Bruno Contenotte Tables

Magnificent “Alveo” rectangular coffee table in burl wood and brass, designed by Willy Rizzo for Mario Sabot in Italy during the 1970s. Fully original and in fantastic condition, th...

Pair of 1970s Spanish bamboo coffee tables.

'Annika' side table by Swedish designer Bruno Mathsson in 1936. Sculpted legs with a beautiful birch top. Some wear on table top.

A commanding and sculptural 'Banker' bronze coffee table by celebrated American designer Karl Springer, dating to the 1970s. Known for his impeccable craftsmanship and bold materiali...

Rare side / magazine table designed by Bruno Mathsson. Produced by Karl Mathsson in Värnamo, Sweden.

Gorgeous Italian sculptural two part modern travertine coffee tables hailing from the 1970s. Neutral. Versatile. This particular set showcases an especially beautiful travertine grai...

Table Annika designed by Bruno Mathsson for Karl Mathsson, Sweden. 1936. Elm top and birch legs. Measurements: H: 65 cm / 2' 2" D: 95 cm / 3' 1 7/8" This round “Annika” occasional table was manufactured in 1967 and designed in 1936; it is made of birch with a smooth Oregon pine top. Bruno Mathsson created various iterations of his “Annika” model — they come in three shapes with different wood combinations and various heights. They can be round with three legs, square with four legs, or rectangular with six legs, allowing exciting and contrasting combinations when grouped. While the design aesthetic is delicate, the table is very well-made because of the strong plywood. Bruno Mathsson’s love for nature pervades all his designs — he frequently slept outside in the forest or his garden on a specially designed foldable bed. His furniture shapes, particularly the legs, bring bull's horns or insects to mind. Mathsson was one of the most important Swedish designers of the 20th century. He was a contemporary of Alvar Aalto and Marcel Breuer, all of whom had already experimented with bent plywood during the 1930s. Karl Mathsson, Bruno Mathsson's father, was the fifth generation in a family of master cabinet makers. He owned a furniture manufacturing company that produced the earlier pieces; later, they founded "Mathsson International”. The stamp indicates the manufacturing date and, sometimes, the design date. Bruno Mathsson often gave his furniture Swedish woman...

Large square coffee table with stainless steel base square section. Top covered with a sheet of acid oxidized brass coated with a clear lacqu...

A striking vintage Italian tessellated stone coffee table, crafted from richly patterned onyx and alabaster. The rectangular top features a dramatic patchwork of tessellated golden-b...

Amazing midcentury laminate and purple enamel metal coffee table. This fantastic piece was designed in Italy by Gae Aulenti for Zanotta during the 1970s. This stunning straight-lined table with a clean enamelled metal frame with a light purple laminate formica top is in a stunning vintage condition. A wonderful item is perfect to complete a mid-century minimal living room...

From the Annika series. 1950's. Stamped. Patinated wood. As the descendant of four generations of Swedish master cabinetmakers, Bruno Mathsson was born to design furniture. Mathsson was known as a methodical perfectionist who made usefulness the fundamental attribute of his works, yet he was also a ceaseless experimenter, who constantly searched for improvements in form, materials and methods of making. Like the Finnish designer Alvar Aalto, Mathsson was one of the first Scandinavians to embrace undulating, biomorphic forms in furniture. His early pieces such as the Eva and Pernilla series of chairs incorporate dramatically flowing bent beechwood frames, making them some of the most instantly recognizable works of 20th-century design. Mathsson was also a pioneer of ergonomics — he is said to have based the contours of his chairs on the impression his body made when he sat in a snow bank — and used supple, accommodating woven webbing for seats. His concern for practicality is shown by pieces such as the Maria table. An elegant design with gate legs and hinged leaves, the table measures more than nine feet long when fully extended, but folds down to just nine inches in thickness. From the mid-1940s through the 1950s, Mathsson focused on architecture, designing and building houses with insulated, triple-glazed window walls...

Original ’Traccia’ table in very good condition. Designed by Meret Oppenheim Produced by Studio Simon’s Collezione Ultramobili, Milan, 1972 The tabletop is covered in gold leaf and has bird tracks embossed in the surface. The top rests on two brass feet in the form of bird legs. The original table was exhibited by the Surrealist artist Meret Oppenheim in 1939 for the Parisian gallery René Drouin...