Duke Of Devonshire

Provenance: Spencer Compton, Marquis of Hartingdon , Eighth Duke of Devonshire, The Cavendish family, Chatsworth House Attic Sale Signed/inscribed/dated: Macmillan, 1889.

From the "Liber Veritatis," or a "Collection of Two Hundred Prints," after the Original Designs of Claude le Lorrain, in the Collection of His Grace the Duke of D...

Provenance: circa 1890 From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Hous...

Provenance: Chatsworth House Attic Sale, purchased probably by or gifted to Victor Cavendish,Ninth Duke of Devonshire and Governor General of Canada.

Clytha was begun by Jones in 1790 to commemorate the memory of his wife, the grand-daughter of the Duke of Devonshire who had tragically passed away in 1787.

Richard Earlom (1743-1822), etching and roulette, mezzotint, 1774, after a drawing by Claude Lorrain (Claude Gelee), number 26 from the Original Collection of the Duke of Devonshire,...

These charming landscape engravings with mezzotint are after the original drawings in the collection of the Duke of Devonshire. They were published in 1776 by John Boydell.

They were then commissioned by the 6th Duke of Devonshire in 1823, for Chatsworth House, England.

We are delighted to offer for sale this set of three original prints depicting famous statues The pictures are Art Nouveau displayed in faux walnut frames which have some fleckin...

This table belonged to the Duke of Devonshire. This stained mahogany table was made in the style of an 18th century Conservatory Table for the Conservatory of CHATSWORTH House in...

He established his name with the Veiled Lady sculpture, which was purchased by the Duke of Devonshire, and is part of the great Chatsworth house collection.

These wine coolers are very similar to a group of coolers in the collections of the Duke of Devonshire, currently on display in the state dining room at Chatsworth, Derbyshire.

He established his name with the Veiled Lady sculpture, which was purchased by the Duke of Devonshire, and is part of the great Chatsworth house collection.

These candelabra are the same pattern as a series of lighting supplied to the 6th Duke of Devonshire in 1831 for use in his London residence, Devonshire House, by the leading manufac...

Medium: cut glass Provenance: These candelabra are the same pattern as a series of lighting supplied to the 6th Duke of Devonshire in 1831 for use in his London residence, Devonsh...

This is one of only three 17th century examples of strong box, identified to have been produced in seaweed or arabesque marquetry, one of which is in the Duke of Devonshire Collectio...

Includes a drawing in Duke of Devonshire collection, Claude Le Lorrain works, etc.

The painting from which the engraving originated was in the private collection of the Duke of Devonshire. Claude Gellée, more commonly known as Claude Lorrain, was born in 1600 an...

He occupied this post until being succeeded by the Duke of Devonshire in 1916. Given his military background, the selection of Arthur proved to be prudent[citation needed], as he act...

Provenance: From the Estate of Lady Elizabeth Georgiana Alice Cavendish CVO (24 April 1926 -15 September 2018), daughter of Edward Cavendish, 10th Duke of Devonshire, Chatsworth ...

He exhibited at the Royal Academy, and soon earned recognition as a leading sculptor with his piece for the 6th Duke of Devonshire, the "Veiled Vestal" a figure with an illusionistic...

Bess of Hardwick installed a chimney piece at Chatsworth as early as 1580 and William Spencer Cavendish, 6th Duke of Devonshire (1790-1858) encouraged its revival after admiring Flor...

“We think they were ordered by the first Duke of Devonshire; they were made by The Greek A [De Grieksche A] factory – the same one that Queen Mary II ordered hers from,” notes Kather...

This vase is as acquired by William Cavendish 6th Duke of Devonshire, the ‘Bachelor duke’ who was one of the British greatest collectors of sculpture of the 19th century.

Its use was further promoted throughout the 19th century by William Spencer Cavendish, 6th Duke of Devonshire and his son William Cavendish, 7th Duke of Devonshire, where many of the...

Last half of the Nineteenth Century Bronze oval plaque at rear reads: BY ROYAL COMMISSION TO CELEBRATE DUKE & DUTCHESS OF DEVONSHIRE 25th ANNIVERSARY.

They are also frequently the subject of major academic exhibitions, such as The Gorgeous Nothings: Flowers at Chatsworth, which featured twelve spectacular Delft tulipières (ranging ...

He returned to Milan for a couple of years and then moved to London in 1846 where he executed a marble structure of a veiled Vestal for the Duke of Devonshire. From this commission o...

Provenance: William Spencer Cavendish, 6th Duke of Devonshire (1790-1858), by repute, purchased at the Great Exhibition, 1851.

He exhibited at the Royal Academy and made works for leading patrons, such as the Duke of Devonshire. Several of Monti's sculptures, which he executed in various materials including ...

The firm of Lenygon & Company, whose premises were at 31 Old Burlington Street, London, had an important clientele of aristocratic and wealthy patrons including the Duke of Devonshir...

