Mary Magdalene

Artist/ School: Italian School, early 18th century Title: Mary Magdalene attended by Cherubim Medium: oil painting on canvas laid on board, framed Size: painting: 34cm x 49cm ...

This stunning Old Master 17th century Italian Baroque School religious portrait oil painting is of Mary Magdalene. It is also a Memento mori, a Latin phrase meaning ‘remember you mus...

A late 19th century KPM portrait plaque of Mary Magdalene with impressed Scepter Mark and KPM Mark, titled and marked on Verso in pencil, and impressed numbered.

Late 1600s or early 1700s palmwood statuette of Mary Magdalene, extremely rare. Over the centuries the ideas about Mary Magdalene and her role in the life of Christ seem to have cha...

Over the centuries the ideas about Mary Magdalene and her role in the life of Christ seem to have changed constantly and still are.

Upper Rhine region, 16th century Mary Magdalene Oil on panel applied to wooden board 62 x 52 cm - framed 91 x 55 cm On the reverse, sticker referring to the Wallraf Richart...

Penitent Mary Magdalene on oak panel with atelier drawings and paper collage on the reverse.

Mary Magdalene Signed and dated lower left: Vivien J 1734 pastel on paper, In 19th century gilt frame Dimensions: oval: 47 x 34 cm, Dimensions incl. frame: 80 x 69 cm.

Among the most important artists of the Tuscan Baroque, Felice Ficherelli's pictorial nature is characterized by a harmonious style, which is fully recognizable in this mystical Mary...

There will be times when additional patience will be necessary. Depicting Mary Magdalene in a blue dress reading a book. Oil on canvas. 19th century.

Brownish ink and grayish ink wash with white heightening on handmade cream laid paper, 10 5/8 x 8 1/4 inches (267 x 208 mm)(matrix). Scattered minor losses to top sheet edge (outside...

Circle of Bernhard Keilhau, known as Monsù Bernardo (Helsingør 1624 - Rome 1687) - Maddalena. 64 x 79.5 cm without frame, 82 x 98 cm with frame. Antique oil painting on canvas, in ...

Genoese painter (c. 1650) - Maddalena. 35 x 27 cm without frame, 51 x 43 cm with frame. Oil on panel, in carved wooden frame (defects). Condition report: Good state of conservatio...

Giacinto Brandi (Rome 1621 - Rome 1691) - "St. Mary Magdalene in meditation". 62.5 x 49 cm without frame, 71 x 58 cm with frame.

This 18th-century oil painting depicts the penitent Mary Magdalene before a cave dwelling and mountainous scenery.

In the center, the Virgin is shown with the body of Christ in her arms; Mary Magdalene takes one of Jesus' hands; in the background, on the sides of the Cross, appear San Juan, Nicod...

An important piece, it has been copied by other notable artists such as David Corte and Sebastiano Ricco. The scene features Mary Magdalene washing the feet of Jesus. Due to age, the...

The painter has always been fascinated by the idea of the women at the tomb; the Mary Magdalene’s unexpected meeting with someone she thought dead, especially as depicted by Duccio d...

Antichità Castelbarco SRLS is proud to present: Scipione Pulzone, known as Il Gaetano (Gaeta, 1544 - Rome, 1598) workshop of Mary Magdalene at the Tomb Oil on canvas (131 x 99 cm. -...

Very beautiful stylized Christ surrounded by a halo. At his side, Mary and Mary Magdalene. In bas-relief, the archangels Michael and Gabriel.

Ceramic figures of the Virgin and Mary Magdalene stand one each side of the cross.

The painter has always been fascinated by the idea of the women at the tomb; the Mary Magdalene?s unexpected meeting with someone she thought dead, especially as depicted by Duccio d...

The painter has always been fascinated by the idea of the women at the tomb; the Mary Magdalene?s unexpected meeting with someone she thought dead, especially as depicted by Duccio d...

Explore the profound historical narrative captured in this 18th-century French copper engraving from Paris, depicting the crucifixion of Jesus with Mary Magdalene. Rich in symbolism,...

The painter has always been fascinated by the idea of the women at the tomb; the Mary Magdalene’s unexpected meeting with someone she thought dead, especially as depicted by Duccio d...

Mary Magdalene Roman classicism of the 17th century Circle of Gian Domenico Cerrini (Perugia, 1609 - Rome, 1681) Oil on slate 54.5 x 47.5 cm.

Dutch painter of the 17th-18th century - Crucifixion with St. Mary Magdalene, Angels and Cherubs. 49 x 31 cm without frame, 67.5 x 50.5 cm with frame.

His only reference to the subject suggests that he may have wanted to link the reclining woman with Mary Magdalene, although he places her not in a Biblical landscape but in an unlik...

