Miniatures On Ivory

Her hair is styled in center-parted ringlets, consistent with fashion of the 1830s–1840s. The miniature is painted in watercolor and gouache on a thin ivory tablet and set within a g...

The miniature is executed in watercolor and gouache on a thin ivory tablet and housed within a gilt metal bezel.

The work is finely executed in watercolor and gouache on a thin ivory tablet, displaying the delicate modeling and translucency characteristic of 19th-century miniature painting.

Portrait of a Lady, 19th Century Painting. Miniature on ivory. Wooden frame with leather back. 12 X 12 cm. 

Inside the frame is an extraordinary miniature on ivory painted in grisaille, depicting the profile of a woman, executed by the renowned French painter Pierre Victor Olagnon (1786–18...

The snuff box features a secret compartment that contains a miniature on ivory representing an erotic scene set indoors.

Gold pen weight: 0.45 oz (13.2 g). Miniature on ivory: L 3.9 in. (10 cm) / l: 2.3 in. (6 cm).

The two main plates of the case are embellished with oval miniatures on ivory that are framed in a gold frieze of roses.

She was one of the leading painters of portrait miniatures on ivory during that medium's revival period.

More information: Artist: Daniel Saint (1778-1847) France Title: Portrait of a French Gentleman large portait miniature on ivory signed Saint panel dimensions 27 x 21.4 cm frame i...

A very small number of portrait miniatures on ivory are also recorded. With finely applied detail, the fashions of Gibbs' female sitters are meticulously observed and generally spea...

Portrait miniature depicting a lady in Elizabethan dress with ruff collar and jeweled bodice, rendered in watercolor on a thin ivory tablet.

He was first exposed to art in the photography and antique atelier of his father who painted miniatures on ivory. Establishing himself as a graphic artist, Larisch was one of the fir...

ROBERT HENDERSON (UK, 1826–1904) Miniature oil on ivory in 14K gold case of King Edward VII (1841–1910) in uniform as Captain of HMY “Britannia”, a gaff-rigged cutter yacht built in...

In the center, a beautiful hand painted tempera miniature on a vegetable ivory plate depicting the portrait of a 19th century lady, signed by the painter Anna Maria Manfriani.

The rope outline frames delicate leaf work borders, the filigree decoration to the lid enclosing a finely painted miniature portrait bust on ivory of a young lady.

But the resulting paintings didn't sell in the East, so he, having married Louise Walther, earned money with portrait painting of miniatures on ivory while continuing to do western p...

The latter was then Jean-Paul Laurens’ student at the Académie Julian and painted miniatures on ivory. In 1908, Pascin enrolled in the Matisse Academy.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting.

Georgian-era brooch/pendant featuring a finely executed miniature portrait painted on ivory, a common artistic practice during the 18th and 19th centuries.

COSWAY-STLE BINDING by Bayntun of Bath (stamp-signed on front turn-in) contemporary full blue-green crushed levant, elaborately gilt, raised bands, spine compartments with scrolling ...

In returning to Polish Lwów in 1860, Tepa refused a Professorship at the Kraków Academy of Fine Arts to produce vernacular portraits, folk scenes and landscapes for Count Wlodzimierz...

In returning to Polish Lwów in 1860, Tepa refused a Professorship at the Kraków Academy of Fine Arts to produce vernacular portraits, folk scenes and landscapes for Count Wlodzimierz...

Neumans art career consisted primarily of portraits, genre paintings, lithography, and miniatures, which were usually made on ivory. Johan Heinrich Neumans' art has been displayed a...

COSWAY-STYLE BINDING by BAYNTUM of Bath (stamp-signed on front turn-in) with HAND-PAINTED PORTRAIT MINIATURE of THACKERAY on IVORY inset in the front cover.