Norwegian Ceramic

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Scandinavian wall hanging sconce set by Konrad Galaaen for Porsgrund Porselænsfabrik Norway circa 1960s Mosaic tile candle holder sconces in rich glazes of blue, turquoise, green, a...

Mid-Century Handmade Ceramic Wall Plate with Viking Designs from Arol, Norway, 1960s, in Very Good conditions.

Featuring a harmonious blend of Norwegian, Danish, and Swedish influences, this lamp showcases a beautifully glazed ceramic base paired with an original floral-patterned lampshade, c...

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Materials: Ceramic. The exhibition Levels of Attachment and Belonging consists of a series of ceramic vases pressed, squeezed, and shaped by moldings, edges, corners, and furniture.

Nordic Organic Brutalist studio pottery – expressive hand‑worked texture, raw tactile clay surfaces, sculptural functional form with perforated detailing, typical Norwegian studio‑ce...

Beautiful mid-century hand painted bowl by Inger Waage for Stavangerflint. Norway, 1950s.  

.: 3528) Sidsel Hanum was born in Norway in 1955. After her Ceramic Diploma from the National College of Art and Design, Oslo in 1981, she has lived and worked on an island in the ...

.: 3527) Sidsel Hanum was born in Norway in 1955. After her Ceramic Diploma from the National College of Art and Design, Oslo in 1981, she has lived and worked on an island in the ...

The name MOSI is inspired by the moss that surrounded the trails on by the lakes, sea and mountain hikes. In Norwegian moss can be written MOSI and the biomorphic sculptural tables a...

The name MOSI is inspired by the moss that surrounded the trails on by the lakes, sea and mountain hikes. In Norwegian moss can be written MOSI and the biomorphic sculptural tables a...

The name MOSI is inspired by the moss that surrounded the trails on by the lakes, sea and mountain hikes. In Norwegian moss can be written MOSI and the biomorphic sculptural tables a...

Unique Scandinavian mid-century modern ceramic table lamp from 1970s. Hand-crafted by Norwegian artist Aase Marie Lommerud (1924–2026), who passed away earlier in 2026.

The lamp features a glazed ceramic base with a pink and brown / black palette influenced by Norwegian, Danish, Finland and Swedish design, paired with a light pink rattan lampshade f...

The lamp features a glazed ceramic base with a natural color palette influenced by Norwegian, Danish, Finland and Swedish design, paired with a yellow fabric lampshade from the perio...

The lamp features a glazed ceramic base with a green color palette influenced by Norwegian, Danish, Finland and Swedish design, paired with a matched lampshade from the period.

The lamp features a glazed ceramic base with a natural color palette influenced by Norwegian, Danish, Finland and Swedish design, paired with an original floral-patterned lampshade w...

Stunning artwork in glazed ceramic / stoneware by renowned Norwegian artist/painter Henrik Sørensen (Torsby, Sweden 1882 - Oslo, Norway 1962).

Midcentury wall candle sconce in ceramic and steel designed by Konrad Galaaen for Porsgrunds Porselænsfabrik, Norway 1960s On the reverse, what appears to be a presentation inscripti...

Scandinavian Design – Norwegian Quality – A 24k gold-plated wall sconce/tea light holder with a solid brass base and glazed art ceramic center.

A rare hand painted silk screen dish/platter by Inger Waage. Moif: Micro-cosmos. Made at Satvangerflint in Norway during the 1950s.

Windy Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 13 x W 13 x H 16 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may vary s...

Dimple Sculptural Vessel by Karin Amdal One Of A Kind. Dimensions: D 13 x W 13 x H 16 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes may vary ...

Set Of 2 Corner Sculptural Vessels by Karin Amdal One Of A Kind. Dimensions: D 12 x W 12 x H 15 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes...

Set Of 2 Corner Sculptural Vessels by Karin Amdal One Of A Kind. Dimensions: D 12 x W 12 x H 15 cm. Materials: Ceramic/stoneware clay. Pieces are hand-made, one of a kind, and sizes...

Set Of 2 Sail Sculptural Vessels by Karin Amdal One Of A Kind. Dimensions: Large: D 16 x W 13 x H 15 cm. Small: D 10 x W 10 x H 12 cm. Materials: Ceramic/stoneware clay. Available i...