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Christo Mastaba

Mastaba serigraphy & barrel
Mastaba serigraphy & barrel

Mastaba serigraphy & barrel

$19,236

H 31.5 in W 23.63 in D 0.79 in

Mastaba serigraphy & barrel

By Christo and Jeanne-Claude

Located in PAU, FR

CHRISTO Mastaba Project for the Kunstverein in Koln 1986 Screenprint Signed and numbered 164/200

Category

Vintage 1980s French Beaux Arts Contemporary Art

Materials

Paper

Christo & Jeanne-Claude, Texas Mastaba. America: The Third Century, 1975
Christo & Jeanne-Claude, Texas Mastaba. America: The Third Century, 1975

Christo & Jeanne-Claude, Texas Mastaba. America: The Third Century, 1975

By Christo and Jeanne-Claude

Located in Argelato, BO

"America: The Third Century," depicts a conceptual artwork known as the "Texas Mastaba." The "Texas

Category

Vintage 1970s American Mid-Century Modern Prints

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The Mastaba by Christo Javacheff Project for United Arab Emirates Collage 1979
The Mastaba by Christo Javacheff Project for United Arab Emirates Collage 1979

The Mastaba by Christo Javacheff Project for United Arab Emirates Collage 1979

By Christo and Jeanne-Claude

Located in Sofia, BG

The Mastaba (Project for United Arab Emirates) by Christo Yavachev (1935 - 2020) Pencil and wax

Category

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Materials

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Christo & Jeanne Claude - “The Mastaba Project for Kunstverein Köln”, 1986
Christo & Jeanne Claude - “The Mastaba Project for Kunstverein Köln”, 1986

Christo & Jeanne Claude - “The Mastaba Project for Kunstverein Köln”, 1986

By Christo and Jeanne-Claude

Located in EL Waalre, NL

Christo & Jeanne Claude - “The Mastaba Project for Kunstverein Köln”, silkscreen and original

Category

Vintage 1980s German Modern Prints

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Christo and Jeanne-Claude for sale on 1stDibs

Motivated solely by a mission to spread joy and celebrate beauty through their work, Christo and Jeanne-Claude (1935–2020; 1935–2009) created riveting large-scale public art installations that pushed ephemeral art to an entirely unprecedented new level. While the pair created prints, photography and a range of other types of art, they’re best known for their installations — working with a combination of textiles and industrial materials, Christo and Jeanne-Claude created colossal site-specific sculptures and other projects that frequently included wrapping monuments, walkways and even coastlines in reams of fabric in order to draw attention and encourage viewers to experience familiar objects and places in entirely new ways. 

Christo and Jeanne-Claude frequently incorporated nature’s forces into their works, creating billowing fence lines, enormous inflatable free-standing structures and colorful floating walkways. Partners in life and art, the pair designed installations that often took years or even decades to realize and lasted for only days or weeks. Christo and Jeanne-Claude’s preparatory works and detailed drawings and collages are today a testament to their intricate ephemeral masterpieces and legacy.

Christo and Jeanne-Claude’s stories, incredibly, began on the exact same day — on June 13, 1935, Christo Vladimirov Javacheff was born in Gabrovo, Bulgaria, and on the very same day in Casablanca, Morocco, Jeanne-Claude Denat de Guillebon was born. While Jeanne-Claude received a broad education and a baccalauréat in Latin and philosophy, growing up in France, Switzerland, Morocco and Tunisia, Christo studied art from the age of six years old. He went on to study painting, drawing, architecture and sculpture at the National Academy of Art in Sofia before leaving Bulgaria to escape the Hungarian Revolution. 

Christo spent time in Prague before a brief stint at the Vienna Academy of Fine Arts, moving on then to Geneva and ultimately France. He made money by painting portraits for wealthy families. After being hired by Jeanne-Claude’s mother to paint three portraits of her, Christo met his future wife and collaborator. The pair created their first environmental installation, Dockside Packages and Stacked Oil Barrels, in 1961. 

Together, Christo and Jeanne-Claude pursued increasingly ambitious projects, proposing to wrap everything from trees in Wrapped Trees, Foundation Beyeler and Berower Park, Riehen, Switzerland, 1997-98 to important public buildings including the Wrapped Reichstag, Berlin, 1971–95. They also created free-standing abstract sculptures such as the 5,600 Cubicmeter Package, billowing curtains such as Valley Curtain, Rifle, Colorado, 1970–72, and proposed installations in locations as far-flung as Dubai and Japan. These projects and others have been linked to the Pop art-adjacent nouveau réalisme movement.

Classically trained in drawing, Christo created preparatory sketches and collages for the projects, selling his artwork to independently fund the monumental temporary installations the pair erected. Meanwhile, Jeanne-Claude advocated for the pair’s artwork, speaking at public forums, sending proposals to municipal governments, and using her unique combination of compelling charm and stoic stubbornness to get their projects approved. 

Devoted to their ideals of spreading joy and beauty, the pair accepted no commissions or commercial collaborations — all their installations were funded purely by the sale of their preparatory art. The last of their realized urban works, that 2005 project invited New Yorkers to go for a glorious walk through 7,503 saffron-fabric-draped portals along the pathways of Central Park. More than 4 million people did.

Christo’s wrapped sculptures, which he began making early in his career, as well as his preparatory works, are held in the permanent collections of museums and other institutions including the Smithsonian American Art Museum, the National Gallery of Art, the Museum of Contemporary Art and the Centre Pompidou. Jeanne-Claude died in 2009, and Christo continued to realize the pair’s planned projects until his own passing in 2020. 

Find original Christo and Jeanne-Claude photography, mixed media works, sculptures and prints on 1stDibs.