Flemish Baroque

Mid-1700's “Feuilles d'Aristoloche” tapestry. Very orgininal, esoteric feeling Flemish tapestry

. Theodoor van Loon (1581 or 1582, in Erkelenz – 1649, in Maastricht) was a Flemish Baroque painter. Theodoor

This rare 17th century Brussels tapestry pillow is crafted from an authentic fragment of Flemish

of objects typical of the Flemish Baroque tradition: the scene is a riot of abundance, with a

Jan Ten Compe ( 1713, Amsterdam – 1761, Amsterdam ) Flemish Painting oil on canvas 28cm x 35cm

festival, painted in the manner of Flemish Baroque master David Teniers the Younger (1610–1690). The lively

contrasts reveals a skillful and refined hand, faithful to the spirit of Flemish Baroque art. Dimensions

Flemish Baroque Oil on Copper, Attributed to the Circle of Peter Paul Rubens A superb 17th-Century

Flemish Baroque painter, draughtsman, printmaker and engraver, mainly known for his still lifes

Tobias & The Angel Flemish Baroque Old Master, circa 1600 circle of Paul Brill (Flemish 1554-1626

with the panel. Made in France, 1880-1890. Van Dyck was a Flemish Baroque artist who was the leading

Flemish Baroque, while the mirror plate remains clear and functional—ready to reflect both light and

1641) was a Flemish Baroque artist who became the leading court painter in England after success in the

Flemish Baroque tradition of the 17th century. At the center, the Virgin Mary, dressed in luminous crimson

artist. Pieter de Jode I (1570-1634), was a Flemish Baroque painter and engraver. He learned drawing and

died in 1641, was a Flemish Baroque painter and engraver. He painted many portraits and was the

artist. Joannes, Jan Meyssens or Jean Meyssens (1612–1670), was a Flemish Baroque painter, engraver, and

Flemish Baroque printmaking. Printed on laid paper, likely from a 17th-century edition, with engraved

: Acquired from a private collection, Paris c. 1980s. Description: Reminiscent of Flemish Baroque

somber atmosphere. This type of battle scene would have been a favorite of the Flemish Baroque period

the style of François Duquesnoy, a Flemish Baroque sculptor renowned for his ability to create works

This Flemish Baroque art by David Teniers the Younger’s is a captivating masterpiece, “Tavern

Teniers the Younger or David Teniers II (1610-1690) was a Flemish Baroque painter who was an innovator in

A rare and evocative 17th century Brussels tapestry pillow, created from an original Flemish

enduring influence of Flemish Baroque storytelling on 19th-century Dutch art. Measures: 26" W x 30.5" H.  

portrait and religious painters of the Flemish Baroque period. The composition portrays the Virgin Mary in

Flemish Baroque painting: even and nuanced, without violent contrasts that would disrupt the formal

1667 or 1668, was a Flemish Baroque painter celebrated for his exquisite still lifes of flowers and

The Resurrection of Lazarus Flemish Old Master, 17th century (unsigned as is typical for the period

Dancing Figures Flemish School, 17th century oil on on canvas, framed framed: 21.5 x 28.5 inches

century, nourished by both Italian and Flemish Baroque traditions. The work is presented in an elegant

cherished by 17th-century artists. In summary, this painting is a marvel of Flemish Baroque, inviting deep

: This is an antique engraving of Justus Sustermans (1597-1681), a renowned Flemish Baroque portrait

recurring themes in Flemish Baroque painting: the triumph of heavenly love (Cupid) over bestial instincts

created whilst the painter was in Italy. Jan Wildens (1586-1653) was a prominent Flemish Baroque painter

Ed softcover. Rooted in a passion for the Italian Renaissance as well as Dutch and Flemish Baroque

dramatic contrasts with dark backgrounds, is common in Italian and Flemish Baroque art. The painterly

wool in the historic weaving centers of Flanders during the Baroque era. Flemish tapestries of this

17th Century Pair of Flemish Tapestry ( 2' x 3'4" - 62 x 102 )

clouds and trees to the background adding depth The scene after David Teniers (1610 - 1690) a Flemish

cherished by 17th-century artists. In summary, this painting is a marvel of Flemish Baroque, inviting deep

Monumental hand-carved wooden relief portrait depicting the Flemish Baroque master Peter Paul

A very fine late 17th century allegorical Flemish Renaissance Baroque tapestry. Cavaliers Frame

An exceptional example of 17th century Flemish verdure tapestry work, this antique pillow showcases

Belgium / 19th century / painting / oil on canvas, wooden frame / Baroque / Antique / Mid-century

Title: Moses on the Stone Date/period: XVII century Dimension: measure without frame 60cm x 83cm, frame 13cm in noble wood Materials: oil on wood Additional information: Dutch School...

Baroque Style, Flemish Ripple Wall Mirror, Carved Walnut, Mirror, Belgium, 18th c. A good example

Stunning 17th Century Verdure Tapestry pillow with foliage and petite tassels that will brighten up any sofa, canapé or settee! Tan velour backing and petit tassels. They each measur...

Title: Landscape. Date/Period: 19th century. Dimension: 28cm x 44cm without frame. Frame measures 12cm (plus). Materials: Oil on canvas. Additional information: Dutch School, 19th ce...

A very fine late 17th century allegorical Flemish Brussels Baroque tapestry Period: Late 17th

reminiscent of the Dutch Golden Age and Flemish Baroque traditions, where aristocratic leisure, music, and

. Biography: Sir Anthony van Dyck (Dutch: 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who

An exquisite pair of vibrant, 18th Century Brussels tapestry pillows in pristine condition with raw silk backing. Complimentary Shipping!  

This is a large gorgeous Large Antique 17th Century Brussels Religious Tapestry depicting a scene with a bishop and attendants standing on the right, along with kneeling and standing...

was a Flemish Baroque painter, printmaker, draughtsman, and miniaturist painter. He was an extremely

of an important Flemish master carver. It represents the biblical scene of Mary and Joseph in

attendant congregation below. The chunky, flaring perizonium is in keeping with an earlier Baroque modality