Le Brun

Son of the painter Jean Lefèbvre (1600-1675), the young Claude was first a pupil of Claude d'Hoey (1586-1660) in his hometown, Fontainebleau, then of Eustache Le Sueur and finally of...

In 1632–1634, he had as his pupil Charles Le Brun, who would become a central figure of official French painting in the age of Louis XIV.

Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) attributable Portrait of the painter Charles de La Fosse (1636-1716) oil on canvas 60 x 52 cm/ In a beautiful frame cm. 113 x 78 The ...

The influence of old masters in Zoffoli’s artistic training is clear, as included in his published engravings were copies of works by Van Dyck and Le Brun. During this time, Zoffoli ...

72244, antique French Aubusson tapestry, mythological sea dragon creature wall hanging. Drawing inspiration from Hippocampus and Nereids, this handwoven wool antique French Aubusson ...

Bernard trained at the Académie Royale de Peinture et de Sculpture under esteemed artists such as Charles le Brun and Sébastien Leclerc. Picart’s early career was marked by his relo...

The base features three hand-painted Vernis Martin panels, the central panel is signed by the artist, M Le Brun, who was renowned for painting the very best Vernis Martin furniture.

In 1682, he won the Prix de Rome, a scholarship that allowed him to study at the French Academy in Rome, but on the advice of Charles Le Brun, he gave up the prize and concentrated o...

"Egypt has to be both believed and disbelieved at the same time," he proposes, explaining his attraction to its intermingling of myth and history in the era of the pharaohs; here, he...

It is believed that thanks to his friendship with Charles Le Brun, the King's first painter, he was put in contact with Madame de Montespan, who made him one of her appointed artists.

His style, influenced by the tradition of grand French portraiture inaugurated by Charles Le Brun, combines solemnity, decorative refinement, and theatrical staging.

Many pastelists—such as Rosalba Carriera, Maurice Quentin de La Tour (French, 1704–1788), Élisabeth Vigée Le Brun (French, 1755–1842), Francis Cotes (English, 1726–1770) and John Rus...

He had spent enormous sums in building a magnificent château on his estate of Vaux-le-Vicomte, which in extent, magnificence and splendour of decoration was a forerunner of the Palac...

Table basse vintage rectangulaire signée Jean d’Asti des années 60 70, piétement et structure en bois foncé, plateau en superbe céramique de Vallauris au décor abstrait dans les tons...

17th c Tapestry of Spring by Charles Le Brun by the Gobelin workshop. Most Magnificent Tapestry like a painting

This early 20th Century French-Rococo, inspired by Charles Le Brun’s designed tapestries, depicting a hunting scene - one the favorite entertainments in the court of Louis XIV.

Engraved crystal bowl, gilted bronze, enamel by Lebrun Limoges, 19th century

Putto & Dolphins, 18th Century follower of Charles LE BRUN (1619-1690) - signed F Boucher Large 18h Century French School scene from Greek Mythology of Putto playing with dolphins...

Early 18th C. Paris tapestry LES ELEMENTS/"La Terre" woven from a design by Charles Le Brun for Louis XIV.

Its architectural lines reflect the influence of Le Brun,but the style of decoration is already a little more exuberent, with the pierced balusters and flowing scrolles and leaves of...

Tapestry panel of the Royal Manufacture of Aubusson / Felletin , the 17th century , belonging to a series of eight panels hanging with subject the story of Alexander the Great, aft...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

Complet en céramique émaillée, colonne torse et cache-pot Tons bleu turquoise dégradé vers le brun/rouge. Cache-pot à décor de godrons torsadés, muni de deux anses Bel état généra...

Le couple emménage rue de Seine. Il reçoit les conseils d'Élisabeth Vigée Le Brun qui l'emploie comme assistant pour la peinture d'objets dans ses toiles.

L'utilisation de différentes essences de bois, alternant entre le noir et le brun, encadre avec élégance ces scènes, ajoutant une touche de raffinement.

Barthelemy) Le thé à l’anglaise 11 October 1901 Rembrandt Portrait d’un jeune homme 14 April 1907 Reni Ecce Homo 4 August 1900 Teniers Le fumeur 30 August 1900 Teniers (David) Pa...

He subsequently studied with Joseph-Gabriel Imbert (1666–1749), who had been a pupil of Charles Le Brun. From 1744–47 or later he worked in Rome, in the atelier of Pierre Subleyras (...

Superb detail taking from Le Bruns famous work that hangs in the Musee De Louvre.

Superb detail taking from Le Bruns famous work that hangs in the Musee De Louvre.

In The Style of Elisabeth Louise Vigee Le Brun. Magnificent Colors and Clarity. Exquisite Detail in the Dressings.

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

This color lithograph comes from the earlier stages of the artist's printmaking oeuvre. Starting in 1952, the year this print was published, Chagall produced hundreds of prints over ...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained hon...

Scarf in silk twill with hand-rolled edges (100% silk). Designed by Florence Manlik

Many of his portraits during his first years back in France strongly reflect the influence of Flemish court painting, especially as practised by Lely in England. Largilliere was rece...