Copperplate Engraving

Executed in refined copperplate engraving characteristic of early nineteenth-century London atlas production, the map demonstrates elegant typography, precise linework, and balanced ...

A dark wood or black frame enhances contrast, while a subtle gilt frame complements its historical character. Technique: Copperplate engraving Maker: Dutch School, after D.

Technique: Hand-colored copperplate engravings Maker: Luigi Giarre after Giulio Ferrario, Italy, 1815

Ideal for libraries, studies, yacht clubs, coastal homes, and collections of naval or American history. Technique: Copperplate engraving Maker: Simon Fokke after Hendrik Kobell, Am...

Technique: Copperplate engraving Maker: European school, late 18th century

Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Montfaucon engraving, Antiquité expliquée, Three Graces engraving, classical putti print, ant...

Title: Ottoman Military Encampment – The Grand Vizier’s Tent, 1734 Engraving Description: This rare 1734 copperplate engraving presents a detailed architectural depiction of *La Ten...

The scene is set against a backdrop of tents and a landscape that suggests a rural or semi-nomadic lifestyle, providing a glimpse into the life in Caria during the period when the en...

Its elegant architectural composition makes it particularly suitable for libraries, studies, or classic English interiors. Technique: Copperplate engraving Maker: Benjamin Green, En...

Museum-quality UV-protective glass is recommended to preserve the paper and fine engraved detail. Technique: Copperplate engraving Maker: Henri Abraham Chatelain, Amsterdam, 1719

Seligmann was known for his precise and detailed copperplate engravings, which bore his initials, JMS, indicating his authorship.

It is a beautifully colored copperplate engraving, depicting the northern part of Upper Saxony (Alta Sassonia) in Germany, including its neighboring regions and the Baltic Sea (Mare ...

The surrounding buildings and bustling square provide context to the cathedral’s central role within the community. The engraving technique combines copperplate engraving with han...

Description: This is a circa 1801 copperplate engraving from George Alexander Cooke's "Universal Geography" .

Description: This is a circa 1801 copperplate engraving from George Alexander Cooke's "Universal Geography" .

Description: This is a circa 1801 copperplate engraving from George Alexander Cooke's "Universal Geography" .

One version (oil on canvas, 156 x 211 cm.) was auctioned at Hampel in Munich in 2010. A copperplate engraving made after the present picture has not yet been found.

Museum glass is recommended to protect the paper and highlight the fine engraved details. Technique: Copperplate engraving Maker: Henri Abraham Chatelain, Amsterdam, circa 1720

Technique: Copperplate engraving Maker: William Grainger (after John Webber), London, circa 1787–1790

A dark walnut or ebonized frame enhances contrast and complements the historical character of the work. Technique: Copperplate engraving Maker: Thomas Bankes (after John Webber), Lo...

Perfect for hanging in garden rooms, libraries, or hallways. Technique: Copperplate engraving with original hand coloring Maker: Anonymous engraver, likely German or French, c.1830

Three Antique Engravings – Gospel Scenes and Apostles from St. Mark’s Account (1735) This striking trio of copperplate engravings, published circa 1735, features key episodes and fi...

The map on offer is an antique copperplate engraving of India and Ceylon (Sri Lanka), created by Rigobert Bonne (1727-1794), a prominent French cartographer.

Map of Zurich and Basel Region by Mercator, Uncolored Engraving c.1600 This original uncolored copperplate engraving, titled *Zurichgow et Basiliensis Provincia*, was created by the...

Costumes of Peru, 18th Century: Hand-Colored Engraving from Bertuch’s *Bilderbuch für Kinder This detailed 19th-century hand-colored copperplate engraving illustrates traditional co...

The Abandonment of Ariadne on Naxos by Theseus: A Classical Myth Depicted by Tommaso Piroli, 1789 This captivating copperplate engraving, created by the Italian engraver Tommaso P...

Pair of Curtis’s Botanical Magazine Hand-Coloured Engravings, Portuguese Flag and Branching Moraea, Sydenham Edwards 1803 and 1804 This pair of hand-coloured copperplate engraving...

A dark wood or black frame provides contrast, while a gilded frame enhances its historical and decorative presence. Technique: Copperplate engraving Maker: Dutch School, after D.

