Marble Slab

interlocking of marble slabs of different thicknesses. Designed by Christophe Pillet for Kreoo and suitable for

slabs, each pedestal is adorned with an intricate ormolu frieze. Beneath the marble, three bronze

original "Noir Belge" black marble slab top. Marks/Signed: The side of the drawer stamped in black

a white Carrara marble slab, gilded bronze fittings. Provenance: Private collection, Wallonia

creators of the famed Bureau du Roi. Topped with a richly veined rouge marble slab, the desk is bordered

tops are finished with fitted veined marble slabs, likely a warm-toned material such as Breche or Rosso

elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles

base. the tray is composed of 8 marble slabs (Pierre de Soignies) dimension : 73x246x100 cm + 2

extended wings, which rise slightly at the tips and support the marble slab along its underside. The top

room. It retains its original polished stainless-steel pulls, legs, and trim. The white marble slab

and white variegated marble slab crowns each piece, shaped to match the undulating outline of the case

solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work

. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted

16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs

richly figured Breccia marble slabs, introducing a subtle chromatic contrast and natural texture to the

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi

elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles

Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi

depth and shifting reflections of a lake. A hand-polished slab of Italian marble is split and seamlessly

inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble

Victoria and Albert Museum, and the same black and “gold” Portoro Macchia Larga marble slab’ (C. Payne

inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

who has not seen it in person: imagine a dramatic slab of black marble, its surface softly reflective

modern Italian craftsmanship. The octagonal top, carved from a single slab of pale marble, features soft

, topped with a massive thick dramatically veined white marble slab top with contoured and beveled edge

inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This

century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with

on two marble slabs or shelves. The fresh, brightly colored fruits including pears, peaches, currants

. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted

bronze sabots, topped with the original thick brocatelle violette marble slab with molded edge and old

made from a unique slab of marble making each and every piece bespoke. Please note that due to the

). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the

. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles

inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble

slab marble construction in shades of cream, peach and grey veining. Measures: 78" width x 39" depth x

medallions and acorn stretcher finials all supporting a rich green slab of French marble. Wear commensurate

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

a large slab of marble with circular cut outs. Extremely heavy and well made. Strong enough to be

a large slab of marble with circular cut outs. Extremely heavy and well made. Strong enough to be

A single slab of marble rests inside a teak wood frame. Please note the sides of the marble have a

base with bold geometric contrast. Two circular black marble forms flank a central rectangular slab of

the register, each marble slab is listed as 4 cm. thick and 60 cm. deep, as in the present lot. Left

Giovannozzi. - Slab in marble type "NERO MARQUINIA" or "CARRARA". - Metal structure brass finishing.

single slab of marble, 2 centimeters thick, carved inside to obtain edges in slight relief. Often placed

single square leg, also in white Carrera marble. Thick 1 inch (3cm) slab sits atop a base of 4 mitered

This Bronze portrait by Constantin Antonovici is laid directly into the surface of a cut slab of

Gustavian taste. The Swedish table features a massive 1.5 inch thick slab of Carrara marble resting on a

angle. Topping the cabinet is a striking slab of green marble, richly patterned with expressive veins

for Skipper. It relies solely on gravity to bond the slabs of marble together without fixings or glues

bottom for stability and style. The top showcases a single slab of Calacatta marble with natural veining

Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs

thick slab of pink marble, which slots into the apron. Raised on cabriole legs, each made up of three