Richard Haines

Monica with Richard Haines, and in Pittsburgh with Samuel Rosenberg (1896-1972). Ruben began teaching in

Beautiful patinated brass single stool in the style of Billy Haines, circa 1950s nice solid and

in Los Angeles at Chouinard Art Institute, in Santa Monica with RICHARD HAINES, and in Pittsburgh

Part of Richard Haining's STACKED Collection, this vessel uses reclaimed walnut. The salvaged wood

Part of Richard Haining's STACKED Collection, this vase was made using reclaimed California redwood

Part of Richard Haining's STACKED Collection, this asymmetrical this "rocker" vessel lays on it's

Part of Richard Haining's STACKED Collection, this vase was made using reclaimed California redwood

Part of Richard Haining's Stacked collection, this Console Table has a stance similar to a grand

Part of Richard Haining's STACKED Collection, this planetary like vessel utilizes salvaged mahogany

Part of Richard Haining's STACKED Collection, this vase was made using reclaimed spalted maple

Part of Richard Haining's STACKED Collection, this wooden vessel with its elongated neck is made

Part of Richard Haining's Stacked collection, this vessel uses reclaimed walnut. The salvaged wood

Part of Richard Haining's Stacked Collection, this asymmetrical vessel utilizes reclaimed red and

Part of Richard Haining's STACKED Collection, this oversized "spinning top" inspired vase is made

Part of Richard Haining's Stacked Collection, this vase was made using reclaimed maple. The wood

Part of Richard Haining's STACKED Collection, this Three Ringed Vase was made using reclaimed Heart

This vessel has not been turned on a lathe. It was hand-built hollow, Stacked piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. Thi...

“Distortion” was created as an exploration into manipulating the rather symmetrical forms Richard

constructed, Haining adopted this process for his craft. Beginning each piece with his vision and a box

to life by Richard’s STACKED process, achieving a quality reminiscent of both basketry and mosaic

This asymmetrical vessel was created from salvaged Spalted maple. The wood's natural coloring shows off tones range all-over the place from yellow and blonde, to pink and deep browns...

This asymmetrical vessel was created from salvaged spalted maple. The wood's natural coloring shows off tones range all-over the place from yellow and blonde, to pink and deep browns...

Part of Richard Haining's Stacked Collection, this vase was made using reclaimed spalted paper

Part of Richard Haining's Stacked Collection, this saucer shaped vase was made using reclaimed

Part of Richard Haining's Stacked Collection, this vase was made using reclaimed cherry sourced and

Part of Richard Haining's Stacked Collection, this vase was made using reclaimed Douglas fir

Part of Richard Haining's Stacked collection, this vessel uses reclaimed walnut. The salvaged wood

Part of Richard Haining's Stacked Collection, the wood in this vase was salvaged from a

Part of Richard Haining's Stacked Collection, this round vase form was made using reclaimed walnut

Part of Richard Haining's Stacked collection, this vessel uses a combination of reclaimed walnut

Part of Richard Haining's Stacked Collection, this vessel was made using reclaimed Spalted Maple

prolific artist in the West Coast modernist movement along with Henry Lee McFee, Rico Lebrun, and Richard

Part of Richard Haining's Stacked Collection, this traditional vase form was made using reclaimed

Part of Richard Haining's STACKED Collection, this spherical vase is made from reclaimed walnut

Part of Richard Haining's STACKED Collection, this vase was made using reclaimed California redwood

Part of Richard Haining's STACKED Collection, this spherical vase is made from reclaimed red and

Part of Richard Haining's Stacked Collection, this vessel began round and then split it into a pair

Part of Richard Haining's STACKED collection, this urn shaped vessel is made from reclaimed

Part of Richard Haining's STACKED Collection, this vase was made using Alaskan Cedar salvaged from

Part of Richard Haining's stacked Collection; this asymmetrical vessel utilizes reclaimed red and

Part of Richard Haining's STACKED Collection, this vessel uses a combination of reclaimed walnut

Part of Richard Haining's STACKED Collection, this vessel uses a combination of reclaimed walnut

Part of Richard Haining's STACKED Collection, this vase was made using Alaskan Cedar salvaged from

Part of Richard Haining's Stacked collection, this asymmetrical vessel utilizes reclaimed red and

Part of Richard Haining's Stacked Collection, the carcass of this cabinet or dry bar was made using

patterns brought to life by Richard’s unique STACKing process, achieving a quality akin to basketry or

patterns made brought to life by Richard’s process achieving a quality reminiscent of basketry and mosaic

interior of the shade features the faceted contours which highlight Richard’s STACKED process, while the

, additional “candid/studio” images can be made available. As with all of Richard’s work, this piece was

Part of Richard Haining's Stacked Collection, the frame of this scalloped mirror was made using

bulb). The shade is available in a variety of wood species, finishes and sizes. Additionally, Richard