The print is sold unframed; any framed images are shown for presentation and interior inspiration only and are not always on scale. Technique: Copperplate engraving Maker: Jacob Hou...

Through delicate copperplate engraving and subtle shading, he captures both the grandeur of the Louvre architecture and the animated life of the exhibition crowd.

This pair of hand-colored copperplate engravings comprises the two final plates of John Hill’s The British Herbal, published in London in 1756.

Pairing the prints together in matching frames creates an elegant museum-style presentation suitable for classical, library, or gallery interiors. Technique: copperplate engraving M...

For a brighter interior, a lighter gilt or soft-toned frame with clean ivory matting also works well, especially in Parisian or New York-style settings. Technique: Copperplate engra...

Created circa 1735 for a large illustrated family Bible, this copperplate engraving captures the dramatic and celebratory atmosphere of this foundational New Testament event.

A double-glass frame allows viewing of both sides of the original text leaf. Technique: Copperplate engraving with letterpress text on laid paper Maker: After Jan Huygen van Linscho...

Title: Funeral Rites and Burial of Inca Nobles – Rare 1734 Engraving of Peruvian Customs Description: This detailed 1734 copperplate engraving presents two dramatic scenes depicting...

Greater Scaup – Antique Bird Engraving Anas Marila by Nozeman and Sepp, 1770 This antique hand-colored copperplate engraving, titled ‘Anas Marila’, depicts the greater scaup (Aythya...

Quetzalcoatl Worship and Hunting Deity – Rare 1734 Engraving of Aztec Rituals This finely detailed copperplate engraving from 1734 presents two theatrical interpretations of religio...

Executed in detailed copperplate engraving, the compositions are infused with visionary symbolism and Baroque grandeur, making the set ideal for collectors of scriptural prints or th...

This hand-colored copperplate engraving presents the vast northern and central Asian region then known as Tartary—a term used in early European cartography to describe an expansive a...

XV, p. 276 Paris, 1771 Copperplate engraving on laid paper Approx. 24.5 × 19.5 cm A finely detailed anatomical engraving illustrating components of the male reproductive system in d...

This engraving is a hand-colored copperplate print by Robert Benard, part of the *Histoire Naturelle* from the *Encyclopédie Méthodique*, circa 1790.

Mexican Penitence and Human Sacrifice – 1734 Engraving of Aztec Religious Rites Description: This dramatic 1734 copperplate engraving illustrates two imagined rituals from ancient M...

Chinese Religious Figures and Temple Statues – Ferrario Costume Series, 1815 This striking hand-colored copperplate engraving depicts a group of Chinese religious or ceremonial figu...

Technique: Hand-coloured copperplate engraving Maker: Andrea Bernieri after Giulio Ferrario, Milan, circa 1815

Technique: Hand-coloured copperplate engraving Maker: Antonio Rancati after Giulio Ferrario, Milan, circa 1815

Technique: Copperplate engraving Maker: Henri Abraham Chatelain, Amsterdam, 1720

The map is sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be on scale with the original. Technique: Copperplate engravi...

Consider a dark walnut or black frame with a generous ivory or archival white mat to emphasize the crisp geometry and create a museum-style display suitable for modern or classical i...

Technique: Hand-coloured copperplate engraving Maker: Giulio Ferrario workshop, Milan, circa 1815

Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued.

Geographically, the map extends from the Adriatic coast across the northern Aegean, including important historical locations such as Thessalonica, Philippi, and the mountainous inter...

Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued.

Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued.

Light age toning and minor handling wear consistent with 18th-century copperplate engraving. Original centerfold as issued.

An 18th century English cartographic county reference engraving by Thomas Kitchin (1718–1784), dating to the Georgian period, circa 1780.

Executed in refined copperplate engraving typical of London mapmaking of the period, the plate demonstrates clarity of line, precise typography, and harmonious composition.

Executed in refined copperplate engraving typical of early nineteenth-century London atlas production, the plate demonstrates clarity of design, elegant typography, and meticulous vi...

Executed in refined copperplate engraving typical of early nineteenth-century London atlas production, the plate demonstrates both intellectual clarity and aesthetic balance.

Executed in refined copperplate engraving typical of early nineteenth-century London atlas production, the map demonstrates clarity of line, elegant typography, and balanced visual c...