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Ethno Eames

Ethno Eames - Bronze - Design Chair Paolo Giordano Edition Cast Plated
By Paolo Giordano
Located in MILANO, ML
Ethno Eames - Bronze - Design Chair Paolo Giordano Edition Cast Contemporary Ethno Eames - Bronze
Category

21st Century and Contemporary Italian Modern Chairs

Materials

Aluminum, Bronze

Ethno Eames - Aluminium - Design Chair Paolo Giordano Edition Cast Contemporary
By Paolo Giordano
Located in MILANO, ML
Ethno Eames - Aluminium - Design Chair Paolo Giordano Edition Cast Contemporary Ethno Eames
Category

21st Century and Contemporary Italian Modern Chairs

Materials

Aluminum

Ethno Eames - Gold - Design Chair Paolo Giordano Edition Cast Plated
By Paolo Giordano
Located in MILANO, ML
Ethno Eames - Gold - Design Chair Paolo Giordano Edition Cast Contemporary Ethno Eames - Gold The
Category

21st Century and Contemporary Italian Modern Chairs

Materials

Gold, Gold Plate

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1972, Prefab Nova House by Studio Rochel
1972, Prefab Nova House by Studio Rochel
H 157.49 in W 255.91 in D 314.97 in
Charcoal Blocks, Sculptural, Geometric, Shou Sugi Ban Coffee or Side Tables
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Surrealist Salivasofa 'Original' Prototype Red Lips Sofa By Salvador Dali
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Evans Herman Miller LCW by Charles Eames
By Charles Eames
Located in St.Petersburg, FL
An excellent example of Charles Eames Herman Miller/Evans 1940's LCW (lounge chair wood). All original with original shock mounts, screws and label intact.
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A Pair of Charles Eames LCW's Early Original Examples Evans
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A rare pair of early production (5x2x5 screw mounts) Charles Eames LCW (lounge chair wood). Original analine black finish in very good condition. Back shockmounts replaced. Priced to...
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Dining Set Designed by Alvar Aalto for Finmar Ltd., Finland, 1929
By Alvar Aalto
Located in Stockholm, SE
Dining set designed by Alvar Aalto for Finmar Ltd., Finland, 1929. Birch. Stamped. This rare dining set by the Finish design icon Alvar Aalto is characterised by the combination of...
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Rare Original Eames for Herman Miller DCM in Brazilian Rosewood
Located in Brooklyn, NY
Circa late 1950s Charles and Ray Eames DCM (Dining Chair Metal frame) chair for Herman Miller. Executed in chrome steel and Brazilian rosewood. This is a custom order finish and we’r...
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Materials

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Contemporary Eames Orange Red Molded Plastic Side Chair
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Black Eames DCM Chairs
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Black Eames DCM Chairs
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H 29.5 in W 19.5 in D 22 in
Bench or Coffee Table, LINK by Reda Amalou, 2016, American Walnut
By REDA AMALOU DESIGN
Located in Paris, FR
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Charles & Ray Eames EA119 Executive Office Chair by Vitra
By Vitra, Charles and Ray Eames
Located in WIJCKEL, NL
What started as an idea for a solid piece of leisure furniture has grown into one of the most popular office furniture since its design in 1958. The EA 119 is part of the famous Alum...
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Danish Modern Leather Loveseat
Located in VANCOUVER, CA
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Danish Modern Leather Loveseat
Danish Modern Leather Loveseat
H 30.5 in W 70 in D 32 in
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A Close Look at modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chaircrafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Finding the Right chairs for You

Chairs are an indispensable component of your home and office. Can you imagine your life without the vintage, new or antique chairs you love?

With the exception of rocking chairs, the majority of the seating in our homes today — Windsor chairs, chaise longues, wingback chairs — originated in either England or France. Art Nouveau chairs, the style of which also originated in those regions, embraced the inherent magnificence of the natural world with decorative flourishes and refined designs that blended both curved and geometric contour lines. While craftsmanship and styles have evolved in the past century, chairs have had a singular significance in our lives, no matter what your favorite chair looks like.

“The chair is the piece of furniture that is closest to human beings,” said Hans Wegner. The revered Danish cabinetmaker and furniture designer was prolific, having designed nearly 500 chairs over the course of his lifetime. His beloved designs include the Wishbone chair, the wingback Papa Bear chair and many more.

Other designers of Scandinavian modernist chairs introduced new dynamics to this staple with sculptural flowing lines, curvaceous shapes and efficient functionality. The Paimio armchair, Swan chair and Panton chair are vintage works of Finnish and Danish seating that left an indelible mark on the history of good furniture design.

“What works good is better than what looks good, because what works good lasts,” said Ray Eames

Visionary polymaths Ray and Charles Eames experimented with bent plywood and fiberglass with the goal of producing affordable furniture for a mass market. Like other celebrated mid-century modern furniture designers of elegant low-profile furnishings — among them Ludwig Mies van der Rohe and Finn Juhl — the Eameses considered ergonomic support, durability and cost, all of which should be top of mind when shopping for the perfect chair. The mid-century years yielded many popular chairs.

The Eameses introduced numerous icons for manufacturer Herman Miller, such as the Eames lounge chair and ottoman, molded plywood dining chairs the DCM and DCW (which can be artfully mismatched around your dining table) and a wealth of other treasured pieces for the home and office. 

A good chair anchors us to a place and can become an object of timeless appeal. Take a seat and browse the rich variety of vintage, new and antique chairs on 1stDibs today.