Copperplate Engraving

Executed with masterful copperplate engraving, the plate displays extraordinary technical precision.

Museum glass recommended to protect the coloring and enhance detail. Technique: Copperplate engraving with original hand coloring Maker: Homann Heirs, after Johann Christoph Harenbe...

"Phytanthoza Iconographia": Set of Twelve Botanical Engravings by Johann Weinmann, Circa 1737–1745 A fine and historically significant set of twelve original copperplate engravings ...

Technique: Hand-colored copperplate engraving Maker: Engraved by S. Watts after E.D.

Technique: Copperplate engraving Maker: Father Pierre Daubenton (source), French school, c.1760

Ideal for collectors of Nordic history or decorative antique cartography. Technique: Copperplate engraving with original hand colouring Maker: F. v.

Technique: Hand-colored copperplate engraving Maker: Engraved by S. Watts after E.D.

Technique: Copperplate engraving Maker: Pieter Mortier, Amsterdam, ca. 1700

Technique: Copperplate engraving Maker: Pieter Mortier, Amsterdam, ca. 1700

Technique: Copperplate engraving Maker: Pieter Mortier, Amsterdam, ca. 1700

The "Greek" pattern's enduring popularity during this shift speaks to the success of transfer-printing—a method that allowed complex, finely detailed designs derived from expensive c...

Perfect for display in a study, library, or architecture-themed interior. Technique: Copperplate engraving Maker: After Cornelis de Bruijn, The Netherlands, circa 1710

A walnut or black wooden frame gives the work a sober dignity, while a gilt frame enhances the sacred subject matter and highlights the divine light of the angelic vision. Technique...

A walnut or black wooden frame provides balance, while a gilt frame accentuates the divine light and enhances the engraving’s devotional presence. Technique: Copperplate engraving M...

A walnut or ebonized frame provides sober strength, while a gilt frame emphasizes the sacred themes, particularly fitting for the parable illustration. Technique: Copperplate engrav...

A dark wooden or ebonized frame adds strength to the composition, while a gilt frame would highlight the sacred subject matter and baroque elegance of Mortier’s engravings. Techniqu...

For a more historic presentation, consider a gold-lined or ebonized frame with a subtle antique finish. Technique: Copperplate engraving Maker: Anonymous Dutch engraver, Netherlands...

A walnut or ebonized frame will give solemn dignity, while a gilt frame enhances the sacred drama of the scenes. Technique: Copperplate engraving Maker: Pieter Mortier, Amsterdam, c...

A walnut or dark wooden frame brings gravity to the themes, while a gilt frame adds brilliance, particularly fitting for the depiction of miracles. Technique: Copperplate engraving ...

A dark wooden frame provides solemnity, while a gilt frame adds luminosity and highlights the divine authority of Christ in both episodes. Technique: Copperplate engraving Maker: Pi...

A dark walnut or black frame will add contrast and solemnity, while a gilt frame enhances the sacred subject matter and the radiance of the Annunciation. Technique: Copperplate engr...

A walnut or black wooden frame will give strength to the composition, while a gilt frame will emphasize the divine light and elevate the devotional qualities. Technique: Copperplate...

A walnut or black wooden frame will bring depth and seriousness, while a gilt frame enhances the grandeur of the architectural detail. Technique: Copperplate engraving Maker: Pieter...

Ideal for interior spaces focused on history, design, or classical architecture. Technique: Copperplate engraving Maker: After Cornelis de Bruijn, The Netherlands, circa 1710

Technique: Hand-colored copperplate engraving on laid paper Maker: François Halma, Netherlands, circa 1720

The inclusion of asteroid discovery data up to 1856 reflects the intense scientific interest in minor planets during this era. Technique: Copperplate engraving with original outline...

This map pairs well with other 18th-century South American or river charts for thematic display. Technique: Copperplate engraving Maker: Father Samuel Fritz (source), engraved by A.

This map pairs well with other 18th-century maritime charts of South America or Antarctic-adjacent regions. Technique: Copperplate engraving Maker: French school, c.1760

For thematic display, this map pairs well with other Jesuit-related or missionary maps of Asia. Technique: Copperplate engraving Maker: French school, c.1760

This map pairs well with other 18th-century Pacific and Southeast Asian charts. Technique: Copperplate engraving Maker: French school, c.1706–1760

A double mat could highlight both the regional and urban elements effectively. Technique: Copperplate engraving with original hand-coloring Maker: F. von Stülpnagel, published by Ju...

