Kathe Kollwitz

He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.”

His work calls to mind the raw emotional intensity of the works of German artist Kathe Kollwitz of that period. He depicted humanity deep anxiety over this tragedy with figures that ...

Unsere Welt is an original Rare Book illustrated by Kathe Kollwitz (Königsberg, 1867 – Moritzburg, 1945) in 1928 and written by Various Authors.

At Roggevelde, on their knees, Kathe and Karl Kollwitz suggest a family which includes us all.

is an original Rare Book illustrated by Kathe Kollwitz (Königsberg, 1867 – Moritzburg, 1945) and other artists in 1922.

Käthe Kollwitz (German, 1867-1945) Deutschlands Kindern Hungern (Germany's Children Are Starving), 1924 Lithograph on paper after original charcoal drawing Sight: 17 1/2 x 12 in.

This framed etching and drypoint print is entitled "Beim Dengeln" (Sharpening the Scythe) by Kathe Kollwitz from her Der Bauernkrieg (The Peasant War or Revolt) series.

August Klipstein. 1955. Graphic Work of Kathe Kollwitz: Complete Illustrated Catalogue. New York: Galerie St.

Artist: Kathe Kollwitz, German (1867 - 1945) Title: Frau mit uebereinandergelegten haenden (Woman with folded hands) Year: 1898 (later printing circa 1950) Medium: Etching, "von d...

Artist: Kathe Kollwitz, German (1867 - 1945) Title: Frau mit uebereinandergelegten haenden (Woman with folded hands) Year: 1898 (later printing circa 1950) Medium: Etching, "von der ...

KATHE KOLLWITZ (1867-1945) LOSBRUCH, 1903 (Klipstein 66 viii/xi).

Portrait of a Woman With Folded Hands by Kathe Kollwitz. Offered framed. Frame size: 20 x 17.5 inches Paper size: 12 x 10 inches Käthe Kollwitz filtered the concerns of Social Real...

KATHE KOLLWITZ (German 1867 -1945) WOMAN WITH SCYTHE / BEIM DENGELN 1905 Klipstein (90 xii/xii) Etching on heavy wove paper, unsigned. 11 3/8 × 11 1/8 inches, Full sheet with deckl...

KATHE KOLLWITZ (1867-1945) AN DER KIRCHENMAUER (At The Church Wall), 1893 (45) (Klipstein 19 vi/vi: Knesebeck 19) Etching and drypoint on wove paper.

Kollwitz, Kathe. BETENDES MADCHEN. Klipstein 11, Knesebecke 14.

Downcast Figure by Kather Kollwitz (1867-1945) Etching on paper 11 ½ x 6 ¾ inches unframed (29.21 x 17.145 cm) 20 x 15 inches framed (50.8 x 38.1 cm) Description: In this etching,...

KATHE KOLLWITZ (1867 – 1945) MOURNING MAN / TRAUERNDER MANN (K 137 V.A.b) (1919 / 1945) Soft ground etching and aquatint.

KATHE KOLLWITZ (GERMAN 1867-1945) ZERTRETENE 1900 (Klipstein 48 V.B2?)

KATHE KOLLWITZ (German 1867 -1945) VIER MANNER IN DER KNEIPE (Four Men in the Pub) 1892 (K 12 ia/iii) Etching, 1st state 1a of 3, signed in pencil and with the signature of O.

The Käthe Kollwitz Prize, established in 1960, is named after her.

Figurative etching by female German Expressionist artist Kathe Kollwitz. The work features a seated young pregnant woman with her hands folded over her lap with her shadow prominent ...

An expressionist etching by German artist Kathe Kollwitz, titled "The Prisoners." Unsigned, AVD Becke Muenchen-22 blind stamp lower right.

Kathe Kollwitz's 'Revolt' with blind stamp 'A.V.D.

A member of the Novembergruppe (November Group), she socialized with German Expressionist artists such as, Erich Heckel and Karl Schmidt-Rottluff as well as, Kathe Kollwitz, Milly St...

Kollwitz, Kathe (German, 1867-1945). SELBSTBILDNIS (SELF-PORTRAIT).

Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103.

Kollwitz, Kathe. HEIMARBEIT. Klipstein 209, Knesebeck 217.

Klipstein 103; Knesebeck 107. Born Käthe Ida Schmidt in Königsberg, Eastern Germany, to a middle-class family, Kollwitz had a liberal-minded father who encouraged her talent.

Abstract etching of a figure sitting down staring blankly out past the viewer. The work is signed by the artist. It is framed in a wooden frame with a white matte. Dimensions without...

Hambrgger Kniepe / Hamburg Tavern (Kl. 58 iv c/d, Knesebeck 55 IVc of IVd). Original soft-ground etching and aquatint, before mid-June, 1901. Edition: from the posthumouos edition of...

Medium: original lithograph. Catalogue reference: Klipstein 145 1b. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig ...

