Madrid Antique

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

The sheet comes from the Album de la Caballeria Espanola by Serafin Maria de Sotto, published in Madrid in 1861, the plates drawn by D. J. Villegas and printed by the Imprenta y Lito...

Actualmente, se conservan cuadros y dibujos de José Lupiáñez en el Museo de la Historia de Madrid (antes Museo Municipal), en La Academia de Bellas Artes de San Fernando (Madrid) y e...

Él continuaría exponiendo en París, Madrid y Roma. Finalmente regresó a España y abrió su estudio y taller en Barcelona.

An important feature is the woven inscription and emblem in the lower-left area, incorporating a royal-era Spanish symbol/emblem, with the word “MADRID” woven beneath it. This markin...

The lower margin identifies the Madrid printing establishment of J. Palacios at 27 Calle del Arenal.

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled on the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

Titled in the lower Very good impression. Madrid: Calcografia Real, 1881-1886 The first edition of Capricci was published on 6 February 1799 and put on sale the same day in a liqu...

It was engraved in Madrid by José Joaquín Fabregat (1748–1807), a major Spanish master engraver and draftsman of the Lumières, celebrated for the extreme finesse and precision of his...

The lower margin identifies the Madrid printing establishment of J. Palacios at 27 Calle del Arenal.

Issued by the influential Madrid bullfighting journal La Lidia, it appeared during the year in which the celebrated matador unexpectedly retired from the ring.

As mentioned earlier, I have no documentation directly confirming that these particular paintings represent "Don Juan" but, the advertisement mentions his "owner and trainer, Señor P...

Brass tag reads "Thonet Hermanos Madrid" Dimensions: 34" Height: X 14" Wide X 16" Depth 18.5" Seat Height Germany, 1890

Its characteristics are similar to those of silverwork from the Madrid school of the last third of the 17th century, although, being a highly prized and common type in Spain at the t...

Senet exhibited internationally and received several distinctions during his career, including a silver medal at the Exposición Nacional de Bellas Artes in Madrid in 1884 and a furth...

Note the similarity of the frame to two pieces preserved in the Reliquary of the Royal Monastery of the Incarnation in Madrid (inventories 00620062 and 00620088), anonymous Italian w...

Notes: The small white milk jug and a similar depiction of a boy also appear in a painting by the artist titled *Pícaro de cocina*, held at the Museo del Prado in Madrid.

In 1923, he exhibited around twenty floral compositions at the Salón Nancy in Madrid. Active in Catalan and Aragonese artistic circles, he also exhibited in Latin America.

Eduardo León Garrido (Madrid, 1856 – 1949, Caen) Sleeping Woman in a Pink Dress Oil on panel, signed lower right "Garrido" 39 × 39 cm Provenance: Private collection, France Born i...

In 1673, she accompanied her husband and their children to Madrid during his Imperial embassy to the court of Charles II of Spain.

Aparte de en Barcelona, expuso también en Madrid, Zaragoza, París, etc. Su pintura, caracterizada por una delicada técnica, demuestra la predilección del artista por las marinas y p...

En España fue socio de mérito en el Salón de Otoño de Madrid en 1923, donde participó exponiendo varios paisajes españoles.

The quality of her work earned her an invitation from the Spanish king to move to the court in Madrid in 1695—an honor granted only to established artists—where she worked to great a...

Remitió sus pinturas a numerosas exposiciones y certámenes, a las de Barcelona y a las Nacionales de Bellas Artes de Madrid, la Universal de París e Internacionales de Múnich, Brusel...

He worked in Huesca Cathedral, Madrid (relief of the Assumption of the Virgin for the Convent of Santo Domingo el Real, now in the National Archaeological Museum), Toledo Cathedral, ...

The plate was published in Madrid in 1748 as part of the landmark scientific work Relación Histórica del Viaje a la América Meridional by Jorge Juan y Santacilia and Antonio de Ulloa.

The work was first published in Madrid in 1748 and remains one of the most important eighteenth-century sources on colonial South America.

Son and pupil of painter Manuel Marqués Carles, he studied at the Escola de la Llotja in Barcelona and later continued his artistic training in Madrid, Paris and Rome. He exhibited e...

Compare, for example, with the so-called "Inquisition Desk" from around 1600, which is in the National Museum of Decorative Arts in Madrid, or with several 17th-century sideboards in...

A boxed inset at lower right, "South-East Corner Extension," carries the coverage down into the Missouri Bootheel, with Pemiscot, New Madrid and Dunklin counties, an area that falls ...

One of the greatest decorative artists of 18th-century Venice, active in Venice, Würzburg, and later Madrid, Tiepolo was also one of the most virtuosic draftsmen of his time.

His work is represented in museums and collections around the world, such as MOMA and the Guggenheim in New York, the Tate Gallery in London, the MACBA in Barcelona and the Reina Sof...

He enrolled at the Academy of Fine Arts in Palma, studying under instructors like Juan Mestre and Miguel Torres Sancho, and later exhibited widely in Madrid and Barcelona. He spent t...

Eugenio Lucas Velázquez (Madrid, 1817-1870) His beginnings as a cabinetmaker led him to become the appraiser of Goya's Black Paintings.

Eugenio Lucas Velázquez (Madrid, 1817-1870) His beginnings as a cabinetmaker led him to become the appraiser of Goya's Black Paintings.

Survage,Cubism,1915,france Leopold Survage ( 1879-1968) Work signed lower right Provenance : Gallerie Zlotowski Paris Galerie Guillermo de Osma ,Madrid Private collection In Madrid...

From his native Ciudad Rodrigo, he went to Madrid to be part of the workshop of one of the best sculptors of the moment, Miguel Blay.

PROVENANCE Private Collection, Madrid

It is easy to identify the sitters of this fascinating pair of portraits with the rulers Philip V of Bourbon (Versailles, 1683 - Madrid, 1746) King of Spain, with Maria Luisa of Savo...

. - Private collection, Madrid. Bibliography - ANDERSON, N.K. Anna Andreevna Akhmatova.

Lepicie's work is housed in some of the most important international galleries and museums on the planet, including; The Louvre Paris, The Metropolitan Museum of Art NY, The nationa...

Its earliest recorded use in Europe dates back to 1584, when it was incorporated into the construction of the El Escorial palace near Madrid, commissioned by King Philip II.

. • Hyacinthe Rigaud, probably circa 1721, Royal Palace, Madrid, 144 × 112 cm, inv. 10006875. • Workshop of Hyacinthe Rigaud, Château de Versailles, 148 × 116 cm, inv.