Foreign Pottery

Soft blue ceramic vase 239 30 by Foreign, with brush stroke motifs and yellow glazed interior, West

Chinese painted pottery standing foreign court man, bulging eyes, high nose, wearing hat, with red

Ancient Glazed Pottery, French and Foreign," published in Paris in 1874. This book likely provided

Paquot's "General History of Ancient Glazed Pottery, French and Foreign," highlighting the rich tradition

Glazed Pottery, French and Foreign," published in 1874, is a treasure for collectors and enthusiasts of

collectible from Ris Paquot's "General History of Ancient Glazed Pottery, French and Foreign," published in

delicately drawn, exquisite detail on a finely crackled surface. Later on, as foreign demand for this pottery

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

Statues of attendants crafted from terracotta, featuring glazes in green, Set on rectangular bases. Period: Ming Dynasty Medium: Glazed Pottery Type: Figure Condition : Excellent(I...

Statues of Chinese horse riders, featuring glazes in green, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Provenance : Acquired in e...

This vase is made from a type of low-fired, porous clay and features a crackled glaze. It bears resemblance to the renowned funerary vases and covers adorned with applied decorations...

Potted with the fluted sides rising from a recessed base, carved to the interior with Chrysanthemum, covered overall with a grayish-green glaze, save for a ring to the underside left...

Statues of Chinese horse and rider, featuring glazes in green, amber, are set on rectangular bases. Period: Ming Dynasty Medium: Green-glazed Pottery Type: Figure Provenance : Acq...

Well potted with shallow sides rising from a short foot, the interior molded with a single chrysanthemum surrounded by peony blossoms picked out in yellow and with green leaves again...

This bowl stands out for its detailed depiction of two fish amid soft spiral waves, bordered by two cranes within the bowl. The design's depth and clarity, from the lifelike portraya...

The ovoid body to a tall neck, the body decorated with a chrysanthemum meander, covered overall in a translucent pale blue glaze. Traces of excavation can be seen in the dirt marks o...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

This Longquan celadon figure is defined by a composed frontal presence: half-lidded eyes, a calm oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is ...

A hollow-formed pottery guardian figure made for tomb use, symbolizing protection in the afterlife. The upright stance, raised head, and open mouth convey authority and vigilance. Tr...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...

With peony and chrysanthemum plants flowering on a terrace, butterflies in flight. Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination ...

They display central floral motifs surrounded by a variety of botanical patterns including branches and blooms, indicative of classic East Asian ceramic artistry. Period : Qing Dyna...

The scene specifically depicts individuals in a pavilion and a garden. In the central image, we see a couple sitting closely, engaged in conversation, likely depicting a scene of int...