Charles Bird King

. 1842, hand-colored lithograph The lithograph by Charles Bird King depicts Ka-na-pi-ma, also known as

lithograph depicts John Ridge, a Cherokee interpreter, by Charles Bird King (American, 1785 - 1862

19.7/8"W Born in Newport, Rhode Island, Charles Bird King became famous for his portraits of

publication by various artists, notably Charles Bird King.

Artist:Charles Bird King Publisher:McKenney and Hall hand-colored engraving on paper Date: ca. 1837-1844 Sheet

, after the oil on canvas portrait by Charles Bird King. The lithographic portrait is from McKinney

American entitled "Apauly-Tustennuggee, A Creek Chief" after a painting by Charles Bird King from McKenney

"History of the Indian Tribes of North America," and it is based on original paintings by Charles Bird King

by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's

American entitled "To-Ka-Con, A Sioux Chief", drawn by J. T. Bowen after a painting by Charles Bird King

Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the

entitled "Nah-Et-Luc-Hopie", created by Lehman and Duval after a painting by Charles Bird King, from

entitled "Kee-Shes-Wa, A Fox Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and

Charles Bird King, from McKenney and Hall's "History of the Indian Tribes of North America", published in

Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the

by Charles Bird King from McKenney and Hall's "History of the Indian Tribes of North America

American entitled "Kee-She-Waa, A Fox Warrior", drawn by J. T. Bowen after a painting by Charles Bird King

History of the Indian Tribes of North America, published after the original paintings by Charles Bird King

portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders

. For his portrait painted by Charles Bird King, Wa-Na-Ta chose to wear a colorful ornate robe-like

entitled "Tah-Col-O-Quoit", lithographed by J. T. Bowen after a painting by Charles Bird King and published

American entitled "Wa-Kawn, A Winnebago Chief", after a painting by Charles Bird King from McKenney and

importance when Catlin's paintings were destroyed in a warehouse fire and most of Charles Bird King's and

portrait, painted by Charles Bird King, Tuko-See-Mathla wore a colorful outfit, primarily of red and blue

entitled "Kish-Ke-Kosh, Fox Brave", lithographed by J. T. Bowen after a painting by Charles Bird King and

by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo

paintings by Charles Bird King and others. Charles Bird King was an esteemed American portraitist of the

prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native

entitled "Po-Ca-Hon-Tas", lithographed by J. T. Bowen after a painting by Charles Bird King and published

importance when Catlin's paintings were destroyed in a warehouse fire and Charles Bird King's and James Otto

1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King

paintings of Charles Bird King, among others. Charles Bird King was an American portrait artist who is best

importance when Catlin's paintings were destroyed in a warehouse fire and Charles Bird King's and James Otto

. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to

the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these

Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the

1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King

Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the

Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the

importance when Catlin's paintings were destroyed in a warehouse fire and Charles Bird King's and James Otto

the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these

the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these

North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published

Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the

America," based on the work of Charles Bird King, which was published circa 1838. Sequoyah's creation of

of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and

" with portraits published after Charles Bird King, circa 1838. Red Jacket, known by the Seneca as

1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King

Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the

entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King

Charles Bird King, to paint portraits of the Native American delegates during their Washington D.C. visit

entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King

America, first published in the 1830s. The portrait is based on an original painting by Charles Bird King

on paper depicting a Native American Indian whose portrait was painted by Charles Bird King and later

century. The portrait is based on an original painting by Charles Bird King, a prolific American artist

based on paintings by Charles Bird King, whom the War Department commissioned to do portraits of tribal

. Charles Bird King painted the Indian portraits which hung in the Indian Gallery of the War Department. One