Costume Design

From the Momoyama period (1573-1610) onwards, representations of clematis were mainly incorporated into textile designs like Noh costumes and kosode (a type of kimono), where the flo...

Norkin took advantage of the situation and gained access to rehearsals, performers, costume sketches, fittings and scenic designs, providing editors with illustrations prior to an op...

Erte created original costume and fashion designs for many of the era’s most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shea...

This is a late 1960s or early 1970s couture sequinned maxi gown by William Travilla whose name is synonymous with Marilyn Monroe for whom he worked as a costume designer from 1952. ...

Coco Chanel made a significant impact on the world of jewelry with her costume jewelry designs. Her use of faux pearls, glass, and other non-traditional materials revolutionized fash...

This vintage Ottaviani Bijoux beaded rhinestone pendant necklace is a dazzling example of Italian costume jewelry craftsmanship. Designed by the renowned Ottaviani brand, known for i...

Erte created original costume and fashion designs for many of the era’s most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shea...

This rare and collectible necklace is an exquisite example of Schiaparelli’s post-war costume jewelry—designed to stand out, yet with the refinement of a true couture house.

Abril served seven years as creative director of Armand Basi One (menswear), has taught since 2009 at ESDI, LCI and ELISAVA, and designed opera costumes for La Fura dels Baus / Àlex ...

Abril served seven years as creative director of Armand Basi One (menswear), has taught since 2009 at ESDI, LCI and ELISAVA, and designed opera costumes for La Fura dels Baus / Àlex ...

Abril served seven years as creative director of Armand Basi One (menswear), has taught since 2009 at ESDI, LCI and ELISAVA, and designed opera costumes for La Fura dels Baus / Àlex ...

The work's unique cultural value lies in its universal cultural code: its use of one of the most recognizable themes in world literature makes it accessible and understandable to int...

A prolific illustrator and designer, Fini also shaped European performance culture through celebrated costumes and stage designs, while her paintings entered major museum collections...

He experienced a degree of success later on, doing costumes for stage productions and designing covers for magazines including MovieMaker, The New Yorkerand Vogue, among others.

He experienced a degree of success later on, doing costumes for stage productions and designing covers for magazines including MovieMaker, The New Yorkerand Vogue, among others.

He experienced a degree of success later on, doing costumes for stage productions and designing covers for magazines including MovieMaker, The New Yorkerand Vogue, among others.

Tribout experimented the art of ceramic too, and was included in expositions at L’Exposition des Arts Decoratifs in Paris in 1925, in addition of the posters, costumes theatrical set...

Tribout experimented the art of ceramic too, and was included in expositions at L’Exposition des Arts Decoratifs in Paris in 1925, in addition of the posters, costumes theatrical set...

Kaneko's artistic vision has also extended to the performing arts, where he has designed sets and costumes for operatic productions including Puccini's Madama Butterfly (2006), Beeth...

Her jewel legacy entered a new mega-watt era with Karl Lagerfeld and Victoire de Castellane designing Chanel costume jewellery from the early ‘80s.

While in Mexico, de Diego made a living designing costumes and scenery for ballets. His talents continued to expand as he moved into book illustration.

These unsigned designer earrings are rich in texture and detail, reminiscent of mid-century costume jewelry design that emphasized drama, storytelling, and artisan quality—even in un...

Carven herself also designed costumes for a number of Hollywood films and was renown for her delicate approach to fabrics, particularly when it came to dressing petite women.

This striking vintage brooch by Gianni Versace is a true collector’s item and a bold example of 1980s costume jewelry. Designed in a large, extroverted style typical of the era, this...

Dine then drew 12 lithographs illustrating his costume and set designs which are included in the book and an additional 4 etchings, separate from the book, which are included loose i...

Studied fashion illustration at Parsons School of Design and design at Pratt Institute. Began his career designing costumes for silent film stars at Paramount Pictures in New York.

While in Mexico, de Diego made a living designing costumes and scenery for ballets. His talents continued to expand as he moved into book illustration.

While in Mexico, de Diego made a living designing costumes and scenery for ballets. His talents continued to expand as he moved into book illustration.

Erte created original costume and fashion designs for many of the era’s most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shea...

While in Mexico, de Diego made a living designing costumes and scenery for ballets. His talents continued to expand as he moved into book illustration.

While in Mexico, de Diego made a living designing costumes and scenery for ballets. His talents continued to expand as he moved into book illustration.

Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible ...

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.

His imagery shaped the aesthetics of fashion illustration, editorial design, and stage costume well into the mid-20th century.