Klein Blue

Reflected in the dye and material is the powder pigment of Yves Klein blue. Matt colour contrasts with a naturally luminous ground, whose weave creates a subtle three-dimensionality.

Louis XVI style armchair with medallion backrest. Elegantly carved and hand finished in a two tone patina, gilded or ecru, slightly aged. Made using traditional methods and materia...

Reflected in the dye and material is the powder pigment of Yves Klein blue. Matt colour contrasts with a naturally luminous ground, whose weave creates a subtle three-dimensionality.

Signed by the photographer on label of authenticity

Signed by the photographer on label of authenticity

Signed by the photographer on label of authenticity

Casey R. Klein is an abstract painter living and working in Los Angeles, California. A self-taught artist, she has been creating work with the same underlying sentiment for over I5 y...

Instead, Aarons focusses on the life-affirming mass of verdant foliage, leaves of every possible shape and form, all contoured by this powdery Klein blue architecture, gently touring...

Offered in two Kvadrat upholstery collections designed by Raf Simons, as well as Kvadrat solid bouclé, our standard collection leather options and open to all COM requests.   

The Lumibär is a design classic from Flötotto. The bright bear. Not just something for the children's room. The design is so simple that it also fits wonderfully as a light object...

The Lumibär is a design classic from Flötotto. THE glowing bear. Here in a very rare reclining version. Not just for the children's room. The design is so simple that it also fits w...

From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue) - Wikipedia

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Many of the sculptures are unified by an iconic Klein blue monochrome surface. By reducing the work to a single color, he shifts attention away from material and toward the structure...

Mid Century Moder serving platter in an eye catching Yves Klein Cobalt Blue glass with internal air bubbles that give the piece an interesting texture.

Cobalt Blue is the most complex and contradict color. French artist Yves Klein once said "Cobalt blue has no dimensions.

It is this fantastic dimension that feeds the mysterious effect of the work. The Prussian blue background is related to the unfathomable depth of Yves Klein's blue.

Yves Klein style vivid blue rope clad cabinet with 3 drawers and rope pulls.

At the same time, the series is also about Francis’ exploration of the color blue. Blue evokes the sky and infinity, as it did for Giotto, Kandinsky and Yves Klein.

Following a visit to the Paris studio of Yves Klein in 1957, Bernard Aubertin was inspired to follow in Klein’s footsteps and passionately work within the field of monochromy, a styl...

The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in ...