French Illustration

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

, Paris Notes: Excerpted from the folio (translated from French), The illustrations on the cover and

, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), The

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

from the folio (translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20

. Hudson Hills Press in association with the American Federation of Arts, 1987, illustration I-b. Condition

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

(translated from French), The illustrations throughout this issue of Derriere le Miroir are original

(translated from French), The illustrations throughout this issue of Derriere le Miroir are original

(translated from French), The illustrations throughout this issue of Derriere le Miroir are original

(translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20–21, and 23 of this

: Excerpted from the folio (translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18

from the folio (translated from French), The illustrations on the cover and pages 2, 7, 12–13, 18, 20

. Hudson Hills Press in association with the American Federation of Arts, 1987, illustration I-b. Condition

Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), The illustrations

folio (translated from French), The illustrations of this album, completed in June 1961, were rendered

, Paris, June 1961 Notes: Excerpted from the folio (translated from French), The illustrations of

Notes: Excerpted from the folio (translated from French), The illustrations of this album, completed

Notes: Excerpted from the folio (translated from French), The illustrations of this album, completed

folio (translated from French), The illustrations of this album, completed in June 1961, were rendered

Notes: Excerpted from the folio (translated from French), The illustrations of this album, completed

Notes: Excerpted from the folio (translated from French), The illustrations of this album, completed

, Paris, June 1961 Notes: Excerpted from the folio (translated from French), The illustrations of

Notes: Excerpted from the folio (translated from French), The illustrations of this album, completed

, Paris, June 1961 Notes: Excerpted from the folio (translated from French), The illustrations of

Notes: Excerpted from the folio (translated from French), The illustrations of this album, completed

, Paris, June 1961 Notes: Excerpted from the folio (translated from French), The illustrations of

were published in French with his illustrations in Paris in 1937 and 1938 respectively. His copper

were published in French with his illustrations in Paris in 1937 and 1938 respectively. His copper

precise information about the artist Coleth. He made illustrations for the French editor Hachette and

Notes: Excerpted from the folio (translated from French), The illustrations on the cover and pages 2, 7

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

, Bibliotheque nationale de France, Musee Soulages, 2011, illustration 54. Condition: Well preserved, consistent

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the

. The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the