Ken Johnson

A captivating oil by the artist Ken Johnson. The scene depicts a virginia creeper in autumn colour, rampantly climbing a country barn wall.

In a highly condensed form they embodied the Playboy ethos: the smartly produced blend of intellectual sophistication, discerning consumerism and fun-loving hedonism.” - Ken Johnson,...

In a highly condensed form they embodied the Playboy ethos: the smartly produced blend of intellectual sophistication, discerning consumerism and fun-loving hedonism.” - Ken Johnson,...

In a highly condensed form they embodied the Playboy ethos: the smartly produced blend of intellectual sophistication, discerning consumerism and fun-loving hedonism.” - Ken Johnson,...

Reviews of her work have been featured in the New York Times by Roberta Smith, Ken Johnson, and Grace Gleuck.

Reviews of her work have been featured in the New York Times by Roberta Smith, Ken Johnson, and Grace Gleuck.

Reviews of her work have been featured in the New York Times by Roberta Smith, Ken Johnson, and Grace Gleuck.

Reviews of her work have been featured in the New York Times by Roberta Smith, Ken Johnson, and Grace Gleuck.

They should be reproduced as posters and disseminated around the nation..." KEN JOHNSON

His paintings have been described by Ken Johnson in the New York Times as having "a dreamy, mildly hallucinatory air and a mood of Hopperesque melancholy," reflecting the harsh kinet...

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing elect...

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing electri...

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing electri...

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing electric...

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing electric...

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing electric...

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing electri...

Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002.

Noted art critic and writer for the New York Times, Ken Johnson, has stated: “At the end of the 1960s the West Coast Light and Space artist Laddie John Dill began producing electri...

Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002.

In 2003 Alfen was included in an art show at the Garth Clark Gallery on 57th Street and was reviewed as follows by Ken Johnson in the New York Times. “Matthias Alfen makes finely mod...

Will Barnet "The Dream" 2002 Color Lithograph on Somerset Velvet White Paper Signed and Titled Ed. 250 Will Barnet, Visionary Artist, Dies at 101 By KEN JOHNSON Published: November ...

NY Times Cleve Gray Obit: Large Abstract Works, Dies By Ken Johnson Dec. 10, 2004 Cleve Gray, a painter admired for his large-scale, vividly colorful and lyrically gestural abstract...

Looking at the 30 paintings here, including naturalistic portraits of herself and her grandmother, Cubist still lifes and abstractions and pictures of herself and her children, you m...

Whatcom Museum of History and Art, Bellingham, Washington 1996 The New York State Biennial. Ken Johnson, curator. NY State Museum, Albany, New York In This Time and Place.

Writing in the New York Times the art critic Ken Johnson concluded that: “A part of Ms. Heilmann rebels against the elevation of fine art over the applied arts and resists the separa...

New York Times, “Unwrapping the Secrets Of Ordinary Objects”, Ken Johnson, May 17, 2008, p.B11. San Gabriel Valley Newspapers, “Is It Real, Art Or Both?

“Current,” Seattle Post Intelligencer, March 26, 1986 Johnson, Ken. “Pattern,” The New York Times, July 16, 1999 Koplos, Janet.