Technique: Copperplate engraving with original hand-coloring Maker: F. von Stülpnagel, published by Justus Perthes, Gotha, 1858

Ideal for a study, library, or setting themed around archaeology, philology, or travel. Technique: Copperplate engraving Maker: After Cornelis de Bruijn, The Netherlands, circa 1710

Ideal for display in a study, library, or gallery wall featuring architectural or historical prints. Technique: Copperplate engraving Maker: After Cornelis de Bruijn, The Netherland...

Ideal for a study, library, or museum display. Technique: Copperplate engraving Maker: Unknown, likely after early 18th-century antiquarian exploration (c.1710–1720), The Netherland...

To enhance the historic character, consider a hand-gilded wooden frame or museum glass for archival presentation. Technique: Copperplate engraving Maker: After Cornelis de Bruijn, T...

1728 Map of Batavia Castle & City, Java – Van der Aa after 1669 This is an original antique copperplate engraving titled “Plan de la Ville et du Château de Batavia en l’Isle de Iava...

Map of the British Isles by Gerard Valk circa 1700 – Hand-Colored Engraving This elegant copperplate engraving titled *Les Isles Britanniques, qui contiennent les Royaumes d'Anglete...

For thematic display, it pairs beautifully with other 18th-century biblical or Middle Eastern maps. Technique: Copperplate engraving Maker: Father Claude Sicard (source), engraved b...

It also beautifully combines multiple cartographic views on a single sheet to aid comparative study. Technique: Copperplate engraving with original hand colouring to highlight land ...

It is a valuable historical record for understanding 19th-century geopolitics, trade routes, and European colonial interests in the region. Technique: Copperplate engraving with ori...

The map presents an intricate view of the Persian Empire, covering a vast area stretching from the Ottoman territories in the west to the Indus Valley in the east, and from the Caspi...

Framing tips: This piece pairs well with a thin black or dark walnut frame, and a soft cream or sky-blue mat that complements the wash of color in the sky and canal. Technique: Copp...

Technical and Historical Information: - Artist/Engraver: Bernard Picart, a renowned French artist known for his detailed and expressive engravings. - Date: The images were originall...

Jakob Andreas Eisenmann: The engraver responsible for the hand-colored copperplate engravings found in Schreber's work. His engravings are based on illustrations provided by artists ...

Condition Report: The print is a fine example of 17th-century copperplate engraving, published by Jacob Meurs in Amsterdam in 1673.

Published in Zacharie Chatelain's Atlas Historique (2nd edition), this copperplate engraving reflects the artistic and scholarly standards of early 18th-century cartography.

His work is highly regarded for its scientific value and its charm as decorative art. These engravings were produced using copperplate engraving with original hand-colouring – a tec...

Ruff Bird Print with Nest – Tringa Pugnax by Nozeman and Sepp, 1770 This antique hand-coloured copperplate engraving depicts the ruff (Tringa pugnax, now Calidris pugnax), a strikin...

This is an original antique copperplate engraving, printed at the time. It is not a modern reproduction.

The piece is sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale. Technique: Copperplate engraving Maker: Emanue...

Recommended frames include dark walnut, ebonised wood, or restrained antique gilt for a museum-style presentation. Technique: Copperplate engraving Maker: Bernard de Montfaucon, pub...

Technique: Copperplate engraving Maker: Based on the explorations of Eusebio Francisco Kino, French school, c.1760

Technique: Copperplate engraving Maker: Pieter Mortier, Amsterdam, ca. 1700

De Bruijn (1652–1726/27) was a Dutch artist and traveler known for his detailed visual accounts of the Middle East, Egypt, Persia, and beyond. The engraving is rendered with fine li...

Title: Germany and Surrounding Realms by Gabriel Bodenehr, circa 1710 This striking copperplate engraving, titled "S. Imperium Romano-Germanicum, Teutschland mit Seinen Angräntzende...

Technique: Hand-colored copperplate engraving on laid paper Maker: Philippus Baldaeus (author), anonymous engraver, Amsterdam or London, c.1672