Frans Francken

Gaspar van den Hoecke (c. 1585–after 1648) was a Flemish Baroque painter of small devotional cabinet pieces in the manner of Frans Francken II. His sons Robert and Jan van den Hoecke...

Most staffage figures in his paintings were usually executed by other painters, mainly by Frans II Francken, Esaias van de Velde, Cornelis van Poelenburgh and Anthonie Palamedes.

Related works: - Frans Francken II, Christie's auction London, 1980 (published in the catalogue U.

Iconoclastic donkey bursting into collector's cabinet, workshop of Frans Francken the Younger Our panel illustrates a theme of "iconoclastic donkeys", a rare subject and it seems tre...

Our very delicate work with its precise features and meticulous treatment combined with a rich and varied palette of colours presents all the characteristics of the work of Frans Fra...

Flemish painting on alabaster: Floral garland with Annunciation, Circle of Frans Francken II, Flanders, early 17th century • Material: Painted alabaster • Technique: Oil and pigmen...

He became interested in works by the group of Frans Francken II, which dealt with historical or sacred subjects.

Compare, for example, with the frame of Hans Memling's “Portrait of a Gentleman” from the ThyssenBornemisza collection (a Flemish piece, made of ebonized wood); or, in the same colle...

Large oil on oak panel (105 x 72 cm), portraying ‘The Feast of Balthazar’. Attributed to Frans Franken II and his workshop. The workshops of Antwerp spread throughout Europe, produci...

Compare, for example, with the frame of Hans Memling's “Portrait of a Gentleman” from the ThyssenBornemisza collection (a Flemish piece, made of ebonized wood); or, in the same colle...

Compare, for example, with the frame of the "Knight Portrait" by Hans Memling of the Thyssen-Bornemisza collection (Flemish piece, made of ebonized wood); or, in the same collection,...

Compare, for example, with the frame of Hans Memling's “Portrait of a Gentleman” from the ThyssenBornemisza collection (a Flemish piece, made of ebonized wood); or, in the same colle...

Compare, for example, the frame of the “Portrait of a Gentleman” by Hans Memling from the ThyssenBornemisza collection (Flemish piece, made of ebonized wood); or, in the same collect...

The story of the Magi comes from the Gospel of Matthew, which indicates that the Magi from the East, having followed a star, came to Bethlehem to adore the newborn King of the Jews, ...

The story of the Magi comes from the Gospel of Matthew, which indicates that the Magi from the East, having followed a star, came to Bethlehem to adore the newborn King of the Jews, ...

Description: The Mocking of Christ surrounded by four vignettes depicting The Crucifixion (right side) The Resurrection (left side), Hades (lower centre) and God (upper centre Prov...

His style, close to that of Frans Francken II, suggests that he worked in his studio: the same slender figures, the same refinement in meticulous execution and the same shimmering co...

The work is attributed to Pieter Lisaert XIV, an Antwerp painter, who, with his religious and allegorical works, is in line with Frans Francken II, of whom he is a contemporary.

It’s generally accepted that he travelled to Antwerp in 1569 and trained under two of its principal painters, Frans Francken I (1542-1616) and Frans Pourbus the Elder (1545-1581).

He also painted the landscape backgrounds in a number of works by Von Baalen, Momper, Rottenhammer, Frans Francken and P Neefs. The recommendation of Rubens and other contemporaries ...

It’s generally accepted that he travelled to Antwerp in 1569 and trained under two of its principal painters, Frans Francken I (1542-1616) and Frans Pourbus the Elder (1545-1581).

FRANS FRANCKEN II (FOLLOWER OF) THE ADULTEROUS WOMAN oil on panel panel size: 23.62 x 32.67 inches (60 x 83 cm) frame: 31.88 x 41.33 inches (81 x 105 cm) painted in the 17th centur...

Christ in the Garden of Olives (or Prayer in the Garden of Gethsemane) attributable to Frans Francken II (Antwerp 1581 - 1642) Late 16th - early 17th century oil on copper cm. 30 x ...

