Mughal Jali

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

Carved in solid White Marble with a full jali fretwork pattern hand-pierced through the top and pedestal, this round side table brings the open stone screens of Mughal architecture t...

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

Carved from Rainbow Teakwood Stone with a geometric jali pattern pierced through all visible sides, this compact side table draws directly from the tradition of Mughal stone screens.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

White Marble, individually pierced with hundreds of floral jali openings that reduce the solid stone walls to an interlocking lattice. The floral pattern continues without interrupti...

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

Crafted in Black Marble with a pierced jali pattern hand-cut through every visible surface, this round side table is produced in Rajasthan by stone carvers trained in the Mughal fret...

Crafted in White Marble with open jali fretwork cut through both the table top and the turned cylindrical pedestal, this side table is hand-carved by Rajasthani stone artisans in the...

Crafted in White Marble with a pierced jali pattern hand-cut through every visible surface, this round side table is produced in Rajasthan by stone carvers trained in the Mughal fret...

Crafted in Black Marble with open jali fretwork cut through both the table top and the turned cylindrical pedestal, this side table is hand-carved by Rajasthani stone artisans in the...

Crafted in Black Marble with open jali fretwork cut by hand through both the top and the turned base, this cylindrical side table draws from the centuries-old stone-piercing traditio...

Crafted in White Marble with open jali fretwork cut by hand through both the top and the turned base, this cylindrical side table draws from the centuries-old stone-piercing traditio...

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

The result is a form that reads simultaneously as heavy stone and as open, architectural lace — the familiar language of Mughal jali screens translated to furniture scale.

Carved from White Marble with a hand-pierced jali lattice across both the top and turned pedestal, this round side table presents an open fretwork surface drawn from the tradition of...

Crafted in Black Marble with a hand-carved jali fretwork pattern drawn from Mughal architectural screens, this round side table brings stone lattice work to a domestic furniture scal...

Carved from Black Marble with a hand-pierced jali lattice across both the top and turned pedestal, this round side table presents an open fretwork surface drawn from the tradition of...

Crafted in White Marble with a hand-carved jali fretwork pattern drawn from Mughal architectural screens, this round side table brings stone lattice work to a domestic furniture scale.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

The design draws from the tradition of Mughal jali screens, where geometric stone latticework was used to filter light, air, and views within architecture.

Conceived as a domestic translation of Mughal jali architecture, this White Marble umbrella stand is pierced with a floral lattice pattern in the tradition of the stone screens found...

In Mughal design ethos, the jali functioned not merely as spatial division, but as a sacred cosmic grid filtering light into infinite harmony.

The sides are intricately pierced in a traditional Mughal-inspired quatrefoil jali pattern, showcasing fine craftsmanship and architectural detail.

The continuous pattern echoes the intricate carved jali screens of Mughal architecture, offering a sense of infinite expansion across the canvas.