Mario Mafai

Two women is a modern artwork realized by Mario Mafai in the early 20th Century. China ink

The paintings of Mario Mafai is a vintage Catalogue issued by Galleria della Cometa for the

Roman School, and where she met Mario Mafai, who was to become her husband. In her artistic career, she

where she met Mario Mafai, who was to become her husband. In her artistic career, she distinguished

the most important exponents of the Roman School, and where she met Mario Mafai, who was to become her

with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti. His pictorial

joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and

collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti

collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti

movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as well as

Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta

joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and

. Having joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and

. Having joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and

especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti. His

collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti

movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as well as

Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta

collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti

Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as

collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti

movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as well as

Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta

. Having joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and

1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as well as with

Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta

with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti. His pictorial

Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as

movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as well as

, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and

style of the great post-war Roman School of Mario Mafai is easily recognisable in these brushstrokes

) movement together with her husband Mario Mafai. She was an artist characterised by a profound anti-academic

collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti

and public success. In his painting we find the colors of the Roman School of Scipio, Mario Mafai and

painters of the Roman School was formed in the studio of Mario Mafai. De Libero followed these artists

, Writers and poets between the '40s and' 70s. He is also very active politically, with Mario Mafai, Guttuso

, Carmelo Savelli, Mario Samonà, Mario Mafai and many others. In the post-war period he was a protagonist of

' 70s. He is also very active politically, with Mario Mafai, Guttuso and Afro. He realized the first

Roman School was formed in the studio of Mario Mafai. De Libero followed these artists assiduously and

also very active politically, with Mario Mafai, Guttuso and Afro. He realized the first head of L'Unità

where he meets Scipione, Mario Mafai, and Corrado Cagli. In 1936 he engages in a series of murals for

to Rome where he meets Scipione, Mario Mafai, and Corrado Cagli. In 1936 he engages in a series of

the studio of Mario Mafai. De Libero followed these artists assiduously and commented on their works

and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra

and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra

such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di

such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di

such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di

such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di

half of the 20th century. This group of artists, which included painters such as Mario Mafai and Gino

Mario Mafai Natura Morta 1940s oil on canvas 80 x 60 cm Signed lower right Description: Mario

Mario Mafai Two vases of roses (Due vasi di rose) 1952 oil on canvas 61 x 71 cm signed upper left

Mario Mafai I tetti di Via Margutta (The roofs of Via Margutta) 1943 oil on canvas 34 x 55 cm

similarities with the representatives of the Scuola di via Cavour, inviting Scipione (1904-1933), Mario Mafai

On the back a label written by the Artist: Mario Maffai (sic) Via Margutta Roma. On the back