Maria und Elisabeth (Mary and Elisabeth). Version III. 1928. 14 1/4 x 13 3/4. Edition 150 in this state. A glowing impression on Japanese mulberry paper. Signed in pencil. Housed in...

This etching is included in the book;" Ich sah die Welt mit liebervollen Blicken" it is numbered in pencil 162/200. Edited by Fackeltrager-Verlag,Schmidt-Kuster Gmbh, 1971 The book i...

Though his initial prints were pastoral landscapes of New England, Mielatz turned instead to the depiction of workaday urban settings. Not unlike Käthe Kollwitz, Mielatz typically r...

Chronology His strongest influences were American Social Realists Reginald Marsh and Philip Evergood, the German Expressionists George Grosz and Kathe Kollwitz, the Mexican muralists...

He was included in the 1957 MOMA show German Art of the 20th Century along such greats as Ernst Barlach, Max Beckmann, Otto Dix, Max Ernst, Lyonel Feininger, George Grosz, Ernst Ludw...

He painted portraits of Gerhard Hauptmann, Henrik Ibsen, Bernhard Pankok, Gustav Mahler, Max Klinger, Rainer Maria Rilke, Ernst Barlach, Lovis Corinth, Otto Dix, Käthe Kollwitz, Max ...

Her portrait busts, such as Siegfried Matthus (2007, Rheinsberg), Götz Friedrich (2008, Berlin), Hanns Eisler (2010, Berlin), Käthe Kollwitz (2013, Berlin), the Mask of Medea as a tr...

The influence of Rembrandt, Goya, Daumier, Edvard Munch, and Kathe Kollwitz can be discerned in Mazur's early work, although during the late 1960s thematic concerns gave way to exper...

In 1992, he returned again to an art-historical theme in My German Trip, in which Colescott imagines encounters with the great German printmakers Albrecht Dürer, Käthe Kollwitz, Otto...

While in Paris and other European cities, Florsheim studied the work of the masters including José Clemente Orozco, Honoré Daumier and Käthe Kollwitz, claiming in later years that th...

While in Paris and other European cities, Florsheim studied the work of the masters including José Clemente Orozco, Honoré Daumier and Käthe Kollwitz, claiming in later years that th...

Now director of the Westermann Gallery at Rockefeller Center, he specialized in showing works of noted European artists such as Kathe Kollwitz and Ernst Barlach, Lehmbruck, George Gr...

Because of differences with Arno Breker , he leaves the College of Fine Arts in Hardenbergstraße (now UdK Berlin ) and is included with Käthe Kollwitz at the Studio community Kloster...

He has exhibited at MoMA in many exhibitions and has been included in print shows with Thomas Bayrle, Mel Bochner, Louise Bourgeois, Marcel Broodthaers, Alberto Burri, Vija Celmins,...

Drawing on the influence of German expressionist Kathe Kollwitz as well as the Mexican printmaker José Guadalupe Posa, Egan paints in a flat manner with a heavy focus on portraiture.

Drawing on the influence of German expressionist Kathe Kollwitz as well as the Mexican printmaker José Guadalupe Posa, Egan paints in a flat manner with a heavy focus on portraiture.

Drawing on the influence of German expressionist Kathe Kollwitz as well as the Mexican printmaker José Guadalupe Posa, Egan paints in a flat manner with a heavy focus on portraiture.

Woodcut by Käthe Kollwitz, Germany 1922-1923 Sheet from the series "Krieg" ( "War") 14.57 x 9.06 in ( 37 x 23 cm ) Käthe Kollwitz (1867-1945) The German painter, graphic arti...

Woodcut by Käthe Kollwitz, Germany 1929. Framed. 11.02 x 13.98 in ( 28 x 35,5 cm ) Käthe Kollwitz (1867-1945) The German painter, graphic artist and sculptor Käthe Kollwitz was bor...

Impressive Bronze Relief by Käthe Kollwitz ( 1867-1945, Germany ). Created 1938 in memory of her friend Ernst Barlach.

An very emotional skulptur by Käthe Kollwitz ( 1867-1945 ), Germany. Conceived 1940/1941.

Drawing on the influence of German expressionist Kathe Kollwitz as well as the Mexican printmaker José Guadalupe Posa, Egan paints in a flat manner with a heavy focus on portraiture.

Drawing on the influence of German expressionist Kathe Kollwitz as well as the Mexican printmaker José Guadalupe Posa, Egan paints in a flat manner with a heavy focus on portraiture.

Drawing on the influence of German expressionist Kathe Kollwitz as well as the Mexican printmaker José Guadalupe Posa, Egan paints in a flat manner with a heavy focus on portraiture.

Drawing on the influence of German expressionist Kathe Kollwitz as well as the Mexican printmaker José Guadalupe Posa, Egan paints in a flat manner with a heavy focus on portraiture.