Marble Face

marble: white for the faces and hands, and reddish and pinkish veining for the clothing, achieving a

reinterpreted with a Neoclassical sensibility. The sculptural treatment of the face in white marble highlights

and strategy. The sculpture is notable for the refined contrast between the white marble of the face

refined contrast between the polished black marble of the face and the veined beige marble of the

lined drawers, having quadrant mounts, and two faux drawers, all, most unusually, faced with marble

"Tempests" Bronze & Marble Sculpture 12" x 8" in by Ibrahim Abd Elmalak Double-faced Bronze

incised and gilt-accented foliate motifs adorn the faces, while contrasting marble veining at the corners

This small marble head of the Buddha is from the Shan States of Burma and carved from white marble

urns. Made of polychrome marble with natural veining, they combine polished white marble for the faces

includes a variegated green marble base. The face of the clock has Roman numerals. MEASUREMENT: 13.5

crafted from bush-hammered Calacatta Bianco marble, showcasing a split-face effect that enhances its white

Set of 4 similar Italian Neo-Classic (19th Century) white marble relief busts depiction four faces

blooms and a butterfly. The most unique clock face is made in the same marble as the surrounding stone

marble for the face and neck, and in a spectacular combination of red and white onyx for the toga. The

block is crafted from bush-hammered Calacatta Bianco marble, showcasing a split-face effect that

A most delightful and high quality French 19th century Louis XVI st. white Carrara marble and

stunning marquetry inlay throughout, bronze hardware, bronze male and female faces, shaped rogue marble top

varnish. Its base block is crafted from bush-hammered Calacatta Bianco marble, showcasing a split-face

crafted from honed Nero Marquina marble, showcasing a split-face effect that enhances its black tones and

column, with a face of red marble and Roman numerals in ormolu. Next to the clock face column stands the

stylish cubist shape, with an offset white marble block incorporating the face, set off against a larger

varnish. Its base block is crafted from honed Nero Marquina marble, showcasing a split-face effect that

white marble. The sculpture represents the face of a young Julius Caesar, Julius Caesar formally known

, 2000 Bronze & Marble (Double Face) 40 x 18 cm, Signed & Dated Sculptures that mostly depict his

central relief panel in patinated bronze. The circular red marble clock face displays the time in ormolu

tables with rouge marble tops. (Cupids face left and right) (PRICED AS Pair)

A attractive, stylised bronze casting of a male torso, on a black marble base.The face is detailed

, with rare evocative power. The artist combines an 18th-century marble bust, whose face conveys

pedestals consists of marble tops, parquetry faces, and gilt-bronze mounts, in a bombe shape, with curving

central foliate mount. At the center of the circular stepped black Belgian marble base is the clock face

elements. Stone: Oolite Marble Size: The face of each cufflink measures 23mm length x 19mm height x 4mm

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze &

"Equine Spirit I" Bronze Sculpture 14.5" x 6" inch by Ibrahim Abd Elmalak Double-faced Bronze

Moglie (Husband and Wife) represents an inseparable pair rising from a solid marble base. The two figures

A vibrant pair of pedestals showcasing marble tops, parquetry-patterned curving faces and short

backward, fingertips brushing the marble, while her uplifted face—eyes closed and lips slightly parted

A vibrant set of parquetry pedestals showcasing marble tops, parquetry-patterned curving faces and

A vibrant set of parquetry pedestals showcasing marble tops, parquetry-patterned curving faces and

marble, the console features expressive faces carved and arranged in contrasting tones, engaging with the

veined colors. Unique and rare composition due to the natural staining of the marble: her face turned

lateral ones. The column is attached to a double squared base that is supported by a white squared marble

Very fine three piece garniture set, of gilt bronze and Rouge Griotte marble, the clock face signed

figure in motion rests atop a black marble base in a wooden frame, the face of the marble is incised Le

ornamental pictorial structure. The 'marble' is a type of limestone, found in the Tuscan Apennine or on the

Exceptional presentation of a beautiful bronze sitting on top of a plateau of griotte Marble, 19th

Exceptional presentation of a beautiful bronze sitting on top of a plateau of griotte marble, 19th

-19th Century Sculptures of Women in Science / Math and the Art fields raised on square white marble

and Maiden Faces on Stepped Marble Bases - a Pair. "BB" monogram to bronze at rear of base. Large

shaped marble top resting above a fully carved giltwood base in the form of a spread-winged eagle perched

with an Egyptian scarab with outstretched wings. The face, in white marble, with gentle characteristics

stone. In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski

stone. In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski

stone. In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski

stone. In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski

lamp, the rougher face of stone - marble chips meets the elegant refinement of Swarovski crystal. Both

patinated brass repousse fronton supports the marble dial face. The Roman numerals were hand painted in blue

1436 with a dome engineered by Filippo Brunelleschi,[1] the basilica's exterior is faced with