Lynn Wyatt

When Christian Dior launched his couture house, in 1946, he wanted nothing less than to make “an elegant woman more beautiful and a beautiful woman more elegant.” He succeeded, and in doing so the visionary designer altered the landscape of 20th century fashion. Vintage Dior bags, shoes, evening dresses, shirts and other garments and accessories are known today for their feminine and sophisticated sensibility.

Dior was born in Granville, on the Normandy coast, in 1905. His prosperous haute bourgeois parents wanted him to become a diplomat despite his interest in art and architecture. However, they agreed to bankroll an art gallery, which Dior opened in 1928 in Paris with a friend.

This was the start of Dior’s rise in the city’s creative milieu, where he befriended Pablo Picasso and Jean Cocteau. After seven years as an art dealer, Dior retrained as a fashion illustrator, eventually landing a job as a fashion designer for Robert Piguet, and in 1941, following a year of military service, he joined the house of Lucien Lelong. Just five years later, with the backing of industrialist Marcel Boussac, the ascendant Dior established his own fashion house, at 30 avenue Montaigne in Paris.

Just two years after the end of World War II, the fashion crowd and the moribund haute couture industry were yearning, comme tout Paris, for security and prosperity, desperate to discard the drab, sexless, utilitarian garb imposed by wartime deprivation. They needed to dream anew.

And Dior delivered: He designed a collection for a bright, optimistic future. “It’s quite a revolution, dear Christian!” exclaimed Carmel Snow, the prescient American editor-in-chief of Harper’s Bazaar, famously proclaiming, “Your dresses have such a new look.” The press ran with the description, christening Dior’s debut Spring/Summer haute couture collection the New Look. “God help those who bought before they saw Dior,” said Snow. “This changes everything.”

Dior’s collection definitively declared that opulence, luxury and femininity were in. His skirts could have 40-meter-circumference hems, and outfits could weigh up to 60 pounds. They were cut and shaped like architecture, on strong foundations that molded women and “freed them from nature,” Dior said. Rather than rationing, his ladies wanted reams of fabric and 19-inch waists enforced by wire corsets, and the fashion world concurred. The debut got a standing ovation.

In the subsequent decade, Paris ruled as the undisputed fashion capital of the world, and Christian Dior reigned as its king. With the luxuriously full skirts of his New Look, suits and his drop-dead gorgeous couture dresses and ball gowns worthy of any princess, Dior gave women the gift of glamour they’d lost in the miserable years of war.

On 1stDibs, find an exquisite range of vintage Christian Dior clothing, jewelry, handbags and other items.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Antique, new and vintage decorative art is crucial to personalizing your interior.

Bringing art into your home will help you create a warm and welcoming atmosphere, whether you are expecting to regularly host guests for cocktails in your living room or you are inclined to soak up some “me time” on weekends by curling up with a book in your library. After all, a room isn’t quite complete until you hang some art on the walls.

Choosing a piece of art for your interior is a matter of finding something that resonates with you. You should also consider what will work with your current decor. Keep in mind that a wide range of objects counts as decorative art — antique and vintage prints, paintings, wall-mounted sculptures and more. There is so much to choose from! And art can feel as deeply personal with the vintage posters that promoted your favorite classic films as it can with framed photographs of your loved ones.

Decorative art can set the mood for a room and will typically make for great conversation. When you find wall decor and decorations that speak to you, why not introduce them into your space? It will give you and your guests the opportunity to meaningfully engage with the art every time you see it. You can play with different styles, eras and colors. Mix and match pieces to integrate a refreshing pop of color or create a theme by dedicating a room to a color palette or certain time period. A great way to tie your layout together is to choose wall art that complements your decor and color scheme.

Folk art is an interesting category for its wide range of works across various media and the array of textures it can offer. Paper art is another versatile option because it will be easy to find a home for portraits, collages, drawings and other works in your space. With decorative paper art, you can also get creative with how you arrange your wall art. There are plenty of options that include hanging the works salon-style.

On 1stDibs, find a constantly growing collection of antique and vintage decorative art today.