Irish Marble

A grey Bardiglio marble fireplace from the late Georgian period.

Provenance: Curraghchase, Co. Limerick, Ireland.    

It rests on a rectangular onyx marble base with beveled edges. The bronze base is inscribed with the artist's signature, C.

An architectural Carrara marble fireplace surround in the manner of John Vanbrugh. Made from solid blocks of Italian Carrara marble, with moulded dog leg jambs and simple frieze rest...

A medium sized bolection style fire surround made from Italian Arabescato marble by Ryan & Smith. A classic bolection style fireplace with a gently moulded frame on plain square...

A pure white marble fireplace of early 19th century design, popular in both Ireland and England during this period A design which clearly stood the test of time, ideal for both pe...

The rectangular white marble tops above lotus-leaf carved friezes, the cabriole supports with acanthus-carved knees and claw and ball feet, on rectangular plinths.

A late Regency style fireplace made from Italian Statuary Carrara marble. handcrafted in our Northern Irish workshop from imported Italian Statuary Carrara marble, faithfully copied ...

A pair of antique dove grey and white statuary marble fireplaces from the late Georgian period. The long elegant acanthus carved corbels with recessed pilasters below, support a moul...

This fireplace is in the manner of Irish architect Edward Lovett Pearce, the chief exponent of Palladianism in Ireland. 

A large bolection fireplace surround of generous proportions by Ryan and Smith. The substantial 12″ (300mm) wide bolection moulded frame, rests on plain square plinths. Carved from ...

Georgian neoclassical style pure white marble fireplace. This fireplace was copied from a Georgian original made by George Hill and Author Darley of Mercer Street, Dublin.

Eighteenth-century Pietro Bossi Carrara marble and scagliola chimney piece. The scagliola inlay appears in a range of colours such as burnt umber, amber, verdant green and carmine. L...

A Breccia Viola marble fireplace of stylish architectural design. The aperture surrounded by a wide frame stepped moulding. The plain and squat frieze compliments the generously size...

The fireplace has a molded bolection frame on plain plinths, above the frame rests a barrel shaped frieze and stepped cornice shelf. A classic design fashionable in Europe for over t...

A very stylish hand carved white marble fireplace, worked from solid blocks of marble and presented with a matte finish. Inspired by the pared back classical revival taste of the ear...

An exceptional antique carved white statuary marble chimneypiece from the late Georgian period. With full free standing and fluted ionic columns under carved putti corner blocks. A ...

Made by Ryan & Smith in there Irish workshop. Outside measurements are; 51" wide 45" tall 5.5" deep Inside measurements are; 38.5" tall 38" wide Connemara marble or "Irish gree...

The double serpentine form top made of various specimen marbles and inlaid with the armorial for the Baker family of County Tipperary, with motto "Hono Virtutis Satelles" s...

A large bolection fireplace produced in three solid blocks of Emperador marble by Ryan and Smith. The Roma Bolection is a stylishly simple and robust example of a bolection moulding...

A medium sized bolection style fire surround made from rare and beautiful Italian Convent Sienna marble. A classic bolection style fireplace with a gently moulded frame on plain squ...

A 'Nero Marquina' marble fireplace of early 19th century design A design which clearly stood the test of time, ideal for both period and contemporary interiors. Nero Marquina marbl...

An early 20th century design which has a very modern appearance when produced in this strongly veined lilac marble. The shape encapsulates simple architectural form and it's this si...

An 18th century style bolection fireplace made from solid blocks of ‘Occhio di Pavone’ marble This classic design features a gently moulded frame on plain square plinths, with matchi...

A large marble bolection fire surround of generous proportions. The wide and simplified bolection moulded frame rests on plain angled plinths. Carved in the solid from a block of be...

An Irish 19th century highly decorative and very well executed fireplace in Italian Statuary white marble with red and black Etruscan style Scagliola inlaid jamb panels and frieze.

