James Field

Terrell James Field Study #749, 2020 Oil on vellum 20 x 16 in (50.8 x 40.6 cm)

James Suzuki Untitled, circa 1960 Signed lower right "Suzuki" Acrylic on canvas 66 1/4 x 80 inches Provenance: Private Collection, New Jersey James Hiroshi Suzuki follows in the f...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Abstract Non-Objective Mid 20th Century Color Field Painting James Daugherty James Daugherty (1887 – 1974) "Unidentified Flying Object," 12 x 16 inches.

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Unidentified Flying Object," 12 x 16 inches, Initialed lower right JD 6...

James Brade Sword (1839 - 1915) Couple in the Field Oil on canvas 16 x 20 inches Signed lower left After a childhood in Macao, China, James Brade Sword started out in life, after hi...

Copy of a Sir Alfred James Munnings painting of an open field race showing jockeys wearing colors queuing up in a broad line on their horses to race

Words that describe this painting: Vietnam, paddy, rice field, barns, farm, Asia, mountains, rural, impressionism, landscape, representational, watercolor painting, greenRice FieldJa...

Medium: original etching. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate ...

Evans, Walker (American, 1903–1975). JAMES AGEE, OLD FIELD POINT, LONG ISLAND, NEW YORK, 1937.

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 6 3/4 x 8 3/4 inches Estate stamp verso Oil on panel Provenance: Estat...

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 16 x 12 inches Estate stamp verso Oil on panel Provenance: Estate of t...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Untitled" 17 x 8 inches Pastel on paper, c. 1960s Initialed lower right ...

"Structure" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Structure" 10 1/2 x 7 1/2 inches Pastel on paper Initialed lower left, t...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Untitled" 10 1/2 x 8 inches Pastel on paper Initialed lower right and dat...

Trees & Fields in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame.

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887-1974) "Lascaux" 5 ¼ x 8 ¼ inches Pastel on paper Initialed lower left, titled lo...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction with White Border 16 x 12 inches Estate stamp verso Oil on p...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction 24 x 20 inches Estate stamp verso Oil on panel Provenance: ...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) Abstraction 14 x 18 inches Estate stamp verso Oil on panel Provenance: ...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887 – 1974) "Abstraction" 24 x 18 inches Signed and dated 1957 lower left Oil on can...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 12 ¼ x 15 ¼ inches Initialed and dated February 21, 1966 lower ri...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 9 x 16 inches Initialed lower right Dated November 1, 1966 lower ...

"Harlequin’s Birthday" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Harlequin’s Birthday 17 1/4 x 11 inches Pastel on paper, c. 1965 Titled lo...

"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) Untitled 15 x 21 ½ inches May 15, 1967 Pastel on paper Signed lower left ...

"Rectangle Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 - 1974) Rectangle Abstraction 13 1/4 x 8 1/2 inches Oil on canvas, c. 1960s Signe...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on panel Estate stamp verso.

Abstract Non Objective Mid 20th Century American Modern Color Field 1950s James Daugherty (1887 – 1974) Abstraction 84-1/2 x 42-1/2 inches Signed and dated 1958 lower right Oil on c...

"Abstraction" Mid-Century Abstract Non-Objective Color Field oil painting modern James Daugherty (1887 – 1974) "Abstraction," 28 ½ x 20 inches.

"Road to Damascus" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) "The Road to Damascus" 16 x 20 inches Oil on panel Initialed and dated 63 lowe...

"White Whale" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "White Whale" 24 x 20 inches Oil on panel, c. 1960s Signed on the verso...

"Gravity Zero" Mid 20th Century American Abstract 1960s Color Field Abstraction James Daugherty (1887 – 1974) "Gravity Zero: 24 x 18 inches Signed on verso Oil on panel Provenance...

Hayfield and Catskills, NY , 2018 pigment print on watercolor paper, signed dated and numbered on face Available in 2 sizes: 13 X 16 1/4 edition of 25 $1,500.00 20 x 24, edition of ...

Provenance: James Daugherty Estate. Daugherty grew up in a family that stressed culture.

Tree Study & Field in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame.

Comprised of Four Canvases Color Field James Daugherty (1887 - 1974) The Sun is but a Morning Star Acrylic on canvas, c. 1965. 100 x 100 inches Comprised of four canvases measuring...

James Albert Clark British, (1863-1955) Bay Hunter in a Field Oil on canvas, signed & dated (18)99 Image size: 19.75 inches x 23.75 inches Size including frame: 27.5 inches x 31.5 i...

John Colborne, 1st Baron Seaton Mezzotint by James Scott (1809-1889) after GW Fisher (1817-1895) . 1864.

Pair of reverse hand painted on glass of Chinese Emperor and Empress portrait paintings, circa 1940s. These detailed and well executed paintings still retain their crisp vibrant colo...

St Mary's has an impressive and illustrious history of notable parishioners including the painter Godfrey Kneller who, after the collapse of the ancient church's 14th-century nave in...

St Mary's has an impressive and illustrious history of notable parishioners including the painter Godfrey Kneller who, after the collapse of the ancient church's 14th-century nave in...

Now back in print, and featuring over 1,000 images, including drawings and plans, this visual masterpiece captures the High Line's very essence. ABOUT THE AUTHORS: James Corner F...

St Mary's has an impressive and illustrious history of notable parishioners including the painter Godfrey Kneller who, after the collapse of the ancient church's 14th-century nave in...

St Mary's has an impressive and illustrious history of notable parishioners including the painter Godfrey Kneller who, after the collapse of the ancient church's 14th-century nave in...

Field Pumpkins, 2021

La Jolla Fields , 2018 Graphite, pigment and resin emulsion 36 × 48 in 91.4 × 121.9 cm

0076.2018 La Jolla Fields, 2018 Graphite, pigment and polymer on canvas 12 × 12 × 2 1/2 in 30.5 × 30.5 × 5.1 cm

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Vyacheslav Zabelin (1935- 2001) Considered a living master during his lifetime in Moscow, painted Green Field in 1989. Zabelin had already 300 paintings in museum collections through...

This delightful oil shows a large farmstead, viewed passed two brashly painted trees. A muted palette and plentiful impasto brings a likable charm to the whole landscape. The composi...

An impressive watercolour study by listed British artist James Vivien de Fleury (1847-1902). The scene shows a group of labourers returning from a days work on the fields.

“First, I work the painting to a state of being nearly complete, in the traditional sense. I then muster-up the willingness to deconstruct it using paint-stripper, metal grinding, po...

“First, I work the painting to a state of being nearly complete, in the traditional sense. I then muster-up the willingness to deconstruct it using paint-stripper, metal grinding, po...

Oil on Aluminum Sheet Metal “First, I work the painting to a state of being nearly complete, in the traditional sense. I then muster-up the willingness to deconstruct it using pain...