Elizabeth’s parents were the Honourable Richard Cavendish, of Thornton Hall in the Cavendish and Elizabeth Maria Margaret Hart and her paternal grandfather was Richard Cavendish, the...

This motto belonged to Chatsworth House, the home of the Duke of Devonshire. I have had the crest researched: The Marital Arms of Cruikshank and Purrier The armorial bearings ...

This is a very special and unique extra large wall sconce designed by the world renowned Interior Designer John Stefanidis and manufactured by Bella Figura Lighting in the UK, which ...

They were then commissioned by the 6th Duke of Devonshire in 1823, for Chatsworth House, England.

They were then commissioned by the 6th Duke of Devonshire in 1823, for Chatsworth House, England.

After the original designs of Claude le Lorrain in the Collection of His Grace the Duke of Devonshire. Richard Earlom, May 14 1743-October 1822 was an English reproductive printmaker...

Torchéres of this pattern, but with different light fittings, were formerly at Devonshires House, London and are likely to have been introduced under the direction of the architect D...

Many fine examples of engraved and inlaid black marble exist in local collections, including those of Derby Museum, Buxton Museum, and Chatsworth House, the stately home of the Duke ...

Many fine examples of engraved and inlaid black marble exist in local collections, including those of Derby Museum, Buxton Museum, and Chatsworth House, the stately home of the Duke ...

Chatsworth is home to the Duke and Duchess of Devonshire, and has been passed down through 16 generations of the Cavendish family.

Chatsworth is home to the Duke and Duchess of Devonshire, and has been passed down through 16 generations of the Cavendish family.

Provenance: Acquired probably by Spencer Compton Cavendish (1833 - 1908), Eighth Duke of Devonshire, Chatsworth House.Chatsworth House Attic Sale Unmarked.

Poignantly for the Cavendish family, Major Lord John Cavendish DSO, brother of Victor, 9th Duke of Devonshire,is recorded on pp 64-65 as killed in action on 20 October 1914 whilst wi...

Society figures included the actor Peter Sellers, the author Ian Fleming, the artist Lucien Freud, the notorious Lord Lucan and the Duke of Devonshire.

Walsh’s work is in the collections of the Duke of Devonshire, The Mint Museum in Charlotte, North Carolina, the National Museum of Dublin, and the John H.

Sothebys, engaged to prepare and execute the sale of artefacts, place these bowls and saucers in the catalogue in the section allotted to the Eight Duke of Devonshire, Spencer Compto...

After 1835, however, and with the encouragement of the 6th Duke of Devonshire, the marble began to be used as a base for inlaying semi-precious stones in imitation of the collection ...

Walsh’s work is in the collections of the Duke of Devonshire, Chatsworth House, England, the National Museum of Ireland, Dublin, Ireland, The Mint Museum in Charlotte, North Carolin...

Bartolini was much admired and patronised by British tourists to Florence, including the Duke of Devonshire at Chatsworth, who ordered an even larger copy of the Medici Vase (1819) a...

Mayhew and Ince worked for many important patrons who included the Prince of Wales, 5th Duke of Devonshire, 5th Duke of Bedford and 1stDuke of Northumberland.

After arriving in England in 1755, he participated in and won several public fencing matches, quickly earning a reputation that helped him secure high-ranking clients such as the Duk...

Mawe and Brown also owned the Matlock Museum which was under the patronage of the Duke of Devonshire. Mawe was born in Derby in 1764.

David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be on one of its covers. The e...

FINE ITALIAN PORCELAIN DINNER SERVICE, VERBANO LAVENO, 20TH CENTURY The Verbano Laveno dinner service, originating from the 20th century, boasts exquisite craftsmanship and timeless...

Godfrey Kneller (Lübeck 1646 – London 1723) Portrait of an English noblewoman, presumably Mary Capel, Countess of Essex (1679–1726) Oil on canvas 128 x 104 cm. In frame 146 x...

French 18th century old master portrait of a majestic lady dressed "à la Turque" The sitter at the viewer with a kind and enigmatic smile and twinkling eyes. She looks elegant and ...

Portrait of a Noble Lady English artist, mid 18th century circle of Thomas Gainsborough (English 1727-1788) oil on canvas, unframed canvas: 30 x 25 inches provenance: private collect...

This lovely Dutch Old Master portrait oil painting is attributed to circle of Willem Wissing. Wissing settled in England and emerged as Peter Lely's most important pupil after his de...

Portrait of a Gentleman, Sir Henry Hobart Blue Cloak and cravat c.1683-1684 Attributed to Willem Wissing (1656-1687) This impressive portrait, presented by Titan Fine Art, depicts t...

A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne Carr, Lady Russell, an estee...

A stunning hand-painted and raised gilt Royal Vienna style plate signed 'Nach Angelica Kauffmann'.

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin, and the other one is holding the music book.

A beautifully hand painted and gilt porcelain cabinet plate. This is a reproduction of a depiction of Die Parzen (The Three Fates). Of the Imperial Viennese period. Likely made in Ge...