In particular, the characters of style and composition bring the paternity of a painter close to Frans Francken II (Antwerp 1581-1642), with some points of contact with his son, Fran...

The stylistic and compositional characteristics of this Crucifixion bring its authorship closer to a painter close to Frans Francken II (Antwerp 1581-1642), and in particular with di...

Francken signed his works with 'de jonge Frans Francken' ('the young Frans Francken') before the death of his father in 1616.

For the allegories of the four elements executed jointly by Jan Brueghel the Younger and Frans Francken II see below: Related works: • Sotheby's (London (England)) 2014-07-10, 51 x ...

He became interested in works by the group of Frans Francken II, which dealt with historical or sacred subjects.

Compare, for example, with the frame of Hans Memling's “Portrait of a Gentleman” from the ThyssenBornemisza collection (a Flemish piece, made of ebonized wood); or, in the same colle...

Compare, for example, with the frame of the “Portrait of a Gentleman” by Hans Memling in the Thyssen-Bornemisza collection (a Flemish piece, made of ebonized wood); or, in the same c...

After his apprenticeship in Antwerp, according to sources a pupil in the workshop of Frans Francken Il, around 1625 Picart moved to Paris, where he remained for the rest of his life,...

These prints were widely disseminated and the theme was then picked up by other Flemish artists, in particular by those in Antwerp such as Frans Francken the Younger, Jan Brueghel th...

Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD.

Garland paintings are a special type of still life developed in Antwerp by artists such as Jan Brueghel the Elder, Hendrick van Balen, Frans Francken the Younger, Peter Paul Rubens a...

Adoration of the Magi, ,workshop of Frans Francken II , Flemish 17th century Oil on copper The man designating the scene ,bottom right , is probably the sponsor of the painting.

Flemish school, attributed has. Frans Francken the young, on 1581-1642, paint on copper, in a golden frame 38 X 46 cms, good condition.

Salome and King Herod before the tortured body of John the Baptist. She asks the head of the Baptist after having bewitched the king dancing before him (new testament.) Oil on oa...

Attributed to Frans II (1581–6 May 1642) trained under his father and became one of the most prominent members of the Francken family of artists.

He studied painting from circa 1570 in Antwerp with Frans Francken the elder of Herenthals and later after Francken's death under Frans Pourbus the Elder.

Felice Torelli (Verona, Italy, 1667 - Bologna, Italy, 1748) Title: Hagar and the Angel Medium: Oil on canvas Dimensions: without frame 41 x 116 cm - with frame 52.5 x 127 cm Origina...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be on one of its covers. The e...

A tiny and complete Parisian Book of Hours with a plethora of intricate illuminations. 91 x 65mm (3.6 x 2.6in). 190 leaves on vellum, additional 4 paper leaves after (plus 3 paper e...

“Saint Dominic and Saint Francis”. Polychromed terracotta. Colonial (South America) school, 18th century. It is narrated in this piece, with a remarkable economy of elements (which s...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to ...

David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...

Dancing Figures Flemish School, 17th century oil on on canvas, framed framed: 21.5 x 28.5 inches canvas : 16.5 x 24 inches Provenance: private collection, France Condition: very good...

Very fine 19th century oil painting of the Virgin and Child, oil on canvas, in a massive carved and gilded wooden frame. The painting is of the French school, probably inspired by a...

Jean Jacques Spoede (Antwerp 1680 - Paris 1757) Triumph of Bacchus Oil on canvas 66 x 83 cm. - In frame 84 x 101 cm. In this fascinating painting, attributed to Jean Jacque...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

This captivating Palais Royal sewing nécessaire is crafted of engraved mother of pearl mounted in rich doré bronze. The hinged box contains a removable tray lined with velvet that ho...

17th century French School circle of Nicolas Poussin (French 1594-1665) "Figures in Arcadia" oil on canvas, unframed canvas: 16 x 20 inches provenance: private collection, England co...