$1,895
H 18.12 in Dm 17.33 in
Italian Modern Opaline Glass Table Lamp Daruma by Asti for Fontana Arte, 1970s
By Sergio Asti, Fontana Arte
Located in MIlano, IT
. Measurements in cm 44x46H The daruma comes from the Japanese tradition: this is a rounded doll with a white
Glass
"Neiman Marcus, Reka", New York, NY, 2002
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Photographic Paper
Vintage porcelain figurine "Pierrot with Guitar" by VALENCIA
Located in Bastogne, BE
in a dynamic pose with a guitar in hand, leaning against a decorative column. The doll's expressive
Porcelain
$5,333
H 39.38 in W 20.08 in
Young Woman Fetching Water, Oil on Canvas, Signed, Circa 2000, Spain
Located in Sitges, Barcelona
, with a doll-like face and gentle gaze, stands against a backdrop of sunlit rooftops and whitewashed
Canvas, Oil
"Waterfall", Yosemite, California, 2005
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Photographic Paper
"Detour Magazine, Teresa Feathers", New York, NY, 1991
By Jose Picayo
Located in Hudson, NY
the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as
Photographic Paper
"Rotating Head", New York, NY, 1997
By Jose Picayo
Located in Hudson, NY
and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features
Photographic Paper
$850
H 28.5 in W 21 in
PASSING CROWD Signed Lithograph, Women Walking, Man in Hard Hat, Zigzag Dress
By Lester Johnson
Located in Union City, NJ
dresses, and a man wearing a Hard Hat walking. Johnson portrays the women's faces in a doll-like
Lithograph
"Phil (B)", New York, NY, 2015
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Photographic Paper
Important 15th Century Polychrome Wood Virgin and Child
Located in Saint-Ouen, FR
carefully designed curls and a doll-like face. His cheeks are highlighted in red, his look is voluntary and
Wood
Price Upon Request
H 14 in W 11 in
"Martha Stewart Living Magazine, Baking Pans", New York, NY, 1999
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Photographic Paper
"Bailey Palm", Miami, Florida, 2003
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Photographic Paper
"Phil (F)", New York, NY, 2015
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Photographic Paper
Price Upon Request
H 11 in W 14 in
"Harper's Bazaar Magazine, Berta", New York, NY, 1990
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
Price Upon Request
H 11 in W 14 in
"Connoisseur Magazine, Armani", New York, NY, 1988
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
Billy Morgan, NY" New York, NY, 2011
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Archival Pigment
"New Woman Magazine, Princess", New York, NY, 1992
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Marshall Fields, Marianne", New York, NY, 2004
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Brides Magazine, Bethlehem", New York, NY, 2005
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Nordstrom, Group", New York, NY, 2003
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Domino Magazine, Necklace", New York, NY, 1988
By Jose Picayo
Located in Hudson, NY
, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear
Photographic Paper
"Bomb Magazine, Anita", New York, NY, 1988
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Neiman Marcus, Camera", New York, NY, 1999
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Child Magazine, " New York, NY, 2006
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Yael", New York, NY, 2003
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Esquire Magazine", New York, NY, 2001
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
$1,750
H 11 in W 14 in
"Martha Stewart Living Magazine, Australian Tree", California, 2005
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Penn", New York, NY, 2003
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Neiman Marcus, Zulema", New York, NY, 1997
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Eddie's Kitchen", Cuba, 1994
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Brides Magazine, Elenore", New York, NY, 1989
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Daniel", New York, NY, 1995
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Neiman Marcus, Derek #4", New York, NY, 1995
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Gebang Palm (Detail)", Miami, FL, 2003
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Savvy Magazine, Cynthia", New York, NY, 1988
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Cigar Aficionado Magazine, Dylan", New York, NY, 1999
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Shell", New York, NY, 1996
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"David", New York, NY, 1996
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Neiman Marcus, Jim & Daniel", New York, NY, 1995
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Nordstrom, Garry", New York, NY, 2003
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Kerri", New York, NY, 1993
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"New York Times Magazine, Michael", New York, NY, 1993
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Martha Stewart Living Magazine, Peony", New York, NY, 2000
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Tortoise", Joshua Tree, California, 2005
By Jose Picayo
Located in Hudson, NY
antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the
Photographic Paper
$1,750
H 11 in W 14 in
"Rolling Stone Magazine, Natalie Merchant", New York, NY, 1994
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"From the Church La Merced", Cuba, 1994
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Still Life with Japanese Vase", New York, NY, 1998
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Sunflower", New York, NY, 2011
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
$1,750
H 11 in W 14 in
"Martha Stewart Living Magazine, Sheffield", New York, NY, 2005
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Brides Magazine, Canoe", Bedford, NY, 2003
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Neiman Marcus, Clara", New York, NY, 2001
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Back", New York, NY, 2011
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Neiman Marcus, Hollywood", New York, NY, 1997
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Neiman Marcus, Tommy", New York, NY, 2002
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Philippe", New York, NY, 1994
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper
"Obispo Street #1", Cuba, 1994
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Film
"Brides Magazine, Bedford", New York, NY, 2003
By Jose Picayo
Located in Hudson, NY
reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls
Photographic Paper