Low Country Art

Elizabeth O'Neil Verner etching titled "Low Country" lower left and signed in pencil lower right

Original vintage winter sport biathlon ski and shooting event poster - Jasna Low Tatras National

the East Carolina University School of Art. He began his career as the creative director of his own

Allison’s work came across our radar a while ago but a recent painting trip to Provence with her sealed the deal as we watched her paint diligently and with a keen eye that missed no...

Harrington, who has represented her art for many years. The gallery owners, Ann Huff and Meg Harrington

The unframed size of the canvas is 48x 36. Allison’s work came across our radar a while ago but a recent painting trip to Provence with her sealed the deal as we watched her paint d...

Doug Foltz — Catching Her Breath Oil on Canvas, 36 x 36 inches Renowned contemporary landscape artist Doug Foltz is celebrated for his luminous horizons and atmospheric seascapes th...

Doug says, "There is great joy in seeking new places - both literal and figurative... finding something new about the world, and more importantly, the relationship we share with it. ...

We’re drawn to Allison’s softly rendered and beautifully painted landscapes and waterscapes that capture light, depth and the constantly shifting movement of water, flora and fauna. ...

An original oil on backed canvas by American impressionist artist Mary Louise Fairchild. This work is signed lower left and was created at the turn of the century. The work is ...

Doug Foltz — Do You Remember When We Used to Sing Oil on Canvas, 40 x 60 inches Acclaimed contemporary painter Doug Foltz is celebrated for his evocative landscapes that capture bot...

rule. The flourishing culture of the Low Countries influenced literature, art, government, politics

Melissa Zarem is an abstract artist known for richly layered mixed media works. In "Low Country

Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...

Stoops in Snow. 1930. Drypoint and sandpaper ground. McCarron catalog 89.state ii. 9 x 14 7/8 (sheet 13 1/4 x 18 7/16 ). Edition 115 recorded impressions. Illustrated: Cortissoz, C...

McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be on one of its covers. The e...

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, ...

Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impression printed on laid paper. Signed...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

Elizabeth O'Neil Verner framed dry point etching of St. Phillips Church Steeple, Charleston, SC. Early 20th Century

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...

A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...

Country home, an impressionist watercolor painting by Charles Parnelle (American, 20th Century). Presented in a wooden frame. Signed "Parnelle" lower right. Image: 8"H x 10"W. Framed...

A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...