Henri Goetz Art

Immerse yourself in the timeless beauty of the American Southwest with this exceptional vintage watercolor and gouache painting by renowned Western artist Lloyd Moylan (1893–1963). P...

Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches. LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated. EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12. PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York. NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...

Title: Geometric Abstract Composition with Spherical Form French Modernist Watercolour Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 11.25 x 9.25 inches (he...

Color spitbite aquatint with chine colle. Edition of 50

Color softground etching with aquatint and spitbite aquatint. Edition of 50

Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...

Color softground etching with aquatint and spitbite aquatint. Edition of 50

Amish Farmscape #2, 1982, gouache, 9 x 12 inches, signed and dated lower right, label verso: “Artist-E. Lewandowski, Title- Amish Farmscape #2 STUDY, Date- 1982, Size- 9”x 12”, Medium- Gouache”, Provenance: Franklin Riehlman, Riverdale, New York, to Herman Zerweck, Ann Arbor, Michigan, 1996; Provenance: Richard Hartman, Gallery of Wisconsin, Wisconsin Edmund Lewandowski was among the best of the second-generation Precisionists. He is credited with extending Precisionism to the Midwest and successfully evolving the style into the 1980s and 1990s with his Neo Immaculate works. Lewandowski was born and raised in Milwaukee, Wisconsin, and studied at the Layton School of Art with Garrett Sinclair...

Experience the romance and abstraction of 1950s Paris through this striking original mixed media drawing by the acclaimed American Modernist, Frederick E. Conway (1900–1973). This c...

Brice Marden Nevis Letter 2009 Etching 30 x 22 1/2 inches; 76 x 57 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...