Kandinsky Composition

Influenced by artists such as Kandinsky, who demonstrated geometric and compositional rigor, his works are pictosculptures, carefully studied and meditated.

Influenced by artists such as Kandinsky, who demonstrated geometric and compositional rigor, his works are pictosculptures, carefully studied and meditated.

Influenced by artists such as Kandinsky, who demonstrated geometric and compositional rigor, his works are pictosculptures, carefully studied and meditated.

Influenced by artists such as Kandinsky, who demonstrated geometric and compositional rigor, his works are pictosculptures, carefully studied and meditated.

Wassily Kandinsky - Composition - Original Woodcut Condition: excellent 32 x 24 cm 1959 Published by XXe siècle, San Lazzaro Printed signature (monogram) in the plate Unnumbered as i...

The collection is inspired by the avant-garde movements of 20th century and works of Malevich and Kandinsky. Composition I.I's muted colors of pale blue, dusty rose and mustard yello...

The collection is inspired by the avant-garde movements of 20th century and works of Malevich and Kandinsky. Composition I.I's muted colors of pale blue, dusty rose and mustard yello...

The collection is inspired by the avant-garde movements of XXth century and works of Malevich and Kandinsky. Composition IX's muted colors of golden brown, pale blue and dim brass y...

Sally Gall photographs the natural world and its relationship to humanity, creating bodies of work about gardens, cultivated landscapes, wild landscapes, as well as the creatures tha...

Signed, titled, dated, and editioned on artist's label, verso 26 x 40 inch archival pigment print 33 x 50 inch archival pigment print Shared edition of 10 + 2AP

Composition from Klange Suite first edition 1911 edition 300 woodblock signed on plate image 15.5 x 15.3 cm 6 3/8 x 6 in paper 32 x 24 cm 12 1/8 x 9 1/2 in. li...

(Swedish, 1900–1983) Composition, mixed media, signed. 1958 Lambert Werner was inspired by Gösta Adrian Nilsson’s colourful and dynamic art.

(Swedish, 1900–1983) Composition, mixed media, signed. 1958 Lambert Werner was inspired by Gösta Adrian Nilsson’s colourful and dynamic art.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

But sometimes that flurry takes a complete abstract form, reminding the viewer of Kandinsky’s Compositions (1913), and thus the longing for liberation.

She continues to develop her artistic research around textures, colors, and geometry – reminiscent of Gerard Richter’s exploration on texture as well as Wassily Kandinsky’s geometric...

She continues to develop her artistic research around textures, colors, and geometry – reminiscent of Gerard Richter’s exploration on texture as well as Wassily Kandinsky’s geometric...

She continues to develop her artistic research around textures, colors, and geometry – reminiscent of Gerard Richter’s exploration on texture as well as Wassily Kandinsky’s geometric...

She continues to develop her artistic research around textures, colors, and geometry – reminiscent of Gerard Richter’s exploration on texture as well as Wassily Kandinsky’s geometric...

77097 Contemporary Abstract Tapestry Inspired by Wassily Kandinsky's "Composition X". This unique rug is inspired by Kandinsky's (French, Russian 1866-1944) last oil on canvas work "...

Unique 9.2 ft. x 7 ft. fine wool art carpet after Wassily Kandinsky's Composition 8 from 1923 - Kandinsky regarded Composition 8 as the high point of his postwar achievement.

"Der Blaue Reiter - Entwurf zur Komposition Nr. 4" from 1914 is a color lithograph of Wassilij Kandinsky which contains hand-coloring and pochoir.

A striking early 20th-century modernist composition by the Russian-born pioneer of abstraction, Wassily Kandinsky, this hand-colored lithograph exemplifies the artist's groundbreakin...

Reference: Roethel, 196; Friedel/Hoberg, 153.1 Image Dimensions : 29.4 x 23.4 cm Vasilij Kandinsky (1866-1944), the forerunner and founder of Abstractionism, Vasilij Kandinsky was ...

Preinted in the mid-20th Century after the 1925 Kandinsky's composition. Monogrammed and dated in the plate, and numbered in pencil 8/300.

Artist: Wassily Kandinsky Title: Composition from Derriere le Mirroir Year: circa 1957 Medium: Lithograph Size: 15 x 22 inches Frame: 20 x 28.5 inches with normal gatefold crea...

Influenced by music, Kandinsky often aimed to create a visual language that could evoke similar feelings to those produced by musical compositions.

Wassily Kandinsky - Composition - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 10 x 15.75 inches ( 25.4 x 40.005 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling "Composi...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A: Mint "Composition III" by Wassily Kandinsky, featured in Derri...

77098, Contemporary Abstract Tapestry Inspired by Wassily Kandinsky's "Composition X". This unique rug is inspired by Kandinsky's (French, Russian 1866-1944) last oil on canvas work ...

77093, Contemporary Abstract Tapestry Inspired by Wassily Kandinsky's "Composition X". This unique rug is inspired by Kandinsky's (French, Russian 1866-1944) last oil on canvas work ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 60-61, 1953. Published by Aimé Maeght, Éditeur, Paris; ...