in the beauty of traditional Chinese calligraphy with this exquisite ink plate, hand-carved with natural Type-A Myanmar green jadeite.

On offer is a set of six wood platter-shape trays, hand-turned and lacquered with ink painting and calligraphy by Hirao Chikuka (1856-1939).

Moving away from her earlier figurative styles, she began utilizing dense, calligraphic ink marks that floated weightlessly across the composition.

Sun Yat-sen Memorial Hall, Taipei, Taiwan 2013 Majestic Island, The Development of Modern Art in Taiwan, National Art Museum of China, Beijing, China; China Art Museum, Shanghai,...

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

A minimalist artwork, Pool employs a deftly controlled, almost calligraphic line. Ink on paper Signed by the artist Certificate of AuthenticityFramed Size: 45 x 45 x 2 cm

This charming watercolor is composed in the style of traditional ink calligraphy and depicts two ducks resting on a river bank.

Expressing the beauty and resilience of nature’s flora, ink calligraphy artists traditionally select plants and flowers as the subjects of their works, each chosen for its auspicious...

This work is made in the style of abstract zen calligraphy with Chinese ink and pastel on thick white paper.

This work is made in the style of abstract zen calligraphy with Chinese ink and pastel on thick white paper.

Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings, used cartoon-like sketch l...

Perfectly readabe, although the nervous calligraphy. An original ink sketche representing four horses in different positions.

Perfectly readabe, although the nervous calligraphy. An original red ink sketch representing a male profile playing a trumpet.

Influenced in part by John Cage’s embrace of chance operations as a compositional strategy in music, and informed by Chinese ink painting and calligraphy, and Zen Buddhist and Daoist...

Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush pot was a fixture of every traditional Chinese scholars' desk.

A spectacular testament to this origin remains beautifully preserved on the surface: the original paper instructional labels (fuda) are still affixed, hand-written with elegant calli...

This porcelain peach is a traditional Chinese water dropper, a calligraphy accessory that would have been found upon a scholar's painting table alongside the Four Treasures of the St...

Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush rest was an essential fixture of the Chinese scholars' desk.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

With a lifetime commitment to artistic growth and expression, she initially learned traditional Sumi ink calligraphy, then later developed a more fluid method of brushwork.

Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush rest was an essential fixture of the Chinese scholars' desk.