Vintage Enzo Mari Tray for Zani & Zani, 1980
Located in Chicago, IL
A very rare Enzo Mari for Zani & Zani Stainless Steel serving tray. Pair it with the Gastone
Vintage 1980s Italian Modern Serving Pieces
Stainless Steel
Vintage Enzo Mari Tray for Zani & Zani, 1980
Located in Chicago, IL
A very rare Enzo Mari for Zani & Zani Stainless Steel serving tray. Pair it with the Gastone
Stainless Steel
Enzo Mari - Danese / Milano - Maldive Four Trays
By Enzo Mari
Located in Wiesbaden, Hessen
Very rare set of four maldive trays designed by Enzo Mari, manufactured by Danese / Milano in 1960.
Metal, Nickel
Unavailable
H 0.4 in W 22.05 in D 13.19 in
Danese Milano Elisabetta Large Tray in Aluminum by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
it both a practical and elegant object. Enzo Mari is one of the masters of Italian Design. He was
Aluminum
Unavailable
H 0.4 in W 19.69 in D 11.42 in
Danese Milano Elisabetta Small Tray in Aluminum by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
it both a practical and elegant object. Enzo Mari is one of the masters of Italian Design. He was
Aluminum
Unavailable
H 2.56 in W 11.03 in D 13 in
Danese Milano Sumatra White Paper Tray in Technopolymer by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
of the trays are stacked all of the space above and below each piece can be maximized. Enzo Mari
Rubber
Unavailable
H 2.56 in W 11.03 in D 13 in
Danese Milano Sumatra Black Paper Tray in Technopolymer by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
of the trays are stacked all of the space above and below each piece can be maximized. Enzo Mari
Rubber
Unavailable
H 2.56 in W 11.03 in D 13 in
Danese Milano Sumatra Graphite Paper Tray in Technopolymer by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
more of the trays are stacked all of the space above and below each piece can be maximized. Enzo
Rubber
Unavailable
H 2.56 in W 11.03 in D 13 in
Danese Milano Sumatra Red Paper Tray in Technopolymer by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
the trays are stacked all of the space above and below each piece can be maximized. Enzo Mari is
Rubber
Unavailable
H 0.4 in W 19.69 in D 11.42 in
Danese Milano Elisabetta Small Tray in Charcoal Grey by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
it both a practical and elegant object. Enzo Mari is one of the masters of Italian Design. He was
Aluminum
Unavailable
H 0.4 in W 22.05 in D 13.19 in
Danese Milano Elisabetta Large Tray in Charcoal Grey by Enzo Mari
By Danese Milano, Enzo Mari
Located in Hicksville, NY
it both a practical and elegant object. Enzo Mari is one of the masters of Italian Design. He was
Aluminum
Sold
H 1.38 in W 18.9 in D 9.65 in
Italian Modernist Arran Tray in Stainless Steel by Enzo Mari for Danese Milano.
By Danese Milano, Enzo Mari
Located in Lille, FR
Italian Modernist Arran Tray in Stainless Steel by Enzo Mari for Danese Milano. Good condition
Stainless Steel
Enzo Mari Steel Tray for Danese
By Enzo Mari, Danese Milano
Located in Madrid, ES
An inox steel tray designed by Enzo Mari for Danese, Milan. Signed.
Steel
Rare Enzo Mari Woven Porcelain Tray for Danese
By Enzo Mari, Danese Milano
Located in Brooklyn, NY
Rare hand built woven porcelain slab tray by Enzo Mari for Danese. Signed and dated on underside.
Porcelain
Enzo Mari was an influential industrial designer and a beloved curmudgeon who revered Marxism. His vintage mid-century modern designs are simple, functional and poetic. Widely known Mari-designed objects include desk accessories, such as the Formosa perpetual wall calendar, vases, cocktail tables and chandeliers.
Enzo Mari's work is embedded within the city of Milan, the Italian capital of all things design. In fact, the traffic bollards he devised are part of the city itself: Shaped like "panettone" cakes, they simultaneously direct traffic and provide seating for pedestrians.
In 1974, Mari published Autoprogettazione? (roughly translated as self-design), a Marx-inspired, anti-industrial, do-it-yourself handbook for the everyday person to use to build furniture without the assistance of a glitzy designer or knowledge of complex joinery. Mari’s intent with the publication was to remove the alienation of the creator and manufacturer from the end product by teaching anyone to develop a critical eye for production.
Artek relaunched kits based on the blueprints in the manual in an exhibition at Spazio Rossana Orlandi in 2010. The subsequent collectability of his work was reportedly irksome for Mari because he abhorred the industrial production for which he was becoming known.
Mari’s meager upbringing heavily influenced his politics, and even in childhood, he would come up with ingenious ways to support the family financially. As a designer, the desire to envision and build significant pieces was more important to Mari than devising new marketing and retail sales tactics. He optimistically believed objects could change the world. This view went against the rising consumer mania for every next trend that surfaced in the late 20th century. Not surprisingly, his ecological and economical stance led him to produce fewer objects.
Mari's philosophy did not stop people from desiring his creations, nor prevent other designers from wanting to collaborate with him. Following World War II, he worked for companies like Danese, Olivetti, Artemide, Driade and Alessi, who brought his prodigious designs to the public, and Mari’s work was widely celebrated.
The Golden Compass, Italy's highest honor for industrial design, was awarded to Mari four times before he died from COVID in 2020, and New York’s Museum of Modern Art has a permanent collection of his objects on display.
On 1stDibs, find a collection of Enzo Mari decorative objects, folk art and serveware.