Giovanni Paolo Panini

Gian Paolo Panini Piacenza 1691 - 1765 Rome 52.5" x 44", ca. 1715 Exhibition SFO Airport Museum, All Roads Lead to Rome: 17th - 19th Century Architectural Souvenirs from ...

with certificate of authenticity

In this respect he was heavily influenced by Giovanni Paolo Panini, whom he probably met and worked with in Rome.

In questa bella coppia di piccoli Paesaggi con armenti, gli animali si staglano su un lussureggiante paesaggio bucolico, che cela una delle architetture antiche più misteriose e d’im...

An exquisite 18th century Italian oil on canvas painting in the circle of Giovanni Paolo Panini, Italian (1692-1765). The painting which is superbly executed depicts a detailed Itali...

An engraving by Francois Vivares (1709-1780) after a capriccio by Giovanni Paolo Panini (1691-1765) depicting figures at a fountain in a Roman ruin with the Pantheon and Colosseum in...

This 17th century painting is labeled Giovanni Paolo Panini, 1691-1765, but we believe it to be earlier, by Italian Baroque artist Giovanni Ghisolfi, born Milan 1623-1683, who painte...

The painter of this painting was inspired by capriccio scenes by Giovanni Paolo Panini (Piacenza 1691-Rom 1765), a painter and architect.

Capriccio. Possibly circle of Panini, Giovanni Paolo (Italy, 1691-1765). A series of classical ruins of Ancient Rome (or inspired by it) have been harmoniously located under a blue ...

In Rome he was influenced by the contemporary Roman topographical painter Giovanni Paolo Panini. He had many English clients and admirers in Rome, including Richard Wilson, whom Vern...

In Rome he was influenced by the contemporary Roman topographical painter Giovanni Paolo Panini. He had many English clients and admirers in Rome, including Richard Wilson, whom Vern...

Literature: cf. 'Catalogue of Paintings in the Wellington Museum Apsley House' by C.M. Kauffman, revised by Susan Jenkins, English Heritage in association with Paul Holberton publish...

The achievements of the Renaissance from the period of Raphael (1483–1520) to that of Nicolas Poussin (1594–1665) and Claude Lorrain (1604–1682) served as a conduit for a renewed int...

In this respect he was heavily influenced by Giovanni Paolo Panini, whom he probably met and worked with in Rome.

In this respect he was heavily influenced by Giovanni Paolo Panini, whom he probably met and worked with in Rome.

Artist/ School: Circle of Giovanni Paolo Panini (1691-1765) Title: A Classical Landscape, with Figures by Ruins Medium: oil painting on canvas, unframed Size: 26.75" x 49.75" (68 ...

Artist/ School: Italian School, first half 18th century (circle of Giovanni Paolo Panini 1691-1765) Title: Figures in a Classical Italianate Landscape with ancient Roman Ruins.

After Francesco Guardi, Janos Scholz is said to have suggested Giovanni Paolo Panini (1692-1765) for this drawing.

Italian, 18th century large painting in oil on canvas is from the school of Giovanni Paolo Panini and a fine example of architectural fantasy.

Giovanni Paolo Pannini (Piacenza 1691 - Rome 1765) - "Preach a sibyl under an architectural portico and a statue of Hercules". 53 x 72 cm without frame, 71 x 89 cm with frame. Oil ...

In Rome he was influenced by the contemporary Roman topographical painter Giovanni Paolo Panini. He had many English clients and admirers in Rome, including Richard Wilson, whom Vern...

In Rome he was influenced by the contemporary Roman topographical painter Giovanni Paolo Panini. He had many English clients and admirers in Rome, including Richard Wilson, whom Vern...

In the past, his production was frequently attributed to Giovanni Ghisolfi, Giovanni Paolo Panini, and Viviano Codazzi.

This Italian print, published by Nuova Arti Grafiche Ricordi and printed in Italy, features Galleria Con Vedute Di Roma Antica by the renowned 18th-century artist Paolo Pannini. Know...

This previously unpublished ruinscape, made in the manner Giovanni Paolo Panini, sheds important light on his early career and crucially, his working methods.

He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda and Gaspar Vanvitelli, and by the tradition of _vedutismo_ that these figures pio...

He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda and Gaspar Vanvitelli, and by the tradition of _vedutismo_ that these figures pio...

He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda and Gaspar Vanvitelli, and by the tradition of _vedutismo_ that these figures pio...

He began his artistic education in Rome around 1715 in the studio of Giovanni Paolo Panini (1691 - 1765), the inventor of paintings of ruins.

Giovanni Paolo Panini or Pannini (1691 – 1765) was a painter and architect who worked in Rome and is considered to be one of the Vedutisti (view painters).

Figures Among Ruins: A Pair After Giovanni Paolo Panini Italian, 18th century Oil on canvas laid on board 47 x 58 ¼ inches each [2046AB]

Giovanni Paolo Panini or Pannini (1691-1765) was a painter and architect who worked in Rome and is considered to be one of the Vedutisti (view painters).

This painting has great size and details with beautiful warm tones of sienna, greens and stone tones with a black lacquered and gold gilt frame.

The style was later developed by Giovanni Paolo Panini (b.1691 – d.1765) whose works of Rome include views of the architecture arranged as pictures in a gallery.

Oil on canvases in 18th century style gilt and gesso frames. Follower of Giovanni Paolo Panini (1691-1765). Panini was a painter and architect who worked mainly in Rome.

Queen Cleopatra & Attendants In An Architectural Portico, 18th Century School of GIOVANNI PAOLO PANINI (1690-1765) 18th Century Italian Classical Architectural scene of Queen Cleop...

Attr. Giovanni Paolo Panini (Italian 1691-1765) "Roman Ruins" ca. 1750 Ink on Paper 17.8" x 14" inches framed 12" x 8.3" inches unframed Giovanni Paolo Panini or Pannini (17 June 16...

“Beautiful Swedish Rococo bombe-shaped chest of drawers with elegant curved sides and a serpentine front, characteristic of Swedish Rococo. Three drawers with bronze fittings, as wel...

This White Linen Slip-Covered Lounge Chair fits as the perfect accent to any room. It's the perfect chair to have adjacent to a sofa, and can make every pillow look delightful in the...

Introducing the home collection. A small selection of timeless Flemish designs made by hand for us in a small third generation workshop in Belgium. Has been used by many influent...

Introducing the home collection.  An iconic, unobtrusive design. A small selection of timeless Flemish designs made by hand for us in a small third generation workshop in Belgium....

Introducing the home collection. An iconic, unobtrusive design. A small selection of timeless Flemish designs made by hand for us in a small third generation workshop in Belgiu...

20th Century green and white enamelled cast iron radiator cover with opening access doors to the front and sides. Very good condition and no restorations. France, circa 1920

Century Furniture chaise lounge / day bed / fainting couch / settee. Features a tufted diamond upholstery with rolled arms, supported by turned walnut legs with brass castors. Dime...

Introducing the Ans Belgian Linen Slip Covered Accent Chair, exuding classic European style with its elegant design. Crafted with luxurious Belgian linen, this accent chair features ...

Large-scale 19th century English display cabinet executed in the Chinoiserie tradition. Constructed in carved mahogany and conceived as a tripartite architectural façade, each glazed...

Classical Landscape English School, early 19th century, unsigned oil on canvas, unframed canvas : 19 x 27 inches Provenance: private collection, UK Condition: The painting is in very...

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inches P...

Jan Van der Straet, known as Giovanni Stradano (Bruges 1523 - Florence 1605), Workshop of The Adoration of the Magi late 16th century - early 17th century oil painting on canvas Mea...