Chinese Stoneware

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

A Chinese stoneware day bed model circa Ming dynasty (15th-17th century).

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

The forms were classical, inspired by the Song Dynasty's Chinese stoneware. During 1957-58, Friberg began working with different patterns in the glaze.

19th Century Stoneware Cat Pillow, China A charming antique stoneware cat pillow from China, cream background with classic brown spots.

Large Midcentury Chinese Brown and Green Glazed Pottery Vase or Planter, Mid-Century Modern Chinese Stoneware Vase with Hand-Painted Floral Decoration, Tall Vintage Chinese Ceramic P...

Chinese wine ewer in glazed stoneware from the late Qing dynasty.

Large Chinese wine ewer in glazed stoneware from the Qing dynasty.

This imposing vintage ceramic urn is a beautiful interpretation of traditional Chinese stoneware, featuring a bold, tapered amphora silhouette and rich decorative elements.

A pinkish stoneware jar with broad shoulder and slightly tapered body from Chinese East Zhou Dynasty (771-256BC).

A Chinese Mataban Stoneware Storage Jar 18th century The baluster body set at the shoulder with lug handles brown glaze Height 12.87 in Catalogue note The glaze is influenced by the...

Large Chinese blue-green celadon glazed stoneware planter featuring a luminous crackle glaze and a gracefully rounded silhouette.

Antique pair of Chinese grey stoneware vases Chinese, early 20th Century Height 56cm, width 18cm, depth 18cm The charming vases in this pair are crafted from stoneware—ceramic that ...

Colorful Chinese polychrome decorated stone ware elephant form garden seat, late 20th century.

Little stoneware Chinese bowl in glazed stoneware. 12th-14th century.

This is a very old interesting Chinese Export stoneware Longquan Celadon bowl, which we date to the early Ming or later Yuan Dynasty, circa 1400 or earlier.

Little stoneware Chinese bowl in glazed stoneware. It is adorned with flower engravings.

Little stoneware Chinese bowl in glazed stoneware. It is adorned with flower engravings.

Chinese export ceramic from the mid XXth century.

The reddish-brown to ochre stoneware body visible at the exposed foot rim is characteristic of iron-rich southern Chinese stoneware clay.

Lovely cream colored Chinese glazed ceramic planter with raised decoration.

Chinese teapot in glazed stoneware with wicker handle.