Number Plate

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

(Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, publish...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

This original print is numbered on plate in Roman numerals on right margin: “Tom II.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

Honore Daumier (1808-1879), Un Homme a La Mer lithograph, 1843, [with initials in the plate]. Reference: Daumier Register 1036, plate number 14 from the series Les Canotiers Parisien...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Portfolio Includes: 12 Archival Pigment Prints Essay Numbered Colophon with Artist Signature Plate List Title Page Silk Lined Engraved Aluminium Box

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

The print is signed by hand, signed in plate and numbered in an edition of 2500 all to the lower right corner.

An Horizonte console table, altuglass structure decorated with agate circles, gilded brass ornaments. Producer's plate, dated and numbered. Designed by Studio Superego for Superego E...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

This means that we can also produce special designs, e.g. name plate with house number for the front garden. Of course we can also make special designs or special wishes.

Literature: Sandon John, Ewers-Tyne Collection of Worcester Porcelain at the Cheekwood Collection, Nashville, Tennessee, 2007, Item number 77 - a plate from this unique service ident...

Vintage platinum/palladium print 66NNF Titled in pencil on recto Variously numbered in pencil with plate number printed on verso.

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

"Femme Des Aït MGuild" translated to "Woman of the Aït MGuild" is plate number 19 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Cos...

"Mariée Juive de Fès" translated to "Jewish Bride of Fez" is plate number 52 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes...

"Juive du Tafilelt" translated to "Jewish Woman of the Tafilelt" is plate number 55 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "C...

"Femme de Tagmout Chantant L'Ahwas" translated to "Woman Of Tagmout (Singing the Ahwash)" is plate number 44 in Jean Besancenot's stunning portraits and depictions of the people of M...

"Citadine en Tenue de Ménagère" translated to "Townwoman Dressed For Housework" is plate number 9 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from...

Plate number 7 from the quite rare and sought after of Fornasetti 1960’s design series, Adamo & Eva (1965).

Another proof of this thesis is done by the club he carries. Numbered downside on the lower margin at the center, this plate reports the number of 48.

The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bott...

This description highlights the uniqueness of the artwork, emphasizing the artist's reputation, the technique used, the vibrant visuals, and the historical value, appealing to collec...

This original print is numbered on plate in Roman numerals on the higher margin: “Tom II. / Tav.

This original print is numbered on plate in Roman numerals on right margin: “Tom II.

This original print is numbered on plate in Roman numerals on higher margin: “Tom II.

The regular edition was limited to 65 copies and these were only signed and numbered by the artist. Plate dimensions 8.5" x 11.5".

The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bott...

The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bott...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

This original print is numbered on plate in Roman numerals on higher right corner “Tav.

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

(Gomez, Raw Vision #35, p. 36) “Rear Section of B” is Plate Number 33, and is illustrated in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Vall...

Numbered with 14 on plate at the cenetr on lower margin.

The copper plates were canceled after having been printed by Jacques Frélaut and Roger Lacourière.

Upon returning to Flanders he engraved, in accomplished fashion, a great number of plates. His brother, Jan Collaert II, his son, Jan Baptist Collaert II and a grandson were all prin...

Honore Daumier (1808-1879), Oursikoff, lithograph, from Actualities, Plate number 72, published in Charivari, 1854. Reference: Daumier Register 2519, second state of two, a newsprint...

Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the botto...

This means that we can also produce special designs, e.g. name plate with house number for the front garden. Of course we can also make special designs or special wishes.