Hendrick Goltzius

Hendrick Goltzius (1558-1617), engraving, 1593 [with extensive inscription in the plate]. Reference

incisione originale a bulino di Hendrick Goltzius (1559-1617) facente parte di una serie dedicata al

Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...

–1607) after a design by his mentor, the towering genius of Mannerism Hendrick Goltzius, this work is a

years, spreading his style thanks to the numerous engravings created from his works, mostly by Hendrick

, Leiden, Netherlands Dolendo was a student of Hendrick Goltzius, one of the leading engravers and

printmaking in the Netherlands, evidenced by the influence of Dutch printmaker Hendrick Goltzius we see in the

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

shapes and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick

shapes and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick

shapes and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick

father, Bartholomäus Kilian, before studying with the celebrated Flemish artist Hendrick Goltzius in the

. Goltzius that is now being published for the first time, posthumously, in the year 1617] Hendrick

by Hendrik Goltzius after own design. Hendrick Goltzius (1558-1617) was a Dutch painter, draughtsman

Mezzotint engraving on hand laid (verge) paper. The attribution to Hendrick Goltzius was rejected

engraving by Hendrick Goltzius from 1590. "Who Can Escape?" is the motto of this delightful portrayal of

. Made by an anonymous engraver, German school after Jacob Matham after Hendrick Goltzius. Jacob Matham

the back. Made by Cornelis Ploos van Amstel/Johannes Körnlein after Hendrick Goltzius. Cornelis Ploos

after New Hollstein 322. Made by an anonymous engraver, German school after Jacob Matham after Hendrick

Saenredam after Hendrick Goltzius, depicting the five senses. Worldwide shipping for this object is

Mannerist Haarlem, popularised by Hendrick Goltzius (1558–1617) and his circle, but were quite rare in

. Together with the engraver Hendrick Goltzius and artist's biographer Karel van Mander, Cornelisz founded

A very good, well-inked impression of this engraving. Strong contrasts and no sign of wear. Fourth state (of 4). Indiscernible watermark.

shapes and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick

and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick Goltzius

shapes and negative spaces from historical works such as Leonardo’s Virgin of the Rocks and Hendrick

Hendrich Goltzius (1558-1607), after, engravings c. 1740, Four of the Five Senses, engraved by

on the sixteenth century engraver Hendrick Goltzius' "The Four Disgracers". The text surrounding the

Engraving on cream laid paper, 7 3/4 x 5 1/16 inches (195 x 127 mm), trimmed at the platemark. First state (of 2), before the addition of the address of Frederick de Witt. Paper tab...

the ebonized frames with engravings of roman emperors

33. Provenance: Friedrich August II van Saksen (Lugt 971). Made by Hendrick Goltzius after Pieter