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Franz Laskoff

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Original Italian Wine Poster Framed

Original Italian Wine Poster Framed

By Franz Laskoff

Located in Los Gatos, CA

This is a poster advertising Cora Vermouth Wine. The artist, Franz Laskoff, born in Poland, worked for Ricordi in Milan, Strasbourg and Paris.

Category

20th Century Italian Posters

Materials

Linen

"Mele Department Store (seated man)" Original Antique Men's Fashion Poster

"Mele Department Store (seated man)" Original Antique Men's Fashion Poster

Located in Boston, MA

This sophisticated design is one of the earliest classics in the Mele fashion poster series (1896 -1915) that were so striking they were regularly reviewed in the Italian press. An u...

Category

Early 1900s Art Nouveau Prints and Multiples

Materials

Lithograph

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Henri Gabriel IBELS Pantomime : Harlequin and Pierrot, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATI...

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Lidia - Lithograph (Les Maîtres de l'Affiche), 1895
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Located in Paris, IDF

Jules Chéret Lidia (Alcazar d'été), 1895 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 25 of "Les Maîtres de l'Aff...

Category

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Imperia (Caprices of Verlaine) - Original Lithograph 1899
Imperia (Caprices of Verlaine) - Original Lithograph 1899

Imperia (Caprices of Verlaine) - Original Lithograph 1899

Located in Paris, IDF

Alfred Pierre AGACHE (1843-1915) Imperia (Caprices of Verlaine), 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

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1897 Lithograph 'L'Art Independant', Art Deco, Unframed, 19th Century

1897 Lithograph 'L'Art Independant', Art Deco, Unframed, 19th Century

By Émile Berchmans

Located in Brooklyn, NY

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 7.75 x 6 inches ( 19.685 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: First printing Lithogr...

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Folies-Bergère - Lithograph (Les Maîtres de l'Affiche), 1895
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Jules Chéret Folies-Bergère (L'Arc-en-Ciel), 1895 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 21 of "Les Maîtres...

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Materials

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1896 original lithography by Armand Rassenfosse Salon des cent
1896 original lithography by Armand Rassenfosse Salon des cent

1896 original lithography by Armand Rassenfosse Salon des cent

By Armand Rassenfosse

Located in PARIS, FR

In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...

Category

1890s Art Nouveau Prints and Multiples

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1898 lithograph by Jules Chéret - Les Maîtres de l’Affiche - Folies-Bergère
1898 lithograph by Jules Chéret - Les Maîtres de l’Affiche - Folies-Bergère

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Located in PARIS, FR

This enchanting 1898 lithograph by Jules Chéret, the father of the modern poster, advertises Le Miroir, a pantomime performed at the legendary Folies-Bergère in Paris. Created for th...

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Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/4 x 4 1/4 inches (230 x 110 mm). Sheet size: ...

Category

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1897 Gisbert Combaz Lithograph 'La Libre Esthetique', Art Nouveau

1897 Gisbert Combaz Lithograph 'La Libre Esthetique', Art Nouveau

Located in Brooklyn, NY

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Le chemin de la mort - original lithograph (1897/98)

Le chemin de la mort - original lithograph (1897/98)

By Eugène Trigoulet

Located in Paris, IDF

Eugène Trigoulet Le chemin de la mort Original lithograph Plate signed 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Pa...

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Located in Roma, IT

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Harlequin and Pierrot - Lithograph (Les Maîtres de l'Affiche), 1897

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Henri Gabriel IBELS Harlequin and Pierrot, 1897 Stone lithograph Printed signature in the plate On vellum Size 29 x 39 cm (c. 11.4 x 15.3") INFORMATION : Plate 102 of "Les Maîtres...

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Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.