The set starts with The Virgin Mary; then includes St. Anna (Mother of The Virgin); Elizabeth, wife of Zacherias; Anna Prophetissa; the Samaritan woman; the Adulturous Woman; Woman f...

He won the Prix de Rome in 1890 and exhibited at the Salon des Artistes Français, of which he was a member from 1889 and where he was awarded a second-class medal in 1898 for The Con...

He won the Prix de Rome in 1890 and exhibited at the Salon des Artistes Français, of which he was a member from 1889 and where he was awarded a second-class medal in 1898 for The Con...

Villa's work is reminiscent of a scene in the tomb of Christ with Mary Magdalene, Mary of Clopas, and Mary Salome among others.

The central figure of Christ, dressed in an earthy robe with a flowing red mantle, extends his hand towards a kneeling woman, possibly Mary Magdalene or the Virgin Mary, in an act of...

They would have to be Mary Magdalene and the other lady would then probably be Mary, the mother of James.

This polychrome painting on metal depicts Jesus, hanging on the cross with Mary, John and Mary Magdalene to support him. This painting is framed in a beautifully carved, Gothic Revi...

Joseph of Arimathea and Nicodemus lift his body, while in the background John the Apostle holds a torch with one hand, the only source of light that radiates the characters immersed ...

French painter of the 18th century - Follower of Guido Reni (Bologna 1575 - 1642) It bears the signature 'B.Greuze', lower left Saint Mary Magdalene praying Oil painting on canvas,...

He won the Prix de Rome in 1890 and exhibited at the Salon des Artistes Français, of which he was a member from 1889 and where he was awarded a second-class medal in 1898 for The Con...

He won the Prix de Rome in 1890 and exhibited at the Salon des Artistes Français, of which he was a member from 1889 and where he was awarded a second-class medal in 1898 for The Con...

He won the Prix de Rome in 1890 and exhibited at the Salon des Artistes Français, of which he was a member from 1889 and where he was awarded a second-class medal in 1898 for The Con...

It is in this space that the figures are placed, distributed in two very separate areas: to the left of Jesus (Mary in the foreground, with two other women and Saint John, Mary Magda...

This exquisite composition depicts the poignant encounter between Christ and Mary Magdalene, set amid a lush garland of vibrant flowers.

The works are located in: "Portrait of Cardinal Julian Vaivoda", 1983, in the Vatican Museum in Rome "Portrait of Pope John Paul II, 1982, in the Roman Catholic Metropolitan Curia...

The works are located in: "Portrait of Cardinal Julian Vaivoda", 1983, in the Vatican Museum in Rome "Portrait of Pope John Paul II, 1982, in the Roman Catholic Metropolitan Curia...

He won the Prix de Rome in 1890 and exhibited at the Salon des Artistes Français, of which he was a member from 1889 and where he was awarded a second-class medal in 1898 for The Con...

Museum and Gallery Holdings Berlin: Evening Landscape with Mary Magdalene Chicago (AI): Tobias and the Angel (1878, oil on canvas); Theocritus (1885-1890, oil on canvas) Douai: Mil...

Museum and Gallery Holdings Berlin: Evening Landscape with Mary Magdalene Chicago (AI): Tobias and the Angel (1878, oil on canvas); Theocritus (1885-1890, oil on canvas) Douai: Mil...

This is the expression that Jesus says to Mary Magdalene after his resurrection. The iconographic tradition of Jesus is a standing figure with a purple mantle.

On the right, there is a female figure crying, probably Mary Magdalene. The composition inspires a sense of tragedy and drama.

On the right, there is a female figure crying, probably Mary Magdalene. The composition inspires a sense of tragedy and drama.

On the right, there is a female figure crying, probably Mary Magdalene. The composition inspires a sense of tragedy and drama.

Gabriel of St. Mary Magdalene de' Pazzi, a revered authority on Carmelite spirituality, wrote that devotion to Our Lady of Mount Carmel means: a special call to the interior life, wh...

This Lazarus was the brother of Mary Magdalene, who, after being resurrected from the dead by Christ, came to France to spread the Gospel after Christ's Ascension.

She also went on an informative trip in the late 1950s, with her fellow art department colleague Sister Mary Magdalene, travelling throughout Europe and Egypt and collecting folk art...

In several Crucifixions, Christ and Mary Magdalene are painted in white. Savelli needs to experience new emotions; by now he finds the Roman School too limiting, whereas Futurism and...

In several Crucifixions, Christ and Mary Magdalene are painted in white. Savelli needs to experience new emotions; by now he finds the Roman School too limiting, whereas Futurism and...

A seconf diagonal is outlined by the other two figures, the desperated Magdalene and the third Mary, almost wrapped by darkness.