Clift Hotel
1990s American Post-Modern Sofas
Upholstery, Wood
Early 2000s American Modern Console Tables
Wood
Early 2000s American Modern Lounge Chairs
Fabric, Wood
Early 2000s American Modern Lounge Chairs
Fabric, Wood
Early 2000s American Modern Lounge Chairs
Fabric, Wood
Early 2000s American Modern Pedestals
Aluminum
Early 2000s American Modern Lounge Chairs
Fabric, Wood
Early 2000s American Modern Floor Lamps
Brass
Early 2000s American Louis XVI Dining Room Chairs
Mirror, Wood
1990s Italian Art Deco Decorative Dishes and Vide-Poche
Stainless Steel
Early 2000s American Modern Lounge Chairs
Fabric, Wood
Recent Sales
Early 2000s French Post-Modern Sofas
Leather, Mahogany
1990s American Post-Modern Benches
Leather, Wood
1990s American Post-Modern Benches
Faux Leather, Wood
1990s American Post-Modern Benches
Faux Leather, Wood
Early 2000s American Modern Console Tables
Wood
1990s French Modern Floor Mirrors and Full-Length Mirrors
Mirror
Early 2000s American Modern Lounge Chairs
Fabric, Wood
People Also Browsed
2010s British Art Deco Lounge Chairs
Alpaca, Beech, Oak
2010s South African Minimalist Pedestals
Hardwood
1990s Italian Chandeliers and Pendants
Metal
Antique Late 19th Century British Edwardian Bookcases
Softwood
20th Century Spanish Hollywood Regency Console Tables
Metal, Brass
2010s Australian Modern Wall Lights and Sconces
Aluminum
Mid-20th Century French Dining Room Chairs
Oak
Vintage 1950s American Mid-Century Modern Console Tables
Wood
2010s Belgian Modern Sofas
Linen
Vintage 1940s French Art Deco Wall Mirrors
Brass
2010s Italian Mid-Century Modern Chairs
Steel
Vintage 1970s Italian Mid-Century Modern Floor Lamps
Aluminum, Steel, Chrome
21st Century and Contemporary French Modern Sofas
Beech
Antique Early 1900s English Late Victorian Sofas
Leather, Walnut
2010s American Beaux Arts Coffee and Cocktail Tables
Bronze
Antique Mid-18th Century French Louis XIII Desks and Writing Tables
Walnut
Clift Hotel For Sale on 1stDibs
How Much is a Clift Hotel?
Philippe Starck for sale on 1stDibs
A ubiquitous name in the world of contemporary architecture and design, Philippe Starck has created everything from hotel interiors and luxury yachts to toothbrushes and teakettles. Yet for every project in his diverse portfolio, Starck has maintained an instantly recognizable signature style: a look that is dynamic, sleek, fluid and witty.
The son of an aircraft engineer, Starck studied interior design at the École Nissim de Camondo in Paris. He started his design career in the 1970s decorating nightclubs in the city, and his reputation for spirited and original interiors earned him a commission in 1983 from French president François Mitterrand to design the private apartments of the Élysée Palace. Starck made his name internationally in 1988 with his design for the interiors of the Royalton Hotel in New York, a strikingly novel environment featuring jewel-toned carpeting and upholstery and furnishings with organically shaped cast-aluminum frames. He followed that up in 1990 with an equally impressive redesign of the Paramount Hotel in Manhattan, a project that featured over-scaled furniture as well as headboards that mimicked Old Masters paintings.
Like their designer, furniture pieces by Starck seem to enjoy attention. Designs such as the wedge-shaped J Series club chair; the sweeping molded-mahogany Costes chair; the provocative Ara table lamp; or the sinuous WW stool never fail to raise eyebrows. Other Starck pieces make winking postmodern references to historical designs. His polycarbonate Louis Ghost armchair puts a new twist on Louis XVI furniture; his Out-In chair offers a futuristic take on the classic English high-back chair. But for all his flair, Starck maintains a populist vision of design. While one of his limited-edition Prince de Fribourg et Treyer armchairs might be priced at $7,000, a plastic Starck chair for the Italian firm Kartell is available for around $250. As you will see on 1stDibs, Philippe Starck’s furniture makes a bold statement — and it can add a welcome bit of humor to even the most traditional decor.