An antique Statuary and Connemara marble fireplace from the late Georgian period. The white Italian Statuary Carrara marble frieze is inlaid with Irish green Connemara marble formin...

Each with a later Derbyshire fossil marble top.

A Georgian profile portrait of a gentleman carved from Pentalic marble. Possibly 'The Old Pretender', cousin of the Duke of Cumberland, House of Stewart.

An Art Deco inspired fireplace surround made in black and white Nero Marquina marble. Produced in three solid blocks of carefully selected black Marquina marble, with subtle white m...

A hand Crafted Art Deco Style Marble Fireplace, produced in three solid blocks of marble. This stylish fireplace reflects the Art Deco style which flourished internationally during ...

A stylish and neatly proportioned bolection fireplace produced in Italian Breccia Viola marble The fireplace has a moulded bolection frame on plain plinths, with a stepped cornice sh...

The Chelsea is a tall and elegant neoclassical style fire surround in Italian Carrara marble made by Ryan and Smith. Modelled straight off an 18th century original chimneypiece, this...

A large antique Sienna marble bolection frame style fire surround dating to the mid 19th century Made from the richest colour of Convent Sienna marble, A semi-precious and very desir...

18th century serpentine gesso and marble console table, the moulded specimen marble top raised over ornately carved frieze with centred plumed foliate motif flanked with C-scrolls an...

An antique black fossil and Portoro marble fireplace made during the William IV period (1830’s). The shelf, jambs, frieze and foot-blocks are made from black marble with subtle fossi...

A striking gilt console with a thick marble top. Likely Irish in origin it has a somewhat William Kent influence.

An English marble fireplace in the Regency manner. The Statuary white marble jambs and frieze inlaid with Irish Connemara green marble.

19th Century mahogany marble top serpentine console table. The red variegated top with moulded rim, above carved scrollwork base, the apron with central shell, flanked by male and fe...

Exquisite and important pair of circa 1740 George II Anglo-Irish regency console or side tables in the manner of William Kent having original verde antico marble tops on original-fin...

Early 19th century George III marble-top inlaid mahogany table, with stone mosaic depicting two birds in a tree, above turned central pillar on tripod base with paw feet.

19th century pair of brass and marble table lamps. In the form of a classical urns raised on brass plinths.

A bespoke surround in Irish Kilkenny marble, typical of the early 19th century with moulded panels to Jambs and frieze, carved roundel end blocks and slender rectangular moulded shelf.

A large and imposing Gothic Revival fireplace in Irish black Kilkenny fossil marble with green Connemara marble columns.

An Art Deco inspired fireplace surround made in stunning and semi-precious Nero Portoro marble by Ryan and Smith. With vibrant markings that flow in the direction of the fireplace o...

Early 19th century Regency breakfront low bookcase, the shaped statuary marble top raised over four brass grilled and lined doors with brass closing slip opening to reveal shelved in...

Early 19th century Regency mahogany cabinet, the moulded French black marble top raised over frieze with carved gadroon detail above moulded door with bead and gadroon motif and bras...

An outstanding 18th century mahogany side table with Breccia violetta marble top. The plain veneered frieze with acanthus moulded cornice supporting the solid Breccia violetta marble...

Originally sold by R McDonnell, Kildare Street, Dublin 2 at the Irish Antiques Dealers Fair, Mansion House 1970.

Over the course of his career, he had lived and exhibited in London, Dublin, Paris, New York, and Florida, including the Societé des Artistes annual Salon exhibition, Paris 1938, as ...

Two fascinating travel novels from the Victorian period Presented in good, intact order - small repair to title page Bound in Dublin, Ireland with marble paper over board and leather...

Patrick’s Roman Catholic Cathedral, Armagh, Northern Ireland.

A very strong architecturally styled marble chimneypiece with geometric design, based on a model by one of Britain’s most influential architects, John Soane. His architectural style ...