Framed Antique Lithograph

Plate mark clearly visible. Framing tips: This lithograph would suit a classic black or dark walnut frame with a cream or light beige mat, enhancing the sepia tones and historical c...

Minor handling signs near the edges but no tears or losses. Framing tips: This lithograph would look elegant when mounted on a soft beige or warm ivory mat with a thin black inner l...

The central image remains crisp and well-detailed, retaining its historical vibrancy. Framing tip: Preserve this lithograph with archival matting and UV-protective glass.

Wide margins and strong image area make this a well-preserved 19th-century lithograph. Framing tips (240 characters): Frame in dark walnut or black with gold lining for a nautical o...

The paper remains crisp with no tears or repairs. Framing tips: This lithograph will display beautifully in a dark wood or black frame with a gold inner edge to emphasise the bird’s...

The paper remains stable with no tears or repairs. Framing tips: This lithograph will display beautifully in a dark wood or black frame with a gold inner edge to highlight the vivid...

A faint binding mark is present along the margin but does not detract from the overall presentation. --- Framing Tips: For best preservation, frame this lithograph with an acid...

It is a fine tribute to Van der Helst’s legacy and an appealing piece for collectors of Dutch art history or historical artist portraits. Framing suggestion: This lithograph pair...

The artwork remains well-preserved and highly collectible. --- Framing Tips: To highlight this lithograph’s historical and artistic value, use an acid-free mat in a neutral shad...

If displayed alongside other marine or Arctic wildlife lithographs, consistent framing will create a sophisticated and cohesive arrangement.

Condition: The print is in very good condition, with only minor toning and occasional light foxing at the margins, consistent with age. Framing Tips: Enhance this lithograph's cha...

Plate margins preserved. Framing tips: This lithograph benefits from a dark walnut or ebonized frame paired with an ivory or light grey museum mat to emphasize the subtle tonal range.

The print is well-preserved and highly collectible. --- Framing Tips: To emphasize the lithograph’s fine details, use an acid-free mat in a neutral shade, such as off-white or ...

The paper is clean and free of foxing, maintaining the vibrancy and detail of the original lithograph. Framing tips: Choose a frame that enhances the natural tones of the print,...

This is a well-preserved and highly collectible print. --- Framing Tips: A neutral archival mat in off-white or pale gray will complement the detailed shading of the lithograph.

Condition: The print remains in very good condition, with clear and crisp lines that retain their integrity over time. Framing Tips: To enhance its historical and scientific value,...

English Georgian (1st half 19th Century) gilt framed colored lithograph of a group of Moorish men on a hillside by ancient damaged stone pillars (titled: Ruins Called Om El Hamed Nea...

Please check the scan carefully. Framing Tip: Pair this lithograph with a soft cream or beige matte to complement the warm earth tones.

A beautiful pair of vintage art deco framed prints /lithographs by the famous American painter and illustrator Maxfield Parrish.

The sign would typically hang from a general store to promote the product, as was the case with most "self framed tin signs. "Self framed" means that the frame and lithographed subje...

Löffler, "The Oronte's Ideal Company", Original manifesto, framed, circa 1900 Lithograph, without printer's name.

. - Syracuse, NY Colorful self-framed tin lithograph advertising sign for L.C. Smith & Bros.

The paper remains strong with no tears or repairs. Framing tips: This lithograph will display beautifully in a dark wood or black frame with a gold inner edge to enhance the rich br...

This well-preserved print is a fine example of 19th-century scientific illustration. --- Framing Tips: For optimal display, frame this lithograph with a dark wood or gold-gilde...

The overall quality is well-preserved, making it highly collectible. --- Framing Tips: To highlight the lithograph’s fine details, use an acid-free mat in a neutral tone such as...

The image remains sharp, with vibrant colors and no visible damage. Framing Tip: Complement this lithograph’s natural tones with a matte in pale green or beige.

The artwork is well-preserved and remains highly collectible. --- Framing Tips: To showcase this lithograph, use an acid-free mat in a neutral shade such as off-white or cream to...

Plate mark not applicable as issued as a lithograph. Framing tips: This piece benefits from a wide museum-style mat in warm ivory or light cream to enhance the delicate green tones.

The margins are clean, and the image retains its sharp detail and color. Framing Tip: Pair this lithograph with a neutral matte in cream or pale beige to complement its earthy ton...

Non-reflective UV-protective glass is recommended to preserve the lithograph. Ensure the frame complements the earthy hues of the print for a timeless presentation.

A few small pinholes in the title and top, outside the image. Framing Tip: Pair this lithograph with a matte in soft beige or light brown to complement its warm tones.

