Marble Face

The sculpture is notable for the refined contrast between the white marble of the face and the elaborate breastplate in veined marble with shades of green, ochre, and reddish tones, ...

A bureau plat in the Louis XVI manner Constructed in mahogany, Carrara marble, and extensively dressed with fine ormolu mounts; of freestanding rectangular form, rising from field...

An elegant, classically inspired sculptural bust carved from two-tone marble, highlighting the refined contrast between the polished black marble of the face and the veined beige mar...

Crafted in multicolor marble, the console features expressive faces carved and arranged in contrasting tones, engaging with the idea of performance and perception.

"Tempests" Bronze & Marble Sculpture 12" x 8" in by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic ...

This small marble head of the Buddha is from the Shan States of Burma and carved from white marble.

Made of polychrome marble with natural veining, they combine polished white marble for the faces, arms, and feet with green and ochre tones in the folds of the garments, achieving a ...

The clock's case is made of gilt bronze (ormolu) and includes a variegated green marble base. The face of the clock has Roman numerals.

Set of 4 similar Italian Neo-Classic (19th Century) white marble relief busts depiction four faces framed by ornately carved hair.

Its base block is crafted from bush-hammered Calacatta Bianco marble, showcasing a split-face effect that enhances its white tones and cream veins.

The most unique clock face is made in the same marble as the surrounding stone, and features Gilt roman numerals to denote the hours, and is covered by a port hole style Glass case a...

This imposing sculpture represents a classical Roman bust, masterfully sculpted in polished white marble for the face and neck, and in a spectacular combination of red and white onyx...

Its base block is crafted from bush-hammered Calacatta Bianco marble, showcasing a split-face effect that enhances its white tones and cream veins.

Item features stunning marquetry inlay throughout, bronze hardware, bronze male and female faces, shaped rogue marble top with beveled edges, working lock and key, 5 dovetailed drawe...

At the front center of the podium is an Ormolu plaque displaying charming cherubs studying below a wreath of berried laurel garlands leading up to a fluted marble column supporting t...

The circular clock dial is set to the front of the column, with a face of red marble and Roman numerals in ormolu.

Its base block is crafted from bush-hammered Calacatta Bianco marble, showcasing a split-face effect that enhances its white tones and cream veins.

Its base block is crafted from honed Nero Marquina marble, showcasing a split-face effect that enhances its black tones and white veins.

Very stylish cubist shape, with an offset white marble block incorporating the face, set off against a larger variegated marble backing.

Its base block is crafted from honed Nero Marquina marble, showcasing a split-face effect that enhances its black tones and white veins.

The sculpture realized by a Roman sculptor as from the Roman academy tradition, is carved with white marble. The sculpture represents the face of a young Julius Caesar, Julius Caesa...

The circular red marble clock face displays the time in ormolu Roman numerals and hands and is framed within an ormolu laurel leaf border.

"Love of Horses" Bronze and Marble Sculpture 16" x 7" in by Ibrahim Abd Elmalak Love of Horses, 2000 Bronze & Marble (Double Face) 40 x 18 cm, Signed & Dated Sculptures that mostl...

Pair of French Louis XV-style (19th Century) gilt rococo carved cupid base half round console tables with rouge marble tops. (Cupids face left and right) (PRICED AS Pair)

A attractive, stylised bronze casting of a male torso, on a black marble base.The face is detailed and skilfully done.

This fine pair of pedestals consists of marble tops, parquetry faces, and gilt-bronze mounts, in a bombe shape, with curving faces and short gilt feet.

At the center of the circular stepped black Belgian marble base is the clock face framed within a fine reeded ormolu bezel.

Crafted in multicolor marble, the console features expressive faces carved and arranged in contrasting tones, engaging with the idea of performance and perception.

Additional Information Material: Rhodium plated sterling silver with brown-coloured enamel elements. Stone: Oolite Marble Size: The face of each cufflink measures 23mm length x 19mm ...

The sculpture possibly alludes to Janus, the ancient Roman god of transitions and time. Depicted having two-faces, Janus presides over war and peace. It is fitting that this sculptur...

A vibrant set of parquetry pedestals showcasing marble tops, parquetry-patterned curving faces and ornate gilt-bronze mounts and short gilt feet.

Both elegant and playful, the lioness rests on a polished black marble base. From the expressive face to the carefully modeled paws and tail, the work reveals Zadora’s technical prec...

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figu...

"Equine Spirit I" Bronze Sculpture 14.5" x 6" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic fi...

Marito e Moglie (Husband and Wife) represents an inseparable pair rising from a solid marble base. The two figures face each other—sometimes close, sometimes distant—yet always unite...

A vibrant pair of pedestals showcasing marble tops, parquetry-patterned curving faces and short feet.

The arms extend gently backward, fingertips brushing the marble, while her uplifted face—eyes closed and lips slightly parted—suggests serene introspection.

A vibrant set of parquetry pedestals showcasing marble tops, parquetry-patterned curving faces and ornate gilt-bronze mounts and short gilt feet.

In white alabaster and marble in grey, beige and black veined colors. Unique and rare composition due to the natural staining of the marble: her face turned towards the light and the...

The column is attached to a double squared base that is supported by a white squared marble base. Two carved metal face masks serve to hold the chains of the bigger pans.

Very fine three piece garniture set, of gilt bronze and Rouge Griotte marble, the clock face signed Thiebaut Freres. The candelabra are 35 inches in height.

a beautifully modeled antique terra cotta sculpture after the bronze by Pierre-Jean David d'Angers (French, 1788-1856) depicting Louis II of Bourbon, Prince of Condé (1621-1686), kn...

The door below is disguised by a large, pietra paesina panel with black marble inlay creating an arch, faced with ripple mouldings and flanked by bold, ebony, ring, turned columns.

Exceptional presentation of a beautiful bronze sitting on top of a plateau of griotte Marble, 19th century. The clock face is enamel with floral and foliate paintings surrounding th...

Exceptional presentation of a beautiful bronze sitting on top of a plateau of griotte marble, 19th century. The clock face is enamel with floral and foliate paintings surrounding th...

Early to Mid-19th Century Sculptures of Women in Science / Math and the Art fields raised on square white marble plinths. Beautiful female faces with hair gathered in a chignon, no...

Stunning Antique French Empire Neoclassical Gilt Bronze Figural Urn Form Table Lamps with Wreath and Maiden Faces on Stepped Marble Bases - a Pair. "BB" monogram to bronze at rear of...

The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard, adorned with an Egyptian scarab with outstretched wings. The face, in white marble, with ...

The surfaces are flat and polished, with no visible joinery on the upper face. Beneath the marble, the eagle’s head is turned to one side, and the wings are spread horizontally, prov...

In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski crystal.

In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski crystal.

In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski crystal.

In this lamp, the rougher face of stone-marble chips meets the elegant refinement of Swarovski crystal.

In this lamp, the rougher face of stone - marble chips meets the elegant refinement of Swarovski crystal.

A beautifully patinated brass repousse fronton supports the marble dial face. The Roman numerals were hand painted in blue on white porcelain shield forms.

Commenced in 1296 in the Gothic style to a design of Arnolfo di Cambio and completed by 1436 with a dome engineered by Filippo Brunelleschi,[1] the basilica's exterior is faced with ...

The hand-sculpted matte white porcelain surface recalls the cool luminosity of Carrara marble, lending Christ's serene, meditative face an air of timeless dignity entirely in keeping...