John C

A portrait of Nawoi, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Merayun, a Rendille woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Ltailson, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Acuan, a Turkana man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Kakuwsa, a Rendille man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Lekutano, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Kakuwsa, a Rendille man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Lekutano, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Lemarleni, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Lemarleni, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Lemarleni, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Madina, a Gabbra woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Ltailson, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Merayun, a Rendille woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Nawoi, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Nganamya, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Ltailson, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Lemarleni, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Kakuwsa, a Rendille man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Lekutano, a Samburu man from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of Nawoi, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A Turkana elder photographed by John Kenny in Kenya. John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets!

John Kenny met this Gabbra woman on the road to Kolal in Northern Kenya in 2019.

The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appearance and a contemporary look.

A young Wodaabe maiden from Niger. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

A portrait of a beautiful young Turkana woman photographed on the banks of Lake Turkana. John uses simple natural light and builds primitive makeshift studios from locally acquired ...

Konbaki – a portrait from a Fula woman from Niger in Africa. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appearance and a contemporary look.

A young Turkana girl John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets!

A young Turkana warrior John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets!

Elder with a tale to tell John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets!

In January 2009 John Kenny went to the Festival of the Desert in Mali.

In January 2009 John Kenny went to the Festival of the Desert in Mali.

John met this Wodaabe girl who was carrying her young child in a remote market village called Sakabal in the far north of Niger’s Maradi province.

His images are all taken with natural light and in their day to day attire. John Kenny’s black and white photographic portraits are taken on location in some of the remotest corners...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

John met this young Fula shepherd as he was dragging three uncooperative goats towards a dusty livestock market in a remote part of Niger.

She had a natural magnetism and warm smile. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

She had a natural magnetism and warm smile. John Kenny’s work is all shot on location in some of the remotest corners of Africa.

His images are all taken with natural light and his subjects in their day to day attire. The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appeara...

Edition of 25 Presentation: Unmounted C-type print Signed by the Artist Certificate of Authenticity Country: Mali Culture: Fulani Year: 2009 Frame: Print only Size: 26.5" x 18"

Eventually I was given permission and 20 men crowded around laughing much to the chagrin of my subject. John Kenny’s work is all shot on location in some of the remotest corners of ...

His images are all taken with natural light and his subjects in their day to day attire. The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appeara...

Edition of 3 Presentation: C-type acrylic face mounted print Signed by the Artist Certificate of Authenticity Country: Niger Culture: Fula Year: 2009 Frame: Acrylic face-mounted Siz...

The stunning girl in this portrait illustrates the permanent tattoos that the Fulani consider so beautiful. John Kenny’s work is all shot on location in some of the remotest corners...

His images are all taken with natural light and in their day to day attire. The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appearance and a con...

His images are all taken with natural light and in their day to day attire. The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appearance and a con...

His images are all taken with natural light and in their day to day attire. The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appearance and a con...

Edition of 12 Presentation: Acrylic face mounted C-type print Signed by the Artist Certificate of Authenticity Country: Kenya Culture: Turkana Year: 2009 Frame: Acrylic face-mounted...

Edition of 3 Presentation: C-type acrylic face mounted print Signed by the Artist Certificate of Authenticity Country: Kenya Culture: Turkana Year: 2009 Frame: Acrylic face-mounted ...

Edition of 25 Presentation: Acrylic face mounted C-type print Signed by the Artist Certificate of Authenticity Country: Kenya Culture: Turkana Year: 2009 Frame: Acrylic face-mounted...

Edition of 3 Presentation: C-type acrylic face mounted print Signed by the Artist Certificate of Authenticity Country – Kenya Culture – Samburu Year – 2009 Size - 5...

Edition of 12 Presentation: Acrylic face mounted C-type print Signed by the Artist Certificate of Authenticity Country – Kenya Culture – Samburu Year – 2009 Size - ...

His images are all taken with natural light and in their day to day attire. The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appearance and a con...

His images are all taken with natural light and in their day to day attire. The C-type prints are mounted with an acrylic face mount giving them a 3-dimensional appearance and a con...

The small metal spear-like object at the side of his head is used for scooping and sniffing powdered snuff. John Kenny’s work is all shot on location in some of the remotest corners...

The small metal spear-like object at the side of his head is used for scooping and sniffing powdered snuff. John Kenny’s work is all shot on location in some of the remotest corners...

The small metal spear-like object at the side of his head is used for scooping and sniffing powdered snuff. John Kenny’s work is all shot on location in some of the remotest corners...

. / 20225 Maker's / 1168 / Sterling / and 9251000 M for the directorship of John C. Moore (1907- 1947). Many of the cordials have various other numbers/cyphers to the base as well.

Fully hallmarked for Tiffany & Co. and made under the directorship John C. Moore the 2nd (1907 - 1947) Simply wonderful silver from Tiffany & Co.!