Antique Mezzotints

Medium: mezzotint (engraved by David Lucas after the John Constable painting).

Medium: mezzotint (engraved by David Lucas after the John Constable painting).

Medium: mezzotint (engraved by David Lucas after the John Constable painting).

Medium: mezzotint (engraved by David Lucas after the John Constable painting).

Medium: mezzotint (engraved by David Lucas after the John Constable painting).

4 mezzotint engravings by and after Ridinger (c.55 x 43 cm.) with margins on all sides.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame.

Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H.

Johann Jakob Scheuchzer (1672 - 1733) was a Swiss traveller naturalist and geologist. His best known scientific works are his paleontological 'Lithographia Helvetica' (1726) and his ...

Samuel Cousins Mezzotint, by Edwin Long after Samuel Cousins (1801-1887). 1884. 530mm by 405mm (platemark) 620mm by 495mm (sheet).

Medium: mezzotint. Engraved by John Cother Webb after the J.

Medium: mezzotint (engraved by David Lucas after the John Constable painting).

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame.

Medium: mezzotint (engraved by David Lucas after the John Constable painting).

A fine eighteenth-century mezzotint by Jonathan Spilsbury after Sir Joshua Reynolds's portrait of the Right Hon.

Johann Wilhelm Weinmann Ananus Sclvestris ( Pineapple ) N. 110 mezzotint engraving with hand coloring paper size 15.50 x 9.50 image size 13 x 8.25 Ananus Sclvestris ( Pineapple ) N....

Mixed colored etching and mezzotint. Framed, cm 36 x 1.5 x 31. Good conditions.

There is an inscription in plate with the title, publisher's details and artist's names. The mezzotint has been cropped within the original plate lines and laid to board.

An 18th century mezzotint engraving by J. Dean after Joshua Reynolds RA.

Henry Macbeth-Raeburn (1860-1947), after Sir Henry Raeburn (1756-1823) mezzotint, 'The Macnab'. Signed in pencil 'H. Macbeth-Raeburn' to the lower left.

A large mezzotint by Josiah Boydell (1752-1817) after a 1641 painting by Rembrandt (1606-1669) depicting Cornelis Claesz Anslo (1592-1646), a Dutch businessman and Mennonite preacher.

“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...

Print Sz: 17 1/2"H x 16 1/4"W Frame Sz: 23"H x 21 3/4"

Maize by Scholnyk is a mezzotint of ears of corn in a woven basket. This impression is #25 of an edition of 80.

'River Stour, Suffolk' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).

'Flatford Mill' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).

'Gillingham Mill, Dorsetshire' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).

Artist: (Ernst) Max Pietschmann (German, 1865-1952) Title: "The Bather (Die Badende)" (Part II, Plate 7) Portfolio: Representative Art of Our Time *Issued unsigned Year: 1903 Medium:...

A large mezzotint print by Norman Hirst (1862-1956) depicting Lady Catherine Rouse Boughton after a painting by George Romney (1734-1802).

One frame includes a mezzotint print by William Henderson.

Mezzotint with hand-colouring on wove paper. Image Sz: 13 1/4"D Frame Sz: 26 1/2"H x 25 3/8"W French hand-colored mat w/ burlwood maple frame Verso w/ Haley & Steele Newbury...

W. Ward after George Morland. Title, artists and date inscribed in print. Presented in a part gilt frame. On paper.

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Samuel Cousins was a highly regarded mezzotint engraver. 350mm by 280mm (sheet), 240mm by 200mm (image)

This striking engraved mezzotint portrait is printed on laid, chain-linked paper.

A dramatic and high quality 18th Century mezzotint with stipple engraving, showing Christ being laid in the sepulchre after the crucifixion.

'Sir Richard Steele's Cottage, Hampstead Road' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).

'East Bergholt' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).

A finely detailed mezzotint by William Say (1768-1834) after Henry Thomson (1773-1843).

"The Country Stable" After a painting by George Morland. 1763-1804. - Mezzotint engraving by William Ward. 1766-1826. Print: 20.75" x 26" - With Frame: 28.5" x 34" Published: March...

A charming mezzontint after the portrait by Henry MacBeth Raeburn depicting General Hay MacDowall. Hay MacDowall was a Scottish officer in the British Army who was the sixth General ...

A charming portrait mezzotint of a young lady with a well-plumed hat by Minnie Cormack (1862-1919), thought to be after one of a pair of works by George Morland (1763-1804).

He moved to London and became one of the leading mezzotint-engravers of his day. He produced many excellent plates including about 50 after Reynolds, his Lady Stanhope is believed to...

A fine 18th Century etching by John Murphy after the original painting by Pietro Da Cortona. The scene shows Jesus appearing to Mary in the garden after his crucifixion. There is an ...

'A Dell, Helmingham Park, Suffolk' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).