Copperplate Engraving

Siege of Kerpen under Duke of Parma – Original Engraving from Baudartius, 1616 This finely detailed early 17th-century copperplate engraving depicts the attack on the fortified town...

This is a rare 18th Century hand-colored copperplate engraving entitled "Wasserhuhn" (Coot) by Johann Leonhard Frisch , which is plate 208 from the 1st edition of his publication 'Vo...

A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the B...

The crisp copperplate engraving, balanced compositions, and consistent format across the plates make this an ideal set for collectors and designers alike.

Robert Wilkinson, 1816. Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins.

Captain Cook Tahiti Visit Engraving, Otaheite Natives, Pacific, c.1785 This impressive late 18th-century copperplate engraving captures a historic encounter between Captain James Co...

The decorative cartouche in the lower-left corner includes pastoral scenes with figures and sheep, adding an artistic flourish typical of maps from this era. Technique: Copperplate ...

The decorative cartouche in the lower-left corner includes pastoral scenes with figures and sheep, adding an artistic flourish typical of maps from this era. Technique: Copperplate ...

Executed with refined precision, the engraving demonstrates the clarity and balance characteristic of Parisian copperplate engraving of the early 1700s.

We present you a portrait of the king of Denmark and Norway, Christian IV, based on the copperplate engraving. The artwork comes from the book History of the Netherlands and the w...

Antique Handcolored Engraving of Kangaroo, Jerboas, and Bilby, Quadruped XXI, c.1800 This original handcolored copperplate engraving depicts various marsupials and small mammals,...

Antique Handcolored Engraving of Lizards, Iguana, Chameleon, and Salamander, Amphibien IV, c.1800 Description: This original handcolored copperplate engraving features four specie...

III – Pl. XII, p. 242 This copperplate engraving presents a detailed anatomical study of the organ of hearing, with particular emphasis on the middle and inner ear structures.

III – Pl. 13, p. 246 This copperplate engraving presents a comparative anatomical study of the auditory apparatus, combining sectional views of the temporal bone with detailed rende...

Antique View of Siam — Royal Barges, Elephants & Customs Engraving, Chatelain c.1720 This detailed early 18th-century copperplate engraving titled “Vue & description de la ville de ...

Piaffe Dressage Lesson in the Pillars — Encyclopédie Horse Engraving, 1750 This refined mid-18th century hand-colored copperplate engraving titled Manège, La Capriole.

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate I, page 76 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper (approx. 24.5 × 19.5 c...

Executed with refined precision typical of Parisian copperplate engraving, the print displays delicate cross-hatching, balanced composition, and sculptural clarity.

XI, p. 276 Paris, 1771 Copperplate engraving on laid paper Approx. 24.5 × 19.5 cm A finely executed copperplate engraving illustrating a lateral dissection of the thoracic cavity.

VIII, Plate XIII (Pl. XIII, p. 154) Copperplate engraving on laid paper with visible chain lines and central fold, within engraved double-rule border.

Title: Vibrant 1802 Handcolored Engraving of Rare Fish Species from Bertuch's Masterpiece Description: This striking handcolored copperplate engraving from 1802 showcases four fas...

Technique: Copperplate engraving Maker: George Vertue, England, circa 1732

London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in watercolor, 12 1/4 x 17 inches (315 x 435 mm), full margins.

London: Robert Wilkinson, 1811. Copperplate engraving with hand coloring in watercolor, 12 1/4 x 17 inches (315 x 435 mm), full margins.

An impressively scaled copperplate engraving on laid paper of the Pyramid of Cestius in Rome which is the tomb for Caius Cestius.

Piaffe Dressage Lesson in the Pillars — Encyclopédie Horse Engraving, 1750 This refined mid-18th century hand-colored copperplate engraving titled Manège, La Capriole.

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...

His simultaneous preference for sea motifs (mainly sailing ships) eventually led to the publication of his "Shipping and Crafts", a series of completed copperplate engravings, at the...