Hoi Lebadang Signed Lithograph

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the hoi lebadang signed lithograph you’re looking for. Frequently made of paper, glass and canvas, every hoi lebadang signed lithograph was constructed with great care. There are many kinds of the hoi lebadang signed lithograph you’re looking for, from those produced as long ago as the 20th Century to those made as recently as the 20th Century. When you’re browsing for the right hoi lebadang signed lithograph, those designed in mid-century modern and modern styles are of considerable interest. A well-made hoi lebadang signed lithograph has long been a part of the offerings for many furniture designers and manufacturers, but those produced by Hoi Lebadang are consistently popular.

Prices for a hoi lebadang signed lithograph can differ depending upon size, time period and other attributes — at 1stDibs, they begin at $350 and can go as high as $3,750, while the average can fetch as much as $700.

Lebadang was born in 1921 in Bich-La-Dong, a village along the Huong River in Quang-Tri Province of Hue, Vietnam. He expressed himself through a variety of media, including painting, watercolor, sculpture, jewelry and graphic works. He often combined various media, creating sculptural, highly textured artwork. “Life is a sinking ship and work is a lifeboat.” This described her husband perfectly. He lived in Paris since 1939, studying at the École des Beaux-Arts in Toulouse for six years until his first one-man show in 1950. He created large-scale abstract oil paintings with vivid blues and glowing puddles of orange and red. Painting and printmaking were Lebadang’s most frequently used media but he also worked in terra cotta and a variety of other media, such as “Vessel” (1994). Whatever he created, each piece spoke to the entangled roles of man and nature. In his 1981 “La Comédie Humaine,” he wrote: “In my work, I use the circle, the magic symbol of life, to enclose reliefs and landscapes. It symbolizes that nature is inseparable from man. Man finds sustenance and spiritual nourishment in every source.” And while the human form was not represented figuratively in his work until the late 1970s, he confirmed that man was always present.. His oil paintings of the ’60s are ambiguous at first glance, yet the faint outlines of boats, bridges, and horses gently float to the top. After his shift in style, bringing definition to his paintings, these dreams were made more lucid. Many of his figures become emotive and highly dramatic, this time with visible faces. . Mixing media, he painted aerial scenes of mountains and oceans where the viewer was stationed in the heavens. These paintings elaborated on man’s relationship to the natural world, continuously presented as a flurry of memories. Memories—objects that haunt the entire oeuvre of the artist—are a familiar subject to Lebadang. “Art, in all its forms, whether literature, philosophy, or the visual arts, expresses an attempt to understand the riddle of life and helps lessen the fear of death,” he wrote. His work is exhibited in many public and private collections, including the Cincinnati Museum of Art in Ohio, the Phoenix Art Museum in Arizona, the Rockefeller Collection in New York, the Foundation Museum in Kenya, the Lund University Museum in Sweden, the Loo Collection in Tokyo, and the Museum of Arts and Letters in France. Lebadang was honored with numerous awards and accolades during his career. He also designed an award for the International Institute of St. Louis. The Lebadang Award is presented biannually to an individual who has demonstrated extraordinary volunteer service. The award program was established by the institute in 1989 to recognize organizations and individuals who exemplify “Peace within you, your country, and the world.” “My artwork is often strange but simple,” Lebadang once said. “So everyone can hopefully feel happy and relaxed, and that’s why they like them.”

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.