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David Hockney Sunflower

Sunflower I
Sunflower I

Sunflower I

By David Hockney

Located in London, GB

Sunflower I By David Hockney 1995 Etching with aquatint on Arches Aquarelle wove paper 68 x 56.4 cm Edition of 80 Hand-signed, dated and numbered in pencil Printed by Maurice Payne, ...

Category

1990s Contemporary Figurative Prints

Materials

Etching, Aquatint, Wove Paper

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Sunflower II, Etching with aquatint  Signed, dated, and numbered, USA, 1995
Sunflower II, Etching with aquatint  Signed, dated, and numbered, USA, 1995

Sunflower II, Etching with aquatint Signed, dated, and numbered, USA, 1995

By David Hockney

Located in Toronto, Ontario

David Hockney (b.1937) is one of the most influential contributors to European Pop Art and one of the most valuable, versatile, and distinctive British artists of the 20th century.

Category

1990s Pop Art Prints and Multiples

Materials

Etching, Aquatint

Sunflower
Sunflower

David HockneySunflower, 1978

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H 42 in W 32 in

Sunflower

By David Hockney

Located in London, GB

'Sunflower' - a unique work by David Hockney made of hand-coloured paper pulp, on yellow TGL handmade paper.

Category

Late 20th Century Contemporary Figurative Paintings

Materials

Paper

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Eine (Part 1)
Eine (Part 1)

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Located in London, GB

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David Hockney for sale on 1stDibs

The art of David Hockney is always engaging in its pleasant ambiguities: his prints, drawings and paintings are warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.

Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to 1962. Though he was educated in art at a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing.

Hockney's early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.

In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and has been using the Brush app to paint on an iPad. Because he was prolific and worked in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.

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