This is an antique coaching road map of Salisbury to Campden. An English, framed cartography lithograph of regional interest, dating to the mid 17th century and later.

Mounted on a cream-colored mat with yellow decorative borders, it is ready for framing or display. This rare lithograph is an exceptional addition to any collection, celebrating t...

Display Recommendations: Ideal for framing, this lithograph would be a distinguished addition to any home, office, or restaurant, particularly for those who appreciate vintage art an...

A dark mat with a subtle gold or bronze frame will emphasize the lithograph's historical and architectural elegance.

The print remains a well-preserved and highly collectible piece. --- Framing Tips: To enhance this lithograph’s presentation, use an acid-free mat in a light neutral shade to c...

The print remains a well-preserved and highly collectible piece. --- Framing Tips: To enhance this lithograph’s presentation, use an acid-free mat in a light neutral shade to c...

Dimensions given below are for the custom white gold leaf frame with closed corners. The lithograph measures 14.5"W x 21.5"H.

The artwork is well-preserved and highly collectible. --- Framing Tips: To enhance the lithograph’s intricate details, use an acid-free mat in a neutral tone, such as off-white ...

The image remains clear and vibrant. Framing Tip: Pair this lithograph with a matte in a warm beige or soft gray tone to complement its natural hues.

This is an antique coaching road map of Exeter to Barnstable. An English, framed cartography lithograph of regional interest, dating to the late 17th century, and later, circa 1700.

An exceptional and highly collectible framed vintage advertising lithograph from the mid-to-late 1920s.

Colors remain vibrant, and edges are clean, with no tears or stains. Framing Tip: Pair this lithograph with a matte in light beige or cream to accentuate the natural tones.

Prang & Co's Louis Rhead's Original 1895 Colorful Framed (No glass) Holiday Magazine Lithograph Print.

The colors are well-preserved and vibrant. Framing Tip: Enhance the lithograph’s natural beauty with a matte in light beige or soft green and pair it with a classic wooden frame.

This 1911 German authentic and original European original stone lithograph custom framed poster is by Franz von Stuck.

Framed to 18 x 24 inches. In excellent condition.

The magnificent hand carved 19th century frame measures 25 inches wide by 20 inches high.

Antique gold leaf frame with velvet mat. Under glass. Overall framed measurements are 12.75 by 11 inches.

(Circa 1831) Hand-coloured lithograph. Bright coloring. Condition is good. The artwork is framed in a gold leaf frame with velvet mat in very good condition.

Charles Hancock (around 1800 – 30 July 1877) was a British painter of animals, specialising in equestrian sporting scenes. One of his largest and most recognisable works is the doubl...

Print Sz: 16 1/2"H x 20 1/2"W Frame Sz: 24 1/2"H x 28 1/4"W Published by S & J Fuller Aquatint engraving by Mr. Sutherland Barefoot (1820–1840) was a British Thoroughbred racehor...

Framed to museum-grade, conservation standards, Fernand Léger lithograph La Lecture (The Reader), c. 1953 is presented in a complementary moulding and finished and optical grade Plex...

Map Sz: 22 3/4"H x 22 3/4"W Frame Sz: 29"H x 29"W Publisher: The Country Lanes Committee Map Showing Approximate Location & General Direction of Bridle Paths Maintained by the...

Delteil 44, Stella 44 Original lithograph in black ink, 1904 - 1905 Only State. From the edition of 50 on Japan paper. Signed in the stone lower left Fine strong impression with ...

Delteil 39, Stella 39 Original chalk and brush lithograph in black ink, 1904 Only state. From the edition of 950 on vellum paper. From L’Album des Douze Lithographies Originales Sign...

Delteil 46, Stella 46 Original lithograph in black ink, 1904 - 1905 Second state. From the edition of 950 on vellum paper. Signed in the stone lower left 4 1/2” x 3 1/3” Fine strong ...

Print Sz: 14"H x 20"W Frame Sz: 19 3/4"H x 25 1/2"W Vanity Fair Caricature “The Winning Post” By 'Lib' (Liborio Prosperi, 1854-1928) Original Double Page Chromolithograph Printed o...

Print Sz: 15 3/8"H x 10 1/8"W Frame Sz: 17 1/4"H x 12 1/4"W The Champion of 1885" (John Roberts Jr (1847-1919)) By 'Spy' (Sir Leslie Matthew Ward (1851–1922)) Original Chromolithog...

Colen Campbell (Scottish, 1676-1729) Architectural Lithographs from "Vitruvius Britannicus", c. 1717-1725 Sight: 16 1/4